One of his arguments with Portland is, that the plot is already known to a woman. This woman was doubtless Lady Aubigny, who, upon this occasion, was committed to custody; but who, in reality, when she delivered the commission, knew not what it was.
The Parliament then proceeded against the conspirators, and committed their trial to a council of war. Tomkyns and Chaloner were hanged near their own doors. Tomkyns, when he came to die, said it was a “foolish business;” and indeed there seems to have been no hope that it should escape discovery; for, though never more than three met at a time, yet a design so extensive must by necessity be communicated to many who could not be expected to be all faithful and all prudent. Chaloner was attended at his execution by Hugh Peters. His crime was, that he had commission to raise money for the king; but it appears not that the money was to be expended upon the advancement of either Crispe’s or Waller’s plot.
The Earl of Northumberland, being too great for prosecution, was only once examined before the Lords. The Earl of Portland and Lord Conway persisting to deny the charge, and no testimony but Waller’s yet appearing against them, were, after a long imprisonment, admitted to bail. Hassel, the king’s messenger, who carried the letters to Oxford, died the night before his trial. Hampden [Alexander] escaped death, perhaps by the interest of his family; but was kept in prison to the end of his life. They whose names were inserted in the commission of array were not capitally punished, as it could not be proved that they had consented to their own nomination; but they were considered as malignants, and their estates were seized.
“Waller, though confessedly,” says Clarendon, “the most guilty, with incredible dissimulation affected such a remorse of conscience, that his trial was put off, out of Christian compassion, till he might recover his understanding.” What use he made of this interval, with what liberality and success he distributed flattery and money, and how, when he was brought (July 4) before the House, he confessed and lamented, and submitted and implored, may be read in the “History of the Rebellion” (B. vii.). The speech, to which Clarendon ascribes the preservation of his “dear-bought life,” is inserted in his works. The great historian, however, seems to have been mistaken in relating that “he prevailed” in the principal part of his supplication, “not to be tried by a council of war;” for, according to Whitelock, he was by expulsion from the House abandoned to the tribunal which he so much dreaded, and, being tried and condemned, was reprieved by Essex; but after a year’s imprisonment, in which time resentment grew less acrimonious, paying a fine of ten thousand pounds, he was permitted to “recollect himself in another country.”
Of his behaviour in this part of life, it is not necessary to direct the reader’s opinion. “Let us not,” says his last ingenious biographer, “condemn him with untempered severity, because he was not a prodigy which the world hath seldom seen, because his character included not the poet, the orator, and the hero.”
For the place of his exile he chose France, and stayed some time at Roan, where his daughter Margaret was born, who was afterwards his favourite, and his amanuensis. He then removed to Paris, where he lived with great splendour and hospitality; and from time to time amused himself with poetry, in which he sometimes speaks of the rebels, and their usurpation, in the natural language of an honest man.
At last it became necessary, for his support, to sell his wife’s jewels; and being reduced, as he said, at last “to the rump-jewel,” he solicited from Cromwell permission to return, and obtained it by the interest of Colonel Scroop, to whom his sister was married. Upon the remains of a fortune, which the danger of his life had very much diminished, he lived at Hallbarn, a house built by himself very near to Beaconsfield, where his mother resided. His mother, though related to Cromwell and Hampden, was zealous for the royal cause, and, when Cromwell visited her, used to reproach him; he, in return, would throw a napkin at her, and say he would not dispute with his aunt; but finding in time that she acted for the king, as well as talked, he made her a prisoner to her own daughter, in her own house. If he would do anything, he could not do less.
Cromwell, now Protector, received Waller, as his kinsman, to familiar conversation. Waller, as he used to relate, found him sufficiently versed in ancient history; and, when any of his enthusiastic friends came to advise or consult him, could sometimes overhear him discoursing in the cant of the times: but, when he returned, he would say, “Cousin Waller, I must talk to these men in their own way;” and resumed the common style of conversation.
He repaid the Protector for his favours (1654) by the famous Panegyric, which has been always considered as the first of his poetical productions. His choice of encomiastic topics is very judicious; for he considers Cromwell in his exaltation, without inquiring how he attained it; there is consequently no mention of the rebel or the regicide. All the former part of his hero’s life is veiled with shades; and nothing is brought to view but the chief, the governor, the defender of England’s honour, and the enlarger of her dominion. The act of violence by which he obtained the supreme power is lightly treated, and decently justified. It was certainly to be desired that the detestable band should be dissolved, which had destroyed the Church, murdered the king, and filled the nation with tumult and oppression; yet Cromwell had not the right of dissolving them, for all that he had before done could be justified only by supposing them invested with lawful authority. But combinations of wickedness would overwhelm the world by the advantage which licentious principles afford, did not those, who have long practised perfidy, grow faithless to each other.
In the poem on the War with Spain are some passages at least equal to the best parts of the Panegyric; and, in the conclusion, the poet ventures yet a higher flight of flattery, by recommending royalty to Cromwell and the nation. Cromwell was very desirous, as appears from his conversation, related by Whitelock, of adding the title to the power of monarchy, and is supposed to have been withheld from it partly by fear of the army, and partly by fear of the laws, which, when he should govern by the name of king, would have restrained his authority. When, therefore, a deputation was solemnly sent to invite him to the crown, he, after a long conference, refused it, but is said to have fainted in his coach when he parted from them.
The poem on the death of the Protector seems to have been dictated by real veneration for his memory. Dryden and Sprat wrote on the same occasion; but they were young men, struggling into notice, and hoping for some favour from the ruling party. Waller had little to expect; he had received nothing but his pardon from Cromwell, and was not likely to ask anything from those who should succeed him.
Soon afterwards, the Restoration supplied him with another subject; and he exerted his imagination, his elegance, and his melody, with equal alacrity, for Charles the Second. It is not possible to read, without some contempt and indignation, poems of the same author, ascribing the highest degree of “power and piety” to Charles the First, then transferring the same “power and piety” to Oliver Cromwell; now inviting Oliver to take the Crown, and then congratulating Charles the Second on his recovered right. Neither Cromwell nor Charles could value his testimony as the effect of conviction, or receive his praises as effusions of reverence; they could consider them but as the labour of invention, and the tribute of dependence.
Poets, indeed, profess fiction; but the legitimate end of fiction is the conveyance of truth, and he that has flattery ready for all whom the vicissitudes of the world happen to exalt must be scorned as a prostituted mind, that may retain the glitter of wit, but has lost the dignity of virtue.
The Congratulation was considered as inferior in poetical merit to the Panegyric; and it is reported that, when the king told Waller of the disparity, he answered, “Poets, Sir, succeed better in fiction than in truth.”
The Congratulation is indeed not inferior to the Panegyric, either by decay of genius, or for want of diligence, but because Cromwell had done much and Charles had done little. Cromwell wanted nothing to raise him to heroic excellence but virtue, and virtue his poet thought himself at liberty to supply. Charles had yet only the merit of struggling without success, and suffering without despair. A life of escapes and indigence could supply poetry with no splendid images.