Commodification and Its Discontents. Nicholas Abercrombie. Читать онлайн. Newlib. NEWLIB.NET

Автор: Nicholas Abercrombie
Издательство: John Wiley & Sons Limited
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Жанр произведения: Социология
Год издания: 0
isbn: 9781509529841
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and not just in the planning profession. (For a literary survey see Carey, 1992: ch. 2. Poets could be particularly scathing.) Disease imagery abounded. Clough Williams-Ellis, the founder of Portmeirion, for instance, declared: ‘The disfiguring little buildings grow up and multiply like nettles along a drain, like lice upon a tape-worm’ (Williams-Ellis, 1928: 162); or Abercrombie again: ‘The aesthetic fault of the ribbon is simple: it is an urban formation purely, but it is thrust into the comparative naturalness of the country. It is like a cancer – a growth of apparently healthy cells but proceeding without check or relation to the whole body’ (Abercrombie, 1943: 120–1). H. Chessell invokes a different kind of horror in ‘the ribbon development of housing along the new arterial roads, and the stretching of the city’s tentacles far out into the countryside, with all that implies’ (n.d.: 20).

      It is difficult to ignore a nostalgic tone in much of the town planning literature of the Long Century (see particularly Williams-Ellis, 1937). There is a harking back to a largely imaginary, ordered society, predominantly agricultural, characterized by ‘balanced’ communities of long standing where there were established social hierarchies in which everyone knew their place. As Hugh Massingham has it:

      It was the land, the place, that made all the difference between then and now. The holdings varied in extent, but the holders, yeomen or cottagers, ate the same kind of food, spoke the same dialect and shared the same knowledge … because everything within the boundaries of the parish … was of intimate concern to their daily lives. (Massingham, 1937: 19)

      There is one further characteristic of order-planning that is implicit in much of the foregoing. Although an emphasis that declined somewhat in the later years of the twentieth century, much of the planning literature is concerned with beauty, the aesthetic qualities of civic design. For Unwin, it does not matter if there is a good water supply and proper sanitation in these houses if the houses remain dreary. What is needed is the ‘vivifying touch of art’ so that ‘something of beauty may be restored to town life’ (Unwin, 1909: 4). George Scott-Moncrieff waxes still more lyrical: ‘The value of a W.C. is vastly overrated when it is set above that of the aesthetic. An ugly house with a bath is less of an asset than a beautiful house without one’ (1937: 270). Bertram offers a more systematic account. For him, beauty is a question of order and modern towns are disordered, being a ‘jumble of styles and no styles, of sizes and purposes and colours and materials’. We have forgotten how to build a street, which should be ‘designed right through like a poem or a symphony or a picture’ and be ‘an orderly civilised cohesive expression … of life and business’ but is instead ‘a miscellaneous collection of more or less rival bits’ (1939: 21, 23).

      Over the last two centuries, the provision of housing in the United Kingdom has been a major political issue. David Donnison (1967), in reviewing the government of housing in 1967, noted that a government circular of 1933, declaring that the ‘evil’ of poor housing should be urgently addressed, has been repeated many times since then. It is still an urgent issue in 2020. Throughout the Long Century, the periodic eruptions of political interest in housing have been framed in terms of justice. It is the working class and the relatively poor whose housing conditions are at issue. From Friedrich Engels’ critique of 1844, through the government reports of the sanitation reform movement of the middle years of the nineteenth century, to the recognition (partly by a Royal Commission on the Housing of the Working Classes) of poor housing at the end of the century and into the next, to promises of reform – Homes for Heroes – at the end of the First World War and the need for the rebuilding of Britain after the Second, to the despair at the continuing slum conditions of the 1950s and 1960s, the language used has stayed remarkably constant. There was talk of damp, small, overcrowded, unhealthy, rotting, cold and expensive housing conditions, frequently summed up by the persistent use of the word ‘slum’. The history of town planning since the middle of the nineteenth century is, then, partly a history of attempts at solutions to the housing problem. For example, the Garden City and New Towns movements were brave attempts to solve both the justice-planning issue of good working-class housing and the order-planning imperative of control of urban expansion into the countryside.