Frederick Milnes Edge
The Exploits and Triumphs, in Europe, of Paul Morphy, the Chess Champion
Published by Good Press, 2019
EAN 4057664652461
Table of Contents
THE FIRST AMERICAN CHESS CONGRESS.
MORPHY PREPARES TO START FOR EUROPE.
THE MATCH BETWEEN MORPHY AND HARRWITZ.
MORPHY'S GREATEST BLINDFOLD FEAT.
CONTINUATION OF THE MATCH WITH HARRWITZ.
MORPHY AND THE FRENCH AMATEURS.
PREFACE.
I am much indebted, in the following pages, to the kind assistance of that able writer and veteran chess-player, Mr. George Walker, who has furnished me with most of the very interesting and valuable information contained in the fourth chapter of this work. I am likewise under obligations to Herr Löwenthal for many anecdotes relating to chess celebrities of the past, and other information; and also to Mr. George Medley, Honorary Secretary of the London Chess Club, and Mr. Ries, of the Divan.
The cuts with which this work is embellished have been engraved by the well-known Brothers Dalziel. The portrait of Paul Morphy, copied from a photograph taken shortly after his arrival in London last year, is an excellent likeness.
The portraits of Messrs. Staunton, Boden, Anderssen, and Löwenthal, are copies of photographs, for which they sat at the Manchester Meeting, in 1857. The originals of Messrs. Saint Amant and Harrwitz are admirably executed lithographs of those gentlemen, taken about four years ago, and that of Mr. Mongredieu is copied from a photograph kindly lent for the purpose.
I am under great obligations to Mr. Lewis, who came to London expressly to sit for his likeness; and I feel assured that my readers will value this "very form and feature" of an amateur who was famous before Labourdonnais was known outside the Régence; and whose works are found in every chess-player's library.
I had considerable difficulty in obtaining the portrait of Mr. George Walker. Photographs, lithographs, etc., of that most popular of all chess writers, did not exist, and many friends prophesied that his likeness would not be in my book. But I importuned him so that he relented, and confided to my care an oil painting, for which he sat five years ago, and which was the only portrait of him in existence.
My readers can judge of the resemblance of the other cuts by the portrait of Paul Morphy. I only wish my story was as good.
PAUL MORPHY.