An indescribable terror held her fast. She could not cry out. She could not stir. She could only look.
Then the bride put back the veil, and Betty, studying the white face, saw that this actually was not herself; it was her dead sister, Letice.
THEN THE BRIDE PUT BACK HER VEIL, AND BETTY, STUDYING THE WHITE FACE, SAW THAT THIS ACTUALLY WAS NOT HERSELF; IT WAS HER DEAD SISTER LETICE.
The apparition put forth a hand and laid it on her and spoke: "Do not be frightened. I will do you no harm. I love you too dearly for that, Betty. I have been married in your name; I have exchanged vows in your name; I have received the ring for you; put it on your finger, it is not mine; it in no way belongs to me. In your name I signed the register. You are married to Charles Fontanel and not I. Listen to me. I will tell you all, and when I have told you everything you will see me no more. I will trouble you no further; I shall enter into my rest. You will see before you only the wedding garments remaining. I shall be gone. Hearken to me. When I was dying, I died in frantic despair, because I had never known what were the pleasures of life. My last cries, my last regrets, my last longings were for the pomps and vanities."
She paused, and slipped the gold hoop on to the forefinger of Betty's hand.
Then she proceeded—
"When my spirit parted from my body, it remained a while irresolute whither to go. But then, remembering that my aunt had declared that I never would go to Heaven, I resolved on forcing my way in there out of defiance; and I soared till I reached the gates of Paradise. At them stood an angel with a fiery sword drawn in his hand, and he laid it athwart the entrance. I approached, but he waved me off, and when the point of the flaming blade touched my heart, there passed a pang through it, I know not whether of joy or of sorrow. And he said: 'Letice, you have not been a good girl; you were sullen, resentful, rebellious, and therefore are unfit to enter here. Your longings through life, and to the moment of death, were for the world and its pomps and vanities. The last throb of your heart was given to repining for them. But your faults were due largely to the mistakes of your rearing. And now hear your judgment. You shall not pass within these gates till you have returned to earth and partaken of and had your fill of its pomps and vanities. As for that old cat, your aunt'—but no, Betty, he did not say quite that; I put it in, and I ought not to have done so. I bear her no resentment; I wish her no ill. She did by me what she believed to be right. She acted towards me up to her lights; alas for me that the light which was in her was darkness! The angel said: 'As for your aunt, before she can enter here, she will want illumining, enlarging, and sweetening, and will have to pass through Purgatory.' And oh, Betty, that will be gall and bitterness to her, for she did not believe in Purgatory, and she wrote a controversial pamphlet against it. Then said the angel: 'Return, return to the pomps and vanities.' I fell on my knees, and said: 'Oh, suffer me but to have one glimpse of that which is within!' 'Be it so,' he replied. 'One glimpse only whilst I cast my sword on high.' Thereat he threw up the flaming brand, and it was as though a glorious flash of lightning filled all space. At the same moment the gates swung apart, and I saw what was beyond. It was but for one brief moment, for the sword came down, and the angel caught it by the handle, and instantly the gates were shut. Then, sorrowfully, I turned myself about and went back to earth. And, Betty, it was I who took and read your novels. It was I who went to Lady Belgrove's ball in your place. It was I who sat instead of you at Her Majesty's and heard Carmen. It was I who took your place at Henley Regatta, and I—I, instead of you, received the protestation of Charles Fontanel's affection, and there in the boat-house I received the first and last kiss of love. And it was I, Betty, as I have told you, who took your place at the altar to-day. I had the pleasures that were designed for you—the ball-dress, the dances, the fair words, the music of the opera, the courtship, the excitement of the regatta, the reading of sensational novels. It was I who had what all girls most long for, their most supreme bliss of wearing the wedding-veil and the orange-blossoms. But I have reached my limit. I am full of the pomps and vanities, and I return on high. You will see me no more."
"Oh, Letice," said Betty, obtaining her speech, "you do not grudge me the joys of life?"
The fair white being at her side shook her head.
"And you desire no more of the pomps and vanities?"
"No, Betty. I have looked through the gates."
Then Betty put forth her hands to clasp the waist of her sister, as she said fervently—
"Tell me, Letice, what you saw beyond."
"Betty—everything the reverse of Salem Chapel."
McALISTER
The city of Bayonne, lying on the left bank of the Adour, and serving as its port, is one that ought to present much interest to the British tourist, on account of its associations. For three hundred years, along with Bordeaux, it belonged to the English crown. The cathedral, a noble structure of the fourteenth century, was reared by the English, and on the bosses of its vaulting are carved the arms of England, of the Talbots, and of other great English noble families. It was probably designed by English architects, for it possesses, in its vaulting, the long central rib so characteristic of English architecture, and wholly unlike what was the prevailing French fashion of vaulting in compartments, and always without that connecting rib, like the inverted keel of a ship, with which we are acquainted in our English minsters. Under some of the modern houses in the town are cellars of far earlier construction, also vaulted, and in them as well may be seen the arms of the English noble families which had their dwellings above.
But Bayonne has later associations with us. At the close of the Peninsular War, when Wellington had driven Marshal Soult and the French out of Spain, and had crossed the Pyrenees, his forces, under Sir John Hope, invested the citadel. In February, 1814, Sir John threw a bridge of boats across the Adour, boats being provided by the fleet of Admiral Penrose, in the teeth of a garrison of 15,000 men, and French gunboats which guarded the river and raked the English whilst conducting this hazardous and masterly achievement. This brilliant exploit was effected whilst Wellington engaged the attention of Soult about the Gaves, affluents of the Adour, near Orthez. It is further interesting, with a tragic interest, on account of an incident in that campaign which shall be referred to presently.
The cathedral of Bayonne, some years ago, possessed no towers—the English were driven out of Aquitaine before these had been completed. The west front was mean to the last degree, masked by a shabby penthouse, plastered white, or rather dirty white, on which in large characters was inscribed, "Liberté égalité et fraternité."
This has now disappeared, and a modern west front and twin towers and spires have been added, in passable architecture. When I was at Bayonne, more years ago than I care to say, I paid a visit to the little cemetery on the north bank of the river, in which were laid the English officers who fell during the investment of Bayonne.
The north bank is in the Department of the Landes, whereas that on the south is in the Department of the Basses Pyrénées.
About the time when the English were expelled from France, and lost Aquitaine, the Adour changed its course. Formerly it had turned sharply round at the city, and had flowed north and found an outlet some miles away at Cap Breton, but the entrance was choked by the moving sand-dunes, and the impatient river burst its way into the Bay of Biscay by the mouth through which it still flows. But the old course is marked by lagoons of still blue water in the midst of a vast forest of pines and cork trees. I had spent a day wandering among these tree-covered landes, seeking out the lonely lakes, and in the evening I returned in the direction of Bayonne, diverging somewhat from