Creative Evolution. Henri Bergson

a tendency to act on inert matter. The direction of this action is not predetermined; hence the unforeseeable variety of forms which life, in evolving, sows along its path. But this action always presents, to some extent, the character of contingency; it implies at least a rudiment of choice. Now a choice involves the anticipatory idea of several possible actions. Possibilities of action must therefore be marked out for the living being before the action itself. Visual perception is nothing else:[50] the visible outlines of bodies are the design of our eventual action on them. Vision will be found, therefore, in different degrees in the most diverse animals, and it will appear in the same complexity of structure wherever it has reached the same degree of intensity.

      We have dwelt on these resemblances of structure in general, and on the example of the eye in particular, because we had to define our attitude toward mechanism on the one hand and finalism on the other. It remains for us to describe it more precisely in itself. This we shall now do by showing the divergent results of evolution not as presenting analogies, but as themselves mutually complementary.