‘Well, I for one can’t wait to learn all about this place.’ Noah slapped his hand against the heavy wood of the front door and the ironwork rang out an echo. ‘And whether or not there are any vampires hiding in there waiting to suck my blood.’ He flashed a smile that Eloise couldn’t help but return.
‘No vampires,’ she promised. At least, as long as you didn’t count Melissa. ‘But I can’t promise you might not see the odd ghost.’
Noah raised his eyebrows. ‘I don’t believe in ghosts.’
‘That’s good.’ Eloise grinned back at him. ‘Better just hope they don’t believe in film stars either.’
Noah laughed, warm and dark and deep, and Eloise tore her gaze away from him. She didn’t need to notice the way he tipped his head back when he laughed, or the long line of his neck, or his designer stubble. It was all totally irrelevant to her, and her job.
But she stole another look before heading back inside all the same.
THE INSIDE OF Morwen Hall was rather more what Noah had been expecting than the weirdly Gothic exterior. With its calming pale green walls and dove-grey trim, the luxurious but comfortable velvet and leather sofas in the main lobby and the deep pile rugs laid over the original stone floor, it was hard to believe Eloise’s stories of ghosts. Inside, Morwen Hall could be any luxury five-star hotel anywhere in the world. Still, Noah couldn’t shake the feeling that there might be more to this house, under the surface, than its owners wanted anyone to see.
And more to its manager too. Noah found his gaze fixed on Eloise as she shrugged off her pale grey coat, revealing a demure charcoal skirt suit beneath that went perfectly with the sensible black heels. He supposed that with such arresting hair and eyes brightly coloured clothing was just overkill.
Still, he couldn’t help but imagine what she’d look like in the sort of dresses the actresses he knew wore on the red carpet. Something that showed off her figure instead of hiding it. Noah was a connoisseur of women’s figures, and Eloise’s definitely looked like one he’d like to explore further.
‘Melissa, Riley, would you like me to show you to your suite?’ Eloise asked. Noah supposed it was only polite to deal with the bride and groom first. Besides, it would mean she had more time for him afterwards—and more time for him to talk her into having a drink together later.
Melissa frowned ever so slightly, a tiny line appearing between her eyebrows. ‘Actually, I need to speak with my wedding planner.’ She slipped a hand through the crook of Laurel’s arm and led her off to the side. ‘Why don’t you get our best man settled first?’
Noah hefted his carry-on bag over his shoulder. He hadn’t seen his suitcase since the airport so he assumed it was being dealt with somewhere, and would magically appear in his room when he needed it. He loved hotels. They were almost as good as film sets for having your every need seen to before you even knew what you needed.
‘You’ll turn into one of those puffed up idiots who don’t know the value of a hard day’s work.’
His dad’s voice in his head made Noah scowl, as it always did, but he shook the expression away before Eloise turned to face him and replaced it with his habitual charming smile.
‘Right. Okay.’ Eloise surveyed him with something akin to displeasure on her face, which gave Noah slight pause. Usually, women were delighted to score some alone time with him. And, from the way Eloise had stared at him on arrival, he’d naively assumed that she’d be the same.
Apparently, he was missing something here.
‘If you’ll just follow me, Mr Cross?’ Eloise said, every inch the professional, as she headed for the elevators at the back of the lobby. They had a Gothic-style metalwork design painted on the doors, which amused Noah. As an attempt to make them fit in with the rest of the surroundings of Morwen Hall, he supposed it was as good a try as any.
‘Guess these didn’t come with the building, huh?’ he asked as she pressed the button to call one. ‘The elevators, I mean. Sorry. They’re “lifts” here, right?’
‘That’s right,’ Eloise said with a nod. ‘And no. They didn’t have lifts when Morwen Hall was built.’
From her tone, Noah suspected she was already writing him off as a dumb American movie star. Well, she wouldn’t be the first—hadn’t his own father done the same? And there had been plenty more since—journalists, interviewers, all sorts. It was always fun to prove them wrong.
‘Gothic revival, right? So, nineteenth-century? I’d guess...1850?’
If she was surprised Eloise didn’t show it. ‘1848, actually. At least that was when work started.’
‘Sounds like you know a lot about the place. Have you worked here long?’
The elevator pinged and the doors opened. Eloise motioned for him to enter first, which he did, then she stepped in behind him, pressing the button for the top floor.
‘Since I was sixteen,’ she said as the doors swished shut.
Of course. She was Melissa’s oldest friend. She, and the Hall, were presumably the reason they were having the wedding in England in December in the first place. ‘And that’s when you met Melissa, right. Nice of her to want to come back here for the wedding, I guess.’
‘It’s just lovely,’ Eloise said, her tone flat.
Noah was beginning to suspect that ‘oldest friends’ might not be the most accurate of descriptions for Eloise and Melissa’s relationship.
‘She must have a lot of fond memories of working here,’ he pressed.
‘I’m sure she does.’ Eloise didn’t place any extra emphasis on the word ‘she’, but somehow Noah heard it. From what he knew about Melissa, he wasn’t overly surprised. Oh, she was sweetness and light to directors, producers and other stars, but he’d seen her berate one of the catering assistants for not having exactly the right kind of chia seed for her salad. He knew that sort of person—who could be anything you wanted if you mattered, and hell on wheels if you didn’t. Hollywood was full of them.
He prided himself on trying not to ever become one of them. Whatever his father thought.
He’d learned how to be a star and still be gracious from watching Sally. It was one of the many lessons his best friend had taught him. After she got a recurring role in a weekly drama, she’d still been, well, Sally. Lovely and sweet and kind and patient with everyone from her co-stars to the guy on the street begging for enough quarters to buy a coffee. Sally had been the most genuine person he’d known in a city full of actors.
Just remembering that much pricked at his heart and Noah knew it was time to change the subject.
‘Enough about Melissa,’ he said as the elevator reached its destination and the doors parted again. ‘So you’ve worked here, what, eight years?’ He’d guess ten, based on Melissa’s age, but everyone liked a little flattery, right?
‘Ten, actually,’ Eloise corrected him, and he hid a smile. He still had it.
‘Must have seen a lot of changes here.’ That was a given too, right? Everything changed. Whether you wanted it to or not.
‘Yep. Melissa left, for one.’ Eloise shut her eyes briefly. ‘Sorry. I shouldn’t have said that.’
‘Yes, you should,’ Noah insisted. Not least because it was the first real thing she’d said since they’d met and for some reason—perhaps because he’d been remembering Sally—Noah wanted her to be real. Maybe it was just that he had enough fakes in his professional life already—not that it usually bothered him. People who were putting on an act, being who they thought you wanted them to be, never wanted you to look too deep