‘The other way,’ screamed Datt. The sound abated, but the tape was still revolving and the sound could just be heard; the girl was sobbing again. The desperate sound was made even more helpless by its diminished volume, like someone abandoned or locked out.
‘What is it?’ asked the maidservant. She shuddered but seemed reluctant to switch off; finally she did so and the reels clicked to a standstill.
‘What’s it sound like?’ said Datt. ‘It’s a girl sobbing and screaming.’
‘My God,’ said the maidservant.
‘Calm down,’ said Datt. ‘It’s for amateur theatricals. It’s just for amateur theatricals,’ he said to me.
‘I didn’t ask you,’ I said.
‘Well, I’m telling you.’ The servant woman turned the reel over and rethreaded it. I felt fully conscious now and I sat up so that I could see across the room. The girl Maria was standing by the door, she had her shoes in her hand and a man’s raincoat over her shoulders. She was staring blankly at the wall and looking miserable. There was a boy sitting near the gas fire. He was smoking a small cheroot, biting at the end which had become frayed like a rope end, so that each time he pulled it out of his mouth he twisted his face up to find the segments of leaf and discharge them on the tongue-tip. Datt and the old maidservant had dressed up in those old-fashioned-looking French medical gowns with high buttoned collars. Datt was very close to me and did a patent-medicine commercial while sorting through a trayful of instruments.
‘Has he had the LSD?’ asked Datt.
‘Yes,’ said the maid. ‘It should start working soon.’
‘You will answer any questions we ask,’ said Datt to me.
I knew he was right: a well-used barbiturate could nullify all my years of training and experience and make me as co-operatively garrulous as a tiny child. What the LSD would do was anyone’s guess.
What a way to be defeated and laid bare. I shuddered, Datt patted my arm.
The old woman was assisting him. ‘The Amytal,’ said Datt, ‘the ampoule, and the syringe.’
She broke the ampoule and filled the syringe. ‘We must work fast,’ said Datt. ‘It will be useless in thirty minutes; it has a short life. Bring him forward, Jules, so that she can block the vein. Dab of alcohol, Jules, no need to be inhuman.’
I felt hot breath on the back of my neck as Jules laughed dutifully at Datt’s little joke.
‘Block the vein now,’ said Datt. She used the arm muscle to compress the vein of the forearm and waited a moment while the veins rose. I watched the process with interest, the colours of the skin and the metal were shiny and unnaturally bright. Datt took the syringe and the old woman said, ‘The small vein on the back of the hand. If it clots we’ve still got plenty of patent ones left.’
‘A good thought,’ said Datt. He did a triple jab under the skin and searched for the vein, dragging at the plunger until the blood spurted back a rich gusher of red into the glass hypodermic. ‘Off,’ said Datt. ‘Off or he’ll bruise. It’s important to avoid that.’
She released the arm vein and Datt stared at his watch, putting the drug into the vein at a steady one cc per minute.
‘He’ll feel a great release in a moment, an orgastic response. Have the Megimide ready. I want him responding for at least fifteen minutes.’
M. Datt looked up at me. ‘Who are you?’ he asked in French. ‘Where are you, what day is it?’
I laughed. His damned needle was going into someone else’s arm, that was the only funny thing about it. I laughed again. I wanted to be absolutely sure about the arm. I watched the thing carefully. There was the needle in that patch of white skin but the arm didn’t fit on to my shoulder. Fancy him jabbing someone else. I was laughing more now so that Jules steadied me. I must have been jostling whoever was getting the injection because Datt had trouble holding the needle in.
‘Have the Megimide and the cylinder ready,’ said M. Datt, who had hairs – white hairs – in his nostrils. ‘Can’t be too careful. Maria, quickly, come closer, we’ll need you now, bring the boy closer; he’ll be the witness if we need one.’ M. Datt dropped something into the white enamel tray with a tremendous noise. I couldn’t see Maria now, but I smelled the perfume – I’d bet it was Ma Griffe, heavy and exotic, oh boy! It’s orange-coloured that smell. Orange-coloured with a sort of silky touch to it. ‘That’s good,’ said M. Datt, and I heard Maria say orange-coloured too. Everyone knows, I thought, everyone knows the colour of Ma Griffe perfume.
The huge glass orange fractured into a million prisms, each one a brilliant, like the Sainte Chapelle at high noon, and I slid through the coruscating light as a punt slides along a sleepy bywater, the white cloud low and the colours gleaming and rippling musically under me.
I looked at M. Datt’s face and I was frightened. His nose had grown enormous, not just large but enormous, larger than any nose could possibly be. I was frightened by what I saw because I knew that M. Datt’s face was the same as it had always been, and that it was my awareness that had distorted. Yet even knowing that the terrible disfigurement had happened inside my mind, not on M. Datt’s face, did not change the image; M. Datt’s nose had grown to a gigantic size.
‘What day is it?’ Maria was asking. I told her. ‘It’s just a gabble,’ she said. ‘Too fast to really understand.’ I listened but I could hear no one gabbling. Her eyes were soft and unblinking. She asked me my age, my date of birth and a lot of personal questions. I told her as much, and more, than she asked. The scar on my knee and the day my uncle planted the pennies in the tall tree. I wanted her to know everything about me. ‘When we die,’ my grandmother told me, ‘we shall all go to Heaven,’ she surveyed her world, ‘for surely this is Hell?’ ‘Old Mr Gardner had athlete’s foot, whose was the other foot?’ Recitation: ‘Let me like a soldier fall …’
‘A desire,’ said M. Datt’s voice, ‘to externalize, to confide.’
‘Yes,’ I agreed.
‘I’ll bring him up with the Megimide if he goes too far,’ said M. Datt. ‘He’s fine like that. Fine response. Fine response.’
Maria repeated everything I said, as though Datt could not hear it himself. She said each thing not once but twice. I said it, then she said it, then she said it again differently; sometimes very differently so that I corrected her, but she was indifferent to my corrections and spoke in that fine voice she had; a round reed-clear voice full of song and sorrow like an oboe at night.
Now and again there was the voice of Datt deep and distant, perhaps from the next room. They seemed to think and speak so slowly. I answered Maria leisurely but it was ages before the next question came. I tired of the long pauses eventually. I filled the gaps telling them anecdotes and interesting stuff I’d read. I felt I’d known Maria for years and I remember saying ‘transference’, and Maria said it too, and Datt seemed very pleased. I found it was quite easy to compose my answers in poetry – not all of it rhymed, mind you – but I phrased it carefully. I could squeeze those damned words like putty and hand them to Maria, but sometimes she dropped them on to the marble floor. They fell noiselessly, but the shadows of them reverberated around the distant walls and furniture. I laughed again, and wondered whose bare arm I was staring at. Mind you, that wrist was mine, I recognized the watch. Who’d torn that shirt? Maria kept saying something over