trees were coated with rime, which made the sharpest contrast with their black branches and the black mud under us. The high chimneys sent forth their black smoke calmly and tirelessly into the fresh blue sky. Sunday had descended on the vast landscape like a physical influence. We saw a snake of children winding out of a dark brown Sunday school into a dark brown chapel. And up from the valleys came all the bells of all the temples of all the different gods of the Five Towns, chiming, clanging, ringing, each insisting that it alone invited to the altar of the one God. And priests and acolytes of the various cults hurried occasionally along, in silk hats and bright neckties, and smooth coats with folded handkerchiefs sticking out of the pockets, busy, happy and self-important, the convinced heralds of eternal salvation: no doubt nor hesitation as to any fundamental truth had ever entered their minds. We passed through a long, straight street of new red houses with blue slate roofs, all gated and gardened. Here and there a girl with her hair in pins and a rough brown apron over a gaudy frock was stoning a front step. And half-way down the street a man in a scarlet jersey, supported by two women in blue bonnets, was beating a drum and crying aloud: "My friends, you may die to-night. Where, I ask you, where—?" But he had no friends; not even a boy heeded him. The drum continued to bang in our rear.

      I enjoyed all this. All this seemed to me to be fine, seemed to throw off the true, fine, romantic savour of life. I would have altered nothing in it. Mean, harsh, ugly, squalid, crude, barbaric—yes, but what an intoxicating sense in it of the organized vitality of a vast community unconscious of itself! I would have altered nothing even in the events of the night. I thought of the rooms at the top of the staircase of the Foaming Quart—mysterious rooms which I had not seen and never should see, recondite rooms from which a soul had slipped away and into which two had come, scenes of anguish and of frustrated effort! Historical rooms, surely! And yet not a house in the hundreds of houses past which we slid but possessed rooms ennobled and made august by happenings exactly as impressive in their tremendous inexplicableness.

      The natural humanity of Jos Myatt and Charlie, their fashion of comporting themselves in a sudden stress, pleased me. How else should they have behaved? I could understand Charlie's prophetic dirge over the ruin of the Knype Football Club. It was not that he did not feel the tragedy in the house. He had felt it, and because he had felt it he had uttered at random, foolishly, the first clear thought that ran into his head.

      Stirling was quiet. He appeared to be absorbed in steering, and looked straight in front, yawning now and again. He was much more fatigued than I was. Indeed, I had slept pretty well. He said, as we swerved into Trafalgar Road and overtook the aristocracy on its way to chapel and church:

      "Well, ye let yeself in for a night, young man! No mistake!"

      He smiled, and I smiled.

      "What's going to occur up there?" I asked, indicating Toft End.

      "What do you mean?"

      "A man like that—left with two babies!"

      "Oh!" he said. "They'll manage that all right. His sister's a widow. She'll go and live with him. She's as fond of those infants already as if they were her own."

      We drew up at his double gates.

      "Be sure ye explain to Brindley," he said, as I left him, "that it isn't my fault ye've had a night out of bed. It was your own doing. I'm going to get a bit of sleep now. See you this evening, Bob's asked me to supper."

      A servant was sweeping Bob Brindley's porch and the front door was open. I went in. The sound of the piano guided me to the drawing-room. Brindley, the morning cigarette between his lips, was playing one of Maurice Ravel's "L'heure espagnole." He held his head back so as to keep the smoke out of his eyes. His children in their blue jerseys were building bricks on the carpet.

      Without ceasing to play he addressed me calmly:

      "You're a nice chap! Where the devil have you been?"

      And one of the little boys, glancing up, said, with roguish, imitative innocence, in his high, shrill voice:

      "Where the del you been?"

MIMI

       Table of Contents

I

       Table of Contents

      On a Saturday afternoon in late October Edward Coe, a satisfactory average successful man of thirty-five, was walking slowly along the King's Road, Brighton. A native and inhabitant of the Five Towns in the Midlands, he had the brusque and energetic mien of the Midlands. It could be seen that he was a stranger to the south; and, in fact, he was now viewing for the first time the vast and glittering spectacle of the southern pleasure city in the unique glory of her autumn season. A spectacle to enliven any man by its mere splendour! And yet Edward Coe was gloomy. One reason for his gloom was that he had just left a bicycle, with a deflated back tyre, to be repaired at a shop in Preston Street. Not perhaps an adequate reason for gloom! … Well, that depends. He had been informed by the blue-clad repairer, after due inspection, that the trouble was not a common puncture, but a malady of the valve mysterious.

      And the deflation was not the sole cause of his gloom. There was another. He was on his honeymoon. Understand me—not a honeymoon of romance, but a real honeymoon. Who that has ever been on a real honeymoon can look back upon the adventure and faithfully say that it was an unmixed ecstasy of joy? A honeymoon is in its nature and consequences so solemn, so dangerous, and so pitted with startling surprises, that the most irresponsible bridegroom, the most light-hearted, the least in love, must have moments of grave anxiety. And Edward Coe was far from irresponsible. Nor was he only a little in love. Moreover, the circumstances of his marriage were peculiar, and he had married a dark, brooding, passionate girl.

      Mrs. Coe was the younger of two sisters named Olive Wardle, well known in the most desirable circles in the Five Towns. I mean those circles where intellectual and artistic tastes are united with sound incomes and excellent food delicately served. It will certainly be asked why two sisters should be named Olive. The answer is that though Olive One and Olive Two were treated as sisters, and even treated themselves as sisters, they were not sisters. They were not even half-sisters. They had first met at the age of nine. The father of Olive One, a widower, had married the mother of Olive Two, a widow. Olive One was the elder by a few months. Olive Two gradually allowed herself to be called Wardle because it saved trouble. They got on with one another very well indeed, especially after the death of both parents, when they became joint mistresses, each with a separate income, of a nice house at Sneyd, the fashionable residential village on the rim of the Five Towns. Like all persons who live long together, they grew in many respects alike. Both were dark, brooding and passionate, and to this deep similarity a superficial similarity of habits and demeanour was added. Only, whereas Olive One was rather more inclined to be the woman of the world, Olive Two was rather more inclined to study and was particularly interested in the theory of music.

      They were sought after, naturally. And yet they had reached the age of twenty-five before the world perceived that either of them was not sought after in vain. The fact, obvious enough, that Pierre Emile Vaillac had become an object of profound human interest to Olive One—this fact excited the world, and the world would have been still more excited had it been aware of another fact that was not at all obvious: namely, that Pierre Emile Vaillac was the cause of a secret and terrible breach between the two sisters. Vaillac, a widower with two young children, Mimi and Jean, was a Frenchman, and a great authority on the decoration of egg-shell china, who had settled in the Five Towns as expert partner in one of the classic china firms at Longshaw. He was undoubtedly a very attractive man.

      Olive One, when the relations between herself and Vaillac were developing into something unmistakable, had suddenly, and without warning, accused Olive Two of poaching. It was a frightful accusation, and a frightful scene followed it, one of those scenes that are seldom forgiven and never forgotten. It altered their lives; but as they