When one charge surmounts another, the undermost one is mentioned first, as in the arms of Beaumont (see Fig. 62). Here the lion rampant is the principal charge, and the bend which debruises it is consequently mentioned afterwards.
In the cases of a cross and of a saltire, the charges when all are alike would simply be described as between four objects, though the term "cantonned by" four objects is sometimes met with. If the objects are not the same, they must be specified as being in the 1st, 2nd, or 3rd quarters, if the ordinary be a cross. If it be a saltire, it will be found that in Scotland the charges are mentioned as being in chief and base, and in the "flanks." In England they would be described as being in pale and in fess if the alternative charges are the same; if not, they would be described as in chief, on the dexter side, on the sinister side, and in base.
Fig. 62.—Arms of John de Beaumont, Lord Beaumont (d. 1369): Azure, semé-de-lis and a lion rampant or, over all a bend gobony argent and gules. (From his seal.)
When a specified number of charges is immediately followed by the same number of charges elsewhere disposed, the number is not repeated, the words "as many" being substituted instead. Thus: "Argent, on a chevron between three roses gules, as many crescents of the field." When any charge, ordinary, or mark of cadency surmounts a single object, that object is termed "debruised" by that ordinary. If it surmounts everything, as, for instance, "a bendlet sinister," this would be termed "over all." When a coat of arms is "party" coloured in its field and the charges are alternately of the same colours transposed, the term counterchanged is used. For example, "Party per pale argent and sable, three chevronels between as many mullets pierced all counterchanged." In that case the coat is divided down the middle, the dexter field being argent, and the sinister sable; the charges on the sable being argent, whilst the charges on the argent are sable. A mark of cadency is mentioned last, and is termed "for difference"; a mark of bastardy, or a mark denoting lack of blood descent, is termed "for distinction."
Certain practical hints, which, however, can hardly be termed rules, were suggested by the late Mr. J. Gough Nicholls in 1863, when writing in the Herald and Genealogist, and subsequent practice has since conformed therewith, though it may be pointed out with advantage that these suggestions are practically, and to all intents and purposes, the same rules which have been observed officially over a long period. Amongst these suggestions he advises that the blazoning of every coat or quarter should begin with a capital letter, and that, save on the occurrence of proper names, no other capitals should be employed. He also suggests that punctuation marks should be avoided as much as possible, his own practice being to limit the use of the comma to its occurrence after each tincture. He suggests also that figures should be omitted in all cases except in the numbering of quarterings.
When one or more quarterings occur, each is treated separately on its own merits and blazoned entirely without reference to any other quartering.
Fig. 63.—A to B, the chief; C to D, the base; A to C, dexter side; B to D, sinister side. A, dexter chief; B, sinister chief; C, dexter base; D, sinister base. 1, 2, 3, chief; 7, 8, 9, base; 2, 5, 8, pale; 4, 5, 6, fess; 5, fess point.
In blazoning a coat in which some quarterings (grand quarterings) are composed of several coats placed sub-quarterly, sufficient distinction is afforded for English purposes of writing or printing if Roman numerals are employed to indicate the grand quarters, and Arabic figures the sub-quarters. But in speaking such a method would need to be somewhat modified in accordance with the Scottish practice, which describes grand quarterings as such, and so alludes to them.
The extensive use of bordures, charged and uncharged, in Scotland, which figure sometimes round the sub-quarters, sometimes round the grand quarters, and sometimes round the entire escutcheon, causes so much confusion that for the purposes of blazoning it is essential that the difference between quarters and grand quarters should be clearly defined.
In order to simplify the blazoning of a shield, and so express the position of the charges, the field has been divided into points, of which those placed near the top, and to the dexter, are always considered the more important. In heraldry, dexter and sinister are determined, not from the point of view of the onlooker, but from that of the bearer of the shield. The diagram (Fig. 63) will serve to explain the plan of a shield's surface.
Fig. 64.
If a second shield be placed upon the fess point, this is called an inescutcheon (in German, the "heart-shield"). The enriching of the shield with an inescutcheon came into lively use in Germany in the course of the latter half of the fifteenth century. Later on, further points of honour were added, as the honour point (a, Fig. 64), and the nombril point (b, Fig. 64). These extra shields laid upon the others should correspond as much as possible in shape to the chief shield. If between the inescutcheon and the chief shield still another be inserted, it is called the "middle shield," from its position, but except in Anglicised versions of Continental arms, these distinctions are quite foreign to British armory.
In conclusion, it may be stated that although the foregoing are the rules which are usually observed, and that every effort should be made to avoid unnecessary tautology, and to make the blazon as brief as possible, it is by no manner of means considered officially, or unofficially, that any one of these rules is so unchangeable that in actual practice it cannot be modified if it should seem advisable so to do. For the essential necessity of accuracy is of far greater importance than any desire to be brief, or to avoid tautology. This should be borne in mind, and also the fact that in official practice no such hide-bound character is given to these rules, as one is led to believe is the case when perusing some of the ordinary text-books of armory. They certainly are not laws, they are hardly "rules," perhaps being better described as accepted methods of blazoning.
CHAPTER IX
THE SO-CALLED ORDINARIES AND SUB-ORDINARIES
Arms, and the charges upon arms, have been divided into many fantastical divisions. There is a type of the precise mind much evident in the scientific writing of the last and the preceding centuries which is for ever unhappy unless it can be dividing the object of its consideration into classes and divisions, into sub-classes and sub-divisions. Heraldry has suffered in this way; for, oblivious of the fact that the rules enunciated are impossible as rigid guides for general observance, and that they never have been complied with, and that they never will be, a "tabular" system has been evolved for heraldry as for most other sciences. The "precise" mind has applied a system obviously derived from natural history classification to the principles of armory. It has selected a certain number of charges, and has been pleased to term them ordinaries. It has selected others which it has been pleased to term sub-ordinaries. The selection has been purely arbitrary, at the pleasure of the writer, and few writers have agreed in their classifications. One of the foremost rules which former heraldic writers have laid down is that an ordinary must contain the third part of the field. Now it is doubtful whether an ordinary has ever been drawn containing the third part of the field by rigid measurement, except in the solitary instance of the pale, when it is drawn "per fess counterchanged," for the obvious purpose of dividing the shield into six equal portions, a practice which has been lately pursued very extensively owing to the ease with which, by its adoption, a new coat of arms can be designed bearing a distinct resemblance to one formerly in use without infringing the rights of the latter. Certainly, if the ordinary is the solitary charge upon the shield, it will be drawn about that specified proportion. But when an attempt is made to draw the Walpole coat (which cannot be said to be a modern one)