No Thoroughfare. Charles Dickens

mother and sister to watch him. Don’t take on so, don’t take on so!”

      “O good Sally, dear Sally,” moans the lady, catching at her dress entreatingly. “As you are hopeful, and I am hopeless; as a fair way in life is before you, which can never, never, be before me; as you can aspire to become a respected wife, and as you can aspire to become a proud mother, as you are a living loving woman, and must die; for GOD’S sake hear my distracted petition!”

      “Deary, deary, deary ME!” cries Sally, her desperation culminating in the pronoun, “what am I ever to do? And there! See how you turn my own words back upon me. I tell you I am going to be married, on purpose to make it clearer to you that I am going to leave, and therefore couldn’t help you if I would, Poor Thing, and you make it seem to my own self as if I was cruel in going to be married and not helping you. It ain’t kind. Now, is it kind, Poor Thing?”

      “Sally! Hear me, my dear. My entreaty is for no help in the future. It applies to what is past. It is only to be told in two words.”

      “There! This is worse and worse,” cries Sally, “supposing that I understand what two words you mean.”

      “You do understand. What are the names they have given my poor baby? I ask no more than that. I have read of the customs of the place. He has been christened in the chapel, and registered by some surname in the book. He was received last Monday evening. What have they called him?”

      Down upon her knees in the foul mud of the by-way into which they have strayed—an empty street without a thoroughfare giving on the dark gardens of the Hospital—the lady would drop in her passionate entreaty, but that Sally prevents her.

      “Don’t! Don’t! You make me feel as if I was setting myself up to be good. Let me look in your pretty face again. Put your two hands in mine. Now, promise. You will never ask me anything more than the two words?”

      “Never! Never!”

      “You will never put them to a bad use, if I say them?”

      “Never! Never!”

      “Walter Wilding.”

      The lady lays her face upon the nurse’s breast, draws her close in her embrace with both arms, murmurs a blessing and the words, “Kiss him for me!” and is gone.

      * * * * *

      Day of the month and year, the first Sunday in October, one thousand eight hundred and forty-seven. London Time by the great clock of Saint Paul’s, half-past one in the afternoon. The clock of the Hospital for Foundling Children is well up with the Cathedral to-day. Service in the chapel is over, and the Foundling children are at dinner.

      There are numerous lookers-on at the dinner, as the custom is. There are two or three governors, whole families from the congregation, smaller groups of both sexes, individual stragglers of various degrees. The bright autumnal sun strikes freshly into the wards; and the heavy-framed windows through which it shines, and the panelled walls on which it strikes, are such windows and such walls as pervade Hogarth’s pictures. The girls’ refectory (including that of the younger children) is the principal attraction. Neat attendants silently glide about the orderly and silent tables; the lookers-on move or stop as the fancy takes them; comments in whispers on face such a number from such a window are not unfrequent; many of the faces are of a character to fix attention. Some of the visitors from the outside public are accustomed visitors. They have established a speaking acquaintance with the occupants of particular seats at the tables, and halt at those points to bend down and say a word or two. It is no disparagement to their kindness that those points are generally points where personal attractions are. The monotony of the long spacious rooms and the double lines of faces is agreeably relieved by these incidents, although so slight.

      A veiled lady, who has no companion, goes among the company. It would seem that curiosity and opportunity have never brought her there before. She has the air of being a little troubled by the sight, and, as she goes the length of the tables, it is with a hesitating step and an uneasy manner. At length she comes to the refectory of the boys. They are so much less popular than the girls that it is bare of visitors when she looks in at the doorway.

      But just within the doorway, chances to stand, inspecting, an elderly female attendant: some order of matron or housekeeper. To whom the lady addresses natural questions: As, how many boys? At what age are they usually put out in life? Do they often take a fancy to the sea? So, lower and lower in tone until the lady puts the question: “Which is Walter Wilding?”

      Attendant’s head shaken. Against the rules.

      “You know which is Walter Wilding?”

      So keenly does the attendant feel the closeness with which the lady’s eyes examine her face, that she keeps her own eyes fast upon the floor, lest by wandering in the right direction they should betray her.

      “I know which is Walter Wilding, but it is not my place, ma’am, to tell names to visitors.”

      “But you can show me without telling me.”

      The lady’s hand moves quietly to the attendant’s hand. Pause and silence.

      “I am going to pass round the tables,” says the lady’s interlocutor, without seeming to address her. “Follow me with your eyes. The boy that I stop at and speak to, will not matter to you. But the boy that I touch, will be Walter Wilding. Say nothing more to me, and move a little away.”

      Quickly acting on the hint, the lady passes on into the room, and looks about her. After a few moments, the attendant, in a staid official way, walks down outside the line of tables commencing on her left hand. She goes the whole length of the line, turns, and comes back on the inside. Very slightly glancing in the lady’s direction, she stops, bends forward, and speaks. The boy whom she addresses, lifts his head and replies. Good humouredly and easily, as she listens to what he says, she lays her hand upon the shoulder of the next boy on his right. That the action may be well noted, she keeps her hand on the shoulder while speaking in return, and pats it twice or thrice before moving away. She completes her tour of the tables, touching no one else, and passes out by a door at the opposite end of the long room.

      Dinner is done, and the lady, too, walks down outside the line of tables commencing on her left hand, goes the whole length of the line, turns, and comes back on the inside. Other people have strolled in, fortunately for her, and stand sprinkled about. She lifts her veil, and, stopping at the touched boy, asks how old he is?

      “I am twelve, ma’am,” he answers, with his bright eyes fixed on hers.

      “Are you well and happy?”

      “Yes, ma’am.”

      “May you take these sweetmeats from my hand?”

      “If you please to give them to me.”

      In stooping low for the purpose, the lady touches the boy’s face with her forehead and with her hair. Then, lowering her veil again, she passes on, and passes out without looking back.