Lady Byron Vindicated. Гарриет Бичер-Стоу

      ‘The happiness of Lady Byron, however, was of brief duration; even during the short three weeks they spent at Halnaby, the irregularities of Lord Byron occasioned her the greatest distress, and she even contemplated returning to her father. Mrs. Mimms was her constant companion and confidante through this painful period, and she does not believe that her ladyship concealed a thought from her. With laudable reticence, the old lady absolutely refuses to disclose the particulars of Lord Byron’s misconduct at this time; she gave Lady Byron a solemn promise not to do so.

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      ‘So serious did Mrs. Mimms consider the conduct of Lord Byron, that she recommended her mistress to confide all the circumstances to her father, Sir Ralph Milbanke, a calm, kind, and most excellent parent, and take his advice as to her future course. At one time Mrs. Mimms thinks Lady Byron had resolved to follow her counsel and impart her wrongs to Sir Ralph; but on arriving at Seaham Hall her ladyship strictly enjoined Mrs. Mimms to preserve absolute silence on the subject—a course which she followed herself;—so that when, six weeks later, she and Lord Byron left Seaham for London, not a word had escaped her to disturb her parents’ tranquillity as to their daughter’s domestic happiness. As might be expected, Mrs. Mimms bears the warmest testimony to the noble and lovable qualities of her departed mistress. She also declares that Lady Byron was by no means of a cold temperament, but that the affectionate impulses of her nature were checked by the unkind treatment she experienced from her husband.’

      We have already shown that Lord Byron had been, ever since his separation, engaged in a systematic attempt to reverse the judgment of the world against himself, by making converts of all his friends to a most odious view of his wife’s character, and inspiring them with the zeal of propagandists to spread these views through society. We have seen how he prepared partisans to interpret the Fourth Canto of ‘Childe Harold.’

      This plan of solemn and heroic accusation was the first public attack on his wife. Next we see him commencing a scurrilous attempt to turn her to ridicule in the First Canto of ‘Don Juan.’

      It is to our point now to show how carefully and cautiously this Don Juan campaign was planned.

      Vol. IV. p.138, we find Letter 325 to Mr. Murray:—

      ‘Venice: January 25, 1819.

      ‘You will do me the favour to print privately, for private distribution, fifty copies of “Don Juan.” The list of the men to whom I wish it presented I will send hereafter.’

      The poem, as will be remembered, begins with the meanest and foulest attack on his wife that ever ribald wrote, and puts it in close neighbourhood with scenes which every pure man or woman must feel to be the beastly utterances of a man who had lost all sense of decency. Such a potion was too strong to be administered even in a time when great license was allowed, and men were not over-nice. But Byron chooses fifty armour-bearers of that class of men who would find indecent ribaldry about a wife a good joke, and talk about the ‘artistic merits’ of things which we hope would make an honest boy blush.

      At this time he acknowledges that his vices had brought him to a state of great exhaustion, attended by such debility of the stomach that nothing remained on it; and adds, ‘I was obliged to reform my way of life, which was conducting me from the yellow leaf to the ground with all deliberate speed.’ {41} But as his health is a little better he employs it in making the way to death and hell elegantly easy for other young men, by breaking down the remaining scruples of a society not over-scrupulous.

      Society revolted, however, and fought stoutly against the nauseous dose. His sister wrote to him that she heard such things said of it that she never would read it; and the outcry against it on the part of all women of his acquaintance was such that for a time he was quite overborne; and the Countess Guiccioli finally extorted a promise from him to cease writing it. Nevertheless, there came a time when England accepted ‘Don Juan,’—when Wilson, in the ‘Noctes Ambrosianae,’ praised it as a classic, and took every opportunity to reprobate Lady Byron’s conduct. When first it appeared the ‘Blackwood’ came out with that indignant denunciation of which we have spoken, and to which Byron replied in the extracts we have already quoted. He did something more than reply. He marked out Wilson as one of the strongest literary men of the day, and set his ‘initiated’ with their documents to work upon him.