II
You remember, three years ago, my telling you I had let myself in for painting a couple of Kentish squireen? I really could not understand what had possessed me to say yes to that man. A friend of mine had brought him one day to my studio—Mr. Oke of Okehurst, that was the name on his card. He was a very tall, very well-made, very good-looking young man, with a beautiful fair complexion, beautiful fair moustache, and beautifully fitting clothes; absolutely like a hundred other young men you can see any day in the Park, and absolutely uninteresting from the crown of his head to the tip of his boots. Mr. Oke, who had been a lieutenant in the Blues before his marriage, was evidently extremely uncomfortable on finding himself in a studio. He felt misgivings about a man who could wear a velvet coat in town, but at the same time he was nervously anxious not to treat me in the very least like a tradesman. He walked round my place, looked at everything with the most scrupulous attention, stammered out a few complimentary phrases, and then, looking at his friend for assistance, tried to come to the point, but failed. The point, which the friend kindly explained, was that Mr. Oke was desirous to know whether my engagements would allow of my painting him and his wife, and what my terms would be. The poor man blushed perfectly crimson during this explanation, as if he had come with the most improper proposal; and I noticed—the only interesting thing about him—a very odd nervous frown between his eyebrows, a perfect double gash,—a thing which usually means something abnormal: a mad-doctor of my acquaintance calls it the maniac-frown. When I had answered, he suddenly burst out into rather confused explanations: his wife—Mrs. Oke—had seen some of my—pictures—paintings—portraits—at the—the—what d'you call it?—Academy. She had—in short, they had made a very great impression upon her. Mrs. Oke had a great taste for art; she was, in short, extremely desirous of having her portrait and his painted by me, etcetera.
"My wife," he suddenly added, "is a remarkable woman. I don't know whether you will think her handsome,—she isn't exactly, you know. But she's awfully strange," and Mr. Oke of Okehurst gave a little sigh and frowned that curious frown, as if so long a speech and so decided an expression of opinion had cost him a great deal.
It was a rather unfortunate moment in my career. A very influential sitter of mine—you remember the fat lady with the crimson curtain behind her?—had come to the conclusion or been persuaded that I had painted her old and vulgar, which, in fact, she was. Her whole clique had turned against me, the newspapers had taken up the matter, and for the moment I was considered as a painter to whose brushes no woman would trust her reputation. Things were going badly. So I snapped but too gladly at Mr. Oke's offer, and settled to go down to Okehurst at the end of a fortnight. But the door had scarcely closed upon my future sitter when I began to regret my rashness; and my disgust at the thought of wasting a whole summer upon the portrait of a totally uninteresting Kentish squire, and his doubtless equally uninteresting wife, grew greater and greater as the time for execution approached. I remember so well the frightful temper in which I got into the train for Kent, and the even more frightful temper in which I got out of it at the little station nearest to Okehurst. It was pouring floods. I felt a comfortable fury at the thought that my canvases would get nicely wetted before Mr. Oke's coachman had packed them on the top of the waggonette. It was just what served me right for coming to this confounded place to paint these confounded people. We drove off in the steady downpour. The roads were a mass of yellow mud; the endless flat grazing-grounds under the oak-trees, after having been burnt to cinders in a long drought, were turned into a hideous brown sop; the country seemed intolerably monotonous.
My spirits sank lower and lower. I began to meditate upon the modern Gothic country-house, with the usual amount of Morris furniture, Liberty rugs, and Mudie novels, to which I was doubtless being taken. My fancy pictured very vividly the five or six little Okes—that man certainly must have at least five children—the aunts, and sisters-in-law, and cousins; the eternal routine of afternoon tea and lawn-tennis; above all, it pictured Mrs. Oke, the bouncing, well-informed, model housekeeper, electioneering, charity-organising young lady, whom such an individual as Mr. Oke would regard in the light of a remarkable woman. And my spirit sank within me, and I cursed my avarice in accepting the commission, my spiritlessness in not throwing it over while yet there was time. We had meanwhile driven into a large park, or rather a long succession of grazing-grounds, dotted about with large oaks, under which the sheep were huddled together for shelter from the rain. In the distance, blurred by the sheets of rain, was a line of low hills, with a jagged fringe of bluish firs and a solitary windmill. It must be a good mile and a half since we had passed a house, and there was none to be seen in the distance—nothing but the undulation of sere grass, sopped brown beneath the huge blackish oak-trees, and whence arose, from all sides, a vague disconsolate bleating. At last the road made a sudden bend, and disclosed what was evidently the home of my sitter. It was not what I had expected. In a dip in the ground a large red-brick house, with the rounded gables and high chimney-stacks of the time of James I.,—a forlorn, vast place, set in the midst of the pasture-land, with no trace of garden before it, and only a few large trees indicating the possibility of one to the back; no lawn either, but on the other side of the sandy dip, which suggested a filled-up moat, a huge oak, short, hollow, with wreathing, blasted, black branches, upon which only a handful of leaves shook in the rain. It was not at all what I had pictured to myself the home of Mr. Oke of Okehurst.
My host received me in the hall, a large place, panelled and carved, hung round with portraits up to its curious ceiling—vaulted and ribbed like the inside of a ship's hull. He looked even more blond and pink and white, more absolutely mediocre in his tweed suit; and also, I thought, even more good-natured and duller. He took me into his study, a room hung round with whips and fishing-tackle in place of books, while my things were being carried upstairs. It was very damp, and a fire was smouldering. He gave the embers a nervous kick with his foot, and said, as he offered me a cigar—
"You must excuse my not introducing you at once to Mrs. Oke. My wife—in short, I believe my wife is asleep."
"Is Mrs. Oke unwell?" I asked, a sudden hope flashing across me that I might be off the whole matter.
"Oh no! Alice is quite well; at least, quite as well as she usually is. My wife," he added, after a minute, and in a very decided tone, "does not enjoy very good health—a nervous constitution. Oh no! not at all ill, nothing at all serious, you know. Only nervous, the doctors say; mustn't be worried or excited, the doctors say; requires lots of repose,—that sort of thing."
There was a dead pause. This man depressed me, I knew not why. He had a listless, puzzled look, very much out of keeping with his evident admirable health and strength.
"I suppose you are a great sportsman?" I asked from sheer despair, nodding in the direction of the whips and guns and fishing-rods.
"Oh no! not now. I was once. I have given up all that," he answered, standing with his back to the fire, and staring at the polar bear beneath his feet. "I—I have no time for all that now," he added, as if an explanation were due. "A married man—you know. Would you like to come up to your rooms?" he suddenly interrupted himself. "I have had one arranged for you to paint in. My wife said you would prefer a north light. If that one doesn't suit, you can have your choice of any other."
I followed him out of the study, through the vast entrance-hall. In less than a minute I was no longer thinking of Mr. and Mrs. Oke and the boredom of doing their likeness; I was simply overcome by the beauty of this house, which I had pictured modern and philistine. It was, without exception, the most perfect example of an old English manor-house that I had ever seen; the most magnificent intrinsically, and the most admirably preserved. Out of the huge hall, with its immense fireplace of delicately carved and inlaid grey and black stone, and its rows of family portraits, reaching from the wainscoting to the oaken ceiling, vaulted and ribbed like a ship's hull, opened the wide, flat-stepped staircase, the parapet surmounted at intervals by heraldic monsters, the wall covered with oak carvings of coats-of-arms, leafage, and little mythological scenes, painted a faded red and blue, and picked out with tarnished gold, which harmonised with the tarnished blue and gold of the stamped leather that reached to the oak cornice, again delicately tinted and gilded. The beautifully damascened