Enrichment. Luc Boltanski

mobile objects, these entities cannot be moved; thus associating them with other entities and inserting them in a series can be achieved only at a distance, by getting them added – often with the support of a public organization – to a list modeled on UNESCO’s repertory of worldwide heritage sites.⁴⁷ By means of such lists, these entities can be represented as equivalent or in a hierarchical relation to one another (for example through attribution of Michelin-type stars). The listings, which are reversible, are generally associated with commitments – especially financial – on the part of the local authorities responsible for preserving the entities in question. This type of heritage creation has given new life to regions – in France, especially mountainous ones – threatened with depopulation beginning in the 1960s and 1970s, owing to the industrialization of European agriculture that had marked the postwar decades and the resultant decline in small family farms. Such rural regions were in a position to benefit from a sort of aesthetic heritage because their “traditional” character and their geographic specificities were already anchored in the minds of a broad public, having been highlighted by writers, landscape painters, and local scholars during the nineteenth century and the first half of the twentieth.⁴⁸ It is in these regions in particular that the remaining farmers have been encouraged to take part in the “conversion of agricultural space to landscape,” a process in which the regional parks were a driving force. Under way since the mid-1980s, this trend benefited from the support of European institutions; justified above all by ecological considerations, it has been coordinated in France by a government agency devoted to “nature and landscape” under the auspices of the ministry responsible for environmental issues. It has also provided a way of facing up to the problem posed by European agricultural surpluses and, especially, a way of stimulating the attractiveness of rural areas, sought for their qualities as landscapes and increasingly for their value from a residential standpoint. The Landscape Law of 1993 extended to all such spaces a “landscape-oriented attention” that had previously been concentrated on exceptional sites. Animal breeders and farmers have thus found themselves involved in agro-environmental measures and encouraged to contribute to the “common good” by supplying an “environmental service” that turns them, sometimes against their will, into landscapers.⁴⁹

The development of tourism

      A third factor in the creation of wealth is tourism, especially upscale tourism; unfortunately, the available statistical studies do not make it easy to circumscribe this sector in depth.⁵⁰ Tourism has undergone considerable development over the last several decades. In 2012, international tourism (counted in terms of the number of arrivals) reached the figure of 1,035 million (compared to 25 million in 1950, 278 million in 1980, and 528 million in 1995),⁵¹ and it has more than doubled during the last twenty years.⁵² More than half the tourist flow is concentrated in Europe, and France remains the premier destination worldwide: 25 million foreign tourists arrived in 2015,⁵³ and the yearly total is expected to reach 100 million between now and 2030.⁵⁴ This amounts to approximately 1.3 billion nights (a night is the unit of measure for tourism). On average, tourists in France spent 80 euros a day in 2005; thus “tourist expenditure is equivalent to the income of 8 million average French citizens.” “Commercial net revenues from tourism came to some 90 billion euros in 2005 … roughly equivalent to the net revenues in the automobile and aeronautics industries.”⁵⁵ Tourism represented 7.4 percent of France’s gross domestic product in 2013;⁵⁶ it employed around 1.3 million people directly and generated a million supplementary jobs indirectly.⁵⁷ The development of national and especially international tourism has been facilitated by a reduction in transportation costs, an increase in the absolute number of wealthy individuals, especially in the so-called emerging countries⁵⁸ (associated with an increase in inequalities), and financing that associates European and local support with international enterprises, especially in the hotel and transportation sectors.⁵⁹

Tourism has stimulated the luxury industry, and specialists in tourism marketing in France emphasize the interactions between tourism and luxury, considering that “tourism creates an affinity for France, and more generally toward all of its products, everything that can be labeled ‘made in France,’” along with an affinity for “luxury,” “the great pillar of the image of our country in the world,” a pillar that underlies one of the principal motives for visits by foreign tourists: the French art de vivre, the “art of living” well. Tourism is thus viewed as a “lever for exportations that occur on French territory.”⁶⁰ Most luxury products are identified with the country that is presumed to be the one in which they have been conceived and manufactured. Thus they are frequently purchased at tourist destination sites (as if that made them more “authentic”), or in airports, often as gifts, or, when they are bought in their countries of origin, in “exotic” shops frequented chiefly by tourists. Thus highlighting the national culture, promoting luxury products, and exploiting the tourist business go hand in hand; this is attested, for example, by the transformation of Saint-Germain-des-Prés. Fifty years ago, this district in the heart of Paris embodied an intellectual Bohemia; now it is a high point of international luxury that exploits the history of this Bohemia and the “existentialism” with which it has been associated.

      The increase in the number of tourists, both French and foreign, has played an important role in exacerbating regional inequalities in development. Indeed, outside of Paris, only the Côte d’Azur and Alps regions are widely known internationally and meet the expectations of a wealthy clientele, welcoming them in palatial lodgings that are lacking in the surrounding areas. The regions in which a “residential economy” has developed have experienced growth in the number of jobs available (often in the domestic service sector), stimulated by population increases in the territory. And this latter growth has benefited not only from increased numbers of second homes but also from increased tourism, involving both people just passing through and those whose presence is intermittent but regular. By contrast, certain other areas have more difficulty attracting tourists – areas that are saddled with former or still active industrial spaces, for instance – because they do not fit the description of regions that public authorities seek to promote.

      Tourism is the point of intersection among the various domains we have mentioned. Favorable to the increase in luxury commerce, the expansion of tourism during the last twenty years has also been one of the most important factors in heritage creation in France. High-end tourism benefits from the transformation of an ever-increasing number of buildings into historical monuments and of spaces into “sites of memory.” This transformation, which could be called “staging for tourism,” takes place through a shift from “raw” places to places endowed with a story, one that is usually developed by professional historians and that offers visitors an “experience”⁶¹ as soon as it is staged; digital technologies help to produce an “augmented reality.” The effectiveness of these stories makes it possible to attract tourists to spaces that may not be intrinsically very attractive, not well endowed with either monuments or sunshine, but that are, for example, sites of former battlegrounds, especially those from the First World War.

In this spirit, many studies in the field of tourist management seek to highlight the “cultural assets” of a country such as France, where tourist facilities are expensive, so as to distinguish their own country from less expensive ones: not only those of the southern hemisphere, which are reputed, according to this marketing logic, to have “nothing to offer but sea and sun,” but also those of Southern Europe, which can boast of both cultural offerings and an attractive climate.⁶² To “mass tourism,” which has undergone a process of standardization inspired by industrial norms, marketing agencies thus contrast “cultural tourism,” associated with the definition of “world heritage,” whose conception and promotion have benefited from the interest of major international organizations – for example, UNESCO, the World Tourism Organization, and the International Council on Monuments and Sites (ICOMOS) – and which has been associated with the definition of “world heritage.”⁶³ Constructed in opposition to “mass tourism,” which is denigrated on the basis of its indifference to “cultural” properties and the fact that, given a favorable climate, its touristic offerings can be realized almost anywhere provided