I glance at my watch; it’s 17:35. Looking up Houdini’s, I see that they’re open until late, and it’s only a short walk away – why don’t I go scope the place out and see what I make of it?
After washing my hair and applying my make-up, I open up my wardrobes (cardboard boxes) and see what I can find. An oversize black jumper dress and a pair of black over-the-knee boots seem like the right kind of thing, given how cold it is outside. I grab my leather jacket, pile on the rose-gold accessories (and my engagement ring, of course) and I’m good to go.
I am just about to walk out of the door when my mobile starts ringing. It’s my agent, Lindsey.
‘Hello,’ I say, answering quickly, terrified there’s a problem with the manuscript I stressed myself out to finish on time.
‘Hello, Mia, how are you?’ she asks brightly.
‘Great, ta. How are you?’
‘I’m doing well, thank you. I just wanted to let you know that Tamara is reading your manuscript and she’s really enjoying it, and I’ve already finished it and I think it’s great – maybe your best yet.’
I let out a huge sigh of relief. I’m pretty sure Lindsey tells me every book I write is my best work yet, but I do feel like she believes in me, and it’s always good news to hear that Tamara, my editor, is enjoying it too. Having a strong team around you, rooting for you and doing everything they can to make your books a success, is just as important as the writing itself – what does it matter if you’ve written an amazing book if no one reads it?
‘That’s great news, thank you,’ I tell her.
‘So, what are you going to do now?’ she asks. ‘Take a little time off?’
‘I wish,’ I reply. ‘I’ve got a wedding to pay for – I’m actually job hunting.’
‘What?’ Lindsey squeaks. ‘Mia, you’re an amazing writer, so early in your career as a novelist. The money gets better.’
‘In time for my wedding or my next cripplingly expensive trip to Ikea?’ I laugh awkwardly. ‘It’s not just that; I get so bored between books. Everyone is at work and there’s no one to have any fun with…’
‘Listen, Mia, I’m putting forward a few of my clients for a job – it’s nonfiction, but I feel like you could be great for it. Shall I put you forward?’
‘What is it?’ I ask.
‘It’s a ghostwriting job,’ she tells me. ‘It will pay very well – two authors have dropped out already, so it won’t be easy. Let’s leave it at that – I don’t want to get your hopes up.’
I can’t help but pull a face. There’s no way a romcom writer like me is going to get a nonfiction gig that two other authors have already dropped out of, and even if I could, why would I want to work with someone who sounds so difficult? It would have to pay really well.
I finish my call and head for the door. Obviously I’d much rather have a writing job but I’ve got a wedding to pay for – and maybe the way to do this is by locking people up.
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