The Ica Stones of Peru, covered with detailed dinosaur carvings, were collected by a doctor who used to purchase them from a farmer, Basilio Uschuya, believing them to be genuine. It later transpired that Uschuya had carved them all himself.
In Mexico you will find a terracotta model reminiscent of an ankylosaur. These tortoise-like dinosaurs lived in the Cretaceous period between 68 and 66 million years ago, and ranged between the size of a tortoise and a small car. Fossils have been found by palæontologists in America and they are very similar to the terracotta model. This curious artifact is approximately 2,000 years old and was made by the artisans of the Jalisco culture, who flourished along the Pacific west coast of Mexico. Stegosaur-like models were also discovered by an expatriate German merchant named Waldemar Julsrud in Acámbaro, Mexico, in July 1944 while out riding his horse. By chance, he spotted some rock carvings and eventually uncovered a range of clay figurines. Julsrud was conversant with Aztec, Toltec, Mayan and Inca artifacts and recorded that these seemed to be different. Julsrud agreed to hire a Mexican farmer, Odilon Tinajero, to dig in the area and offered to pay him one peso (then worth about 12 US cents) for each object he found. Within weeks, he had piles of these figurines.6
Among the models were depictions of stegosaurs and some other dinosaurs. Eventually more than 30,000 of the artifacts were excavated. Considerable controversy surrounded these objects, and scientists dated them using thermoluminescence. These results suggested that they were 4,500 years old, though more recent investigations have claimed that the results were inaccurate, and authorities now insist that the objects are fakes dating from the 1930s. These items were given a museum of their own, and it is open to this day. Most people regard the clay figures as curious fakes,7 though others are convinced that the original dating experiments are valid, and that these are prehistoric relics from an ancient Mexican civilization. There is also a vociferous cohort of enthusiastic supporters of the view that dinosaurs and humans coexisted, and, to these people, the figurines provide the evidence they seek.8
There are other intriguing images that depict humans and dinosaurs together, and some of the carvings from Ica, south of Lima in Peru, even show dinosaurs attacking a human hunter. The images are cut into the surface of volcanic rock of what we now call Ica Stones, rounded nodules of andesite measuring less than 1 foot (30 cm) across. Andesite is a stony mineral that can easily be carved, and these stones purport to depict pre-Columbian scenes and bear symbols from the ancient Inca, Paracas, Nazca and Tiwanaku peoples, as well as the Ica. In the 1930s a Peruvian doctor named Darquea began to collect beautifully carved stones from the town of Ica. His son, Javier Cabrera Darquea, was fascinated by the delicate carvings and began a quest for more. He based his collection on 350 Ica Stones purchased from Carlos and Pablo Soldi, brothers who marketed pre-Columbian artifacts to archæologists and collectors. Through them Javier Darquea met a farmer, Basilio Uschuya, who sold him stones at regular intervals until he had amassed a collection of some 11,000 different examples. He published a book on the message of the stones of Ica, and went on to establish a museum to display some of his impressive collection.9
Dinosaurs fired from clay were found by Waldemar Julsrud in Acámbaro, Mexico, in July 1944. He thought they were from the preclassical Chupicuaro Culture (about 2,000 years ago), but they proved to be forgeries made by a farmer, Odilon Tinajero.
The museum is still there, featuring a range of unmistakable dinosaurs, and many visitors leave impressed by his claims that humans are at least 400 million years old. However, any claim that the artifacts might be authentic disappeared when Uschuya finally conceded that the carvings were fakes. He and a farming friend, Irma Gutierrez de Aparcana, admitted that they had forged the images by copying dinosaur pictures from comics and magazines. A BBC television crew were said to have visited the farmers and paid Uschuya to produce an Ica Stone while they filmed. He cut the patterns with a dentist’s drill and then gave the rock an authentic-looking patina by baking it in cow dung. Many people wondered why he had owned up, but the Peruvian authorities at the time were beginning to enforce the regulated marketing of pre-Columbian artifacts, and – if Uschuya had truly been selling genuine relics – he could have been arrested and put on trial. Conceding that they were fakes was his guarantee against prosecution. Basilio Uschuya was quoted as saying, ‘Carving stones is an easier way of making a living than farming the land,’ while Ken Feder, author of a 2010 book on dubious archæology, wrote: ‘The Ica Stones are not the most sophisticated of the archæological hoaxes, but they certainly rank up there as the most preposterous.’10 It would have been an easy matter to resolve: the microscope would show in an instant whether the images had been engraved by a primitive tool or cut with a dentist’s drill, and microchemical analysis would as easily detect the presence of cow manure on the surface of a stone.
Some similar examples have not been dismissed as fakes. In 1971, at Girifalco in Calabria, southern Italy, a landslip after a 20-hour deluge revealed a cache of artifacts from of a pre-Greek civilization. A lawyer named Mario Tolone Azzariti reported that he had found some terracotta statues, one of which was a model very like a stegosaur. It measures some 7 inches (18 cm) long and shows solid, strong legs (different from those of a present-day lizard). This seems to be a relic of the Stone Age – though I am not aware that it has ever been dated – and may well be the result of inspiration by a fossilized Stegosaurus.
In 1971 in southern Italy, a lawyer named Mario Tolone Azzariti claimed to have found terracotta models, one of which was a like a stegosaur. It measures 7 inches (18 cm) long. Perhaps this was inspired by a fossilized skeleton.
The indigenous peoples of the U.S. knew about fossil dinosaurs for thousands of years. There is an ancient saga among the Delaware people, who inhabited what became New Jersey and Pennsylvania, telling of a party of hunters who returned to their village with a huge, ancient bone which they said had come from a massive monster. This fearsome creature was said to massacre people. A ritual was developed, involving burning tobacco with small fragments of this massive bone, hoping that this would ensure safety from the monster, good hunting for the future, and a long life for all. Fossils found in the area include a range of dinosaurs that we shall encounter later, including Cœlosaurus, Dryptosaurus, Ankylosaurus and Hadrosaurus (subsequently, a hadrosaur was to become the first dinosaur ever to be scientifically investigated in America). As we shall discover later, the Cheyenne people taught that a mythical animal named Ahke once lived in the prairies. These were gigantic god-like bison whose remains had been turned into stone. It seems likely that fossils of the horned dinosaur Triceratops were known since ancient times, and these gave birth to the legend.
Just as the indigenous inhabitants of North America maintain a culture that dates back to prehistory, Stone-Age traditions are also perpetuated by Australian Aborigines. They too have ancient legends about dinosaurs – though there are no fossilized bones to be found. Their dreamtime stories stem from an abundance of dinosaur footprints, notably in northwestern Australia. There are extensive exposures of sandstone on the Dampier Peninsula in the Kimberley region, where innumerable dinosaur footprints are to be found. There are extensive trackways that stretch from Roebuck Bay near Broome north to Cape Leveque; that’s at least 125 miles (200 km). The culture extends inland for at least 100 miles (160 km) across the scrub. So important are these finds that a great swathe of intertidal coastline along the Dampier Peninsula coastline has recently been declared a heritage site.11
The 130-million-year-old rocky strata along the beach, known to geologists as the Broome Sandstone, are marked with countless footprints of three-toed dinosaurs, and these clear tracks have played a part in the local culture for thousands, perhaps tens of thousands, of years. The strange footprints in these tracks are clearly recorded in their local legends.12
Australian indigenous people everywhere have an oral culture featuring song cycles that trace in chanted refrains the paths taken by gigantic supernatural