‘And when will that be?’ Sigrid asked.
‘Next year,’ Ragnar suggested, ‘or the year after. No longer.’
‘And then?’
‘Then England is no more,’ Ragnar said. ‘It will all be ours.’ The last of the four kingdoms would have fallen and England would be Daneland and we would all be Danes or slaves or dead.
We celebrated the Yule feast and Ragnar the Younger won every competition in Synningthwait, he hurled rocks farther than anyone, wrestled men to the ground and even drank his father into insensibility. Then followed the dark months, the long winter, and in spring, when the gales had subsided, Ragnar the Younger had to leave and we had a melancholy feast on the eve of his going, and next morning he led his men away from the hall, going down the track in a grey drizzle. Ragnar watched his son all the way down into the valley and when he turned back to his newly-built hall he had tears in his eyes. ‘He’s a good man,’ he told me.
‘I liked him,’ I said truthfully, and I did, and many years later, when I met him again, I still liked him.
There was an empty feeling after Ragnar the Younger had left, but I remember that spring and summer fondly for it was in those long days that Ealdwulf made me a sword. ‘I hope it’s better than my last one,’ I said ungraciously.
‘Your last one?’
‘The one I carried when we attacked Eoferwic,’ I said.
‘That thing! That wasn’t mine. Your father bought it in Berewic, and I told him it was crap, but it was only a short sword. Good for killing ducks, maybe, but not for fighting. What happened to it?’
‘It bent,’ I said, remembering Ragnar laughing at the feeble weapon.
‘Soft iron, boy, soft iron.’
There were two sorts of iron, he told me, the soft and the hard. The hard made the best cutting edge, but it was brittle and a sword made of such iron would snap at the first brutal stroke, while a sword made of the softer metal would bend as my short sword had done. ‘So what we do is use both,’ he told me, and I watched as he made seven iron rods. Three were of the hard iron, and he was not really sure how he made the iron hard, only that the glowing metal had to be laid in the burning charcoal, and if he got it just right then the cooled metal would be hard and unbending. The other four rods were longer, much longer, and they were not exposed to the charcoal for the same length of time, and those four he twisted until each had been turned into a spiral. They were still straight rods, but tightly twisted until they were the same length as the hard iron rods. ‘Why do you do that?’ I asked.
‘You’ll see,’ he said mysteriously, ‘you’ll see.’
He finished with seven rods, each as thick as my thumb. Three were of the hard metal, which Ragnar called steel, while the four softer rods were prettily twisted into their tight spirals. One of the hard rods was longer and slightly thicker than the others, and that one was the sword’s spine and the extra length was the tang onto which the hilt would eventually be riveted. Ealdwulf began by hammering that rod flat so that it looked like a very thin and feeble sword, then he placed the four twisted rods either side of it, two to each side so that they sheathed it, and he welded the last two steel rods on the outside to become the sword’s edges, and it looked grotesque then, a bundle of mismatched rods, but this was when the real work began, the work of heating and hammering, metal glowing red, the black dross twisting as it burned away from the iron, the hammer swinging, sparks flying in the dark forge, the hiss of burning metal plunged into water, the patience as the emerging blade was cooled in a trough of ash shavings. It took days, yet as the hammering and cooling and heating went on I saw how the four twisted rods of soft iron, which were now all melded into the harder steel, had been smoothed into wondrous patterns, repetitive curling patterns that made flat, smoky wisps in the blade. In some lights you could not see the patterns, but in the dusk, or when, in winter, you breathed on the blade, they showed. Serpent breath, Brida called the patterns, and I decided to give the sword that name; Serpent-Breath. Ealdwulf finished the blade by hammering grooves which ran down the centre of each side. He said they helped stop the sword being trapped in an enemy’s flesh. ‘Blood channels,’ he grunted.
The boss of the hilt was of iron, as was the heavy crosspiece, and both were simple, undecorated and big, and when all was done, I shaped two pieces of ash to make the handle. I wanted the sword decorated with silver or gilt bronze, but Ealdwulf refused. ‘It’s a tool, lord,’ he said, ‘just a tool. Something to make your work easier, and no better than my hammer.’ He held the blade up so that it caught the sunlight. ‘And one day,’ he went on, leaning towards me, ‘you will kill Danes with her.’
She was heavy, Serpent-Breath, too heavy for a fourteen-year-old, but I would grow into her. Her point tapered more than Ragnar liked, but that made her well-balanced for it meant there was not much weight at the blade’s outer end. Ragnar liked weight there, for it helped break down enemy shields, but I preferred Serpent-Breath’s agility, given her by Ealdwulf’s skill, and that skill meant she never bent nor cracked, not ever, for I still have her. The ash handles have been replaced, the edges have been nicked by enemy blades, and she is slimmer now because she has been sharpened so often, but she is still beautiful, and sometimes I breathe on her flanks and see the patterns emerge in the blade, the curls and wisps, the blue and silver appearing in the metal like magic, and I remember that spring and summer in the woods of Northumbria and I think of Brida staring at her reflection in the newly-made blade.
And there is magic in Serpent-Breath. Ealdwulf had his own spells that he would not tell me, the spells of the smith, and Brida took the blade into the woods for a whole night and never told me what she did with it, and those were the spells of a woman, and when we made the sacrifice of the pit slaughter, and killed a man, a horse, a ram, a bull and a drake, I asked Ragnar to use Serpent-Breath on the doomed man so that Odin would know she existed and would look well on her. Those are the spells of a pagan and a warrior.
And I think Odin did see her, for she has killed more men than I can ever remember.
It was late summer before Serpent-Breath was finished and then, before autumn brought its sea-churning storms, we went south. It was time to obliterate England, so we sailed towards Wessex.
We gathered at Eoferwic where the pathetic King Egbert was forced to inspect the Danes and wish them well. He rode down the riverbank where the boats waited and where the ragged crews lined on the shore and gazed at him scornfully, knowing he was not a real king, and behind him rode Kjartan and Sven, now part of his Danish bodyguard, though I assumed their job was as much to keep Egbert a prisoner as to keep him alive. Sven, a man now, wore a scarf over his missing eye, and he and his father looked far more prosperous. Kjartan wore mail and had a huge war axe slung on his shoulder, while Sven had a long sword, a coat of fox pelts, and two arm rings. ‘They took part in the massacre at Streonshall,’ Ragnar told me. That was the large nunnery near Eoferwic, and it was evident that the men who had taken their revenge on the nuns had made good plunder.
Kjartan, a dozen rings on his arms, looked Ragnar in the eye. ‘I would still serve you,’ he said, though without the humility of the last time he had asked.
‘I have a new shipmaster,’ Ragnar said, and said no more, and Kjartan and Sven rode on, though Sven gave me the evil sign with his left hand.
The new shipmaster was called Toki, a nickname for Thorbjorn, and he was a splendid sailor and a better warrior who told tales of rowing with the Svear into strange lands where no trees grew except birch and where winter covered the land for months. He claimed the folk there ate their own young, worshipped giants and