Years later Nietzsche denied that, in this essay, he committed himself irretrievably to the whole philosophy of Schopenhauer and a fair reading bears him out. He was not defending Schopenhauer's doctrine of renunciation, but merely asking that he be given a hearing. He was pleading the case of foes as well as of friends: all he asked was that the forum be opened to every man who had something new to say.
Nietzsche regarded Schopenhauer as a king among philosophers because he shook himself entirely free of the dominant thought of his time. In an age marked, beyond everything, by humanity's rising reliance upon human reason, he sought to show that reason was a puny offshoot of an irresistible natural law—the law of self-preservation. Nietzsche admired the man's courage and agreed with him in his insistence that this law was at the bottom of all sentient activity, but he was never a subscriber to Schopenhauer's surrender and despair. From the very start, indeed, he was a prophet of defiance, and herein his divergence from Schopenhauer was infinite. As his knowledge broadened and his scope widened, he expanded and developed his philosophy, and often he found it necessary to modify it in detail. But that he ever turned upon himself in fundamentals is untrue. Nietzsche at 40 and Nietzsche at 25 were essentially the same. The germ of practically all his writings lies in his first book—nay, it is to be found further back: in the wild speculations of his youth.
The fourth of the "Unzeitgemässe Betrachtungen" (and the last, for the original design of the series was not carried out) was "Richard Wagner in Bayreuth."[4] This was published in 1876 and neither it nor the general subject of Nietzsche's relations with Wagner need be considered here. In a subsequent chapter the whole matter will be discussed. For the present, it is sufficient to say that Nietzsche met Wagner through the medium of Ritschl's wife; that they became fast friends; that Nietzsche hailed the composer as a hero sent to make the drama an epitome of the life unfettered and unbounded, of life defiant and joyful; that Wagner, after starting from the Schopenhauer base, travelled toward St. Francis rather than toward Dionysus, and that Nietzsche, after vain expostulations, read the author of "Parsifal" out of meeting and pronounced him anathema. It was all a case of misunderstanding. Wagner was an artist, and not a philosopher. Right or wrong, Christianity was beautiful, and as a thing of beauty it called aloud to him. To Nietzsche beauty seemed a mere phase of truth.
It was during this period of preliminary skirmishing that Nietzsche's ultimate philosophy began to formulate itself. He saw clearly that there was something radically wrong with the German culture of the day—that many things esteemed right and holy were, in reality, unspeakable, and that many things under the ban of church and state were far from wrong in themselves. He saw, too, that there had grown up a false logic and that its taint was upon the whole of contemporary thought. Men maintained propositions plainly erroneous and excused themselves by the plea that ideals were greater than actualities. The race was subscribing to one thing and practicing another. Christianity was official, but not a single real Christian was to be found in all Christendom. Thousands bowed down to men and ideas that they despised and denounced things that every sane man knew were necessary and inevitable. The result was a flavor of dishonesty and hypocrisy in all human affairs. In the abstract the laws—of the church, the state and society—were looked upon as impeccable, but every man, in so far as they bore upon him personally, tried his best to evade them.
Other philosophers, in Germany and elsewhere, had made the same observation and there was in progress a grand assault-at-arms upon old ideas. Huxley and Spencer, in England, were laboring hard in the vineyard planted by Darwin; Ibsen, in Norway, was preparing for his epoch-making life-work, and in far America Andrew D. White and others were battling to free education from the bonds of theology. Thus it will be seen that, at the start, Nietzsche was no more a pioneer than any one of a dozen other men. Some of these other men, indeed, were far better equipped for the fray than he, and their services, for a long while, seemed a great deal more important. But it was his good fortune, before his working days were over, to press the conflict much further afield than the others. Beginning where they ended, he fought his way into the very citadel of the enemy.
His attack upon Christianity, which is described at length later on, well exemplifies this uncompromising thoroughness. Nietzsche saw that the same plan would have to be pursued in examining all other concepts—religious, political or social. It would be necessary to pass over surface symptoms and go to the heart of things: to tunnel down deep into ideas; to trace out their history and seek out their origins. There were no willing hands to help him in this: it was, in a sense, a work new to the world. In consequence Nietzsche perceived that he would have to go slowly and that it would be needful to make every step plain. It was out of the question to expect encouragement: if the task attracted notice at all, this notice would probably take the form of blundering opposition. But Nietzsche began his clearing and his road cutting with a light heart. The men of his day might call him accursed, but in time his honesty would shame all denial. This was his attitude always: he felt that neglect and opprobrium were all in his day's work and he used to say that if ever the generality of men endorsed any idea that he had advanced he would be convinced at once that he had made an error.
In his preliminary path-finding Nietzsche concerned himself much with the history of specific ideas. He showed how the thing which was a sin in one age became the virtue of the next. He attacked hope, faith and charity in this way, and he made excursions into nearly every field of human thought—from art to primary education. All of this occupied the first half of the 70's. Nietzsche was in indifferent health and his labors tired him so greatly that he thought more than once of giving up his post at Basel, with its dull round of lecturing and quizzing. But his private means at this time were not great enough to enable him to surrender his salary and so he had to hold on. He thought, too, of going to Vienna to study the natural sciences so that he might attain the wide and certain knowledge possessed by Spencer, but the same considerations forced him to abandon the plan. He spent his winters teaching and investigating and his summers at various watering-places—from Tribschen, in Switzerland, where the Wagners were his hosts, to Sorrento, in Italy.
At Sorrento he happened to take lodgings in a house which also sheltered Dr. Paul Rée, the author of "Psychological Observations," "The Origin of Moral Feelings," and other metaphysical works. That Rée gave him great assistance he acknowledged himself in later years, but that his ideas were, in any sense, due to this chance meeting (as Max Nordau would have us believe) is out of the question, for, as we have seen, they were already pretty clear in his mind a long while before. But Rée widened his outlook a great deal, it is evident, and undoubtedly made him acquainted with the English naturalists who had sprung up as spores of Darwin, and with a number of great Frenchmen—Montaigne, Larochefoucauld, La Bruyère, Fontenelle, Vauvenargues and Chamfort.
Nietzsche had been setting down his thoughts and conclusions in the form of brief memoranda and as he grew better acquainted with the French philosophers, many of whom published their works as collections of aphorisms, he decided to employ that form himself. Thus he began to arrange the notes which were to be given to the world as "Menschliches allzu Menschliches" ("Human, All-too Human"). In 1876 he got leave from Basel and gave his whole time to the work. During the winter of 1876–7, with the aid of a disciple named Bernhard Cron (better known as Peter Gast) he prepared the first volume for the press. Nietzsche was well aware that it would make a sensation and while it was being set up his courage apparently forsook him and he suggested to his publisher that it be sent forth anonymously. But the latter would not hear of it and so the first part left the press in 1878.
As the author had