‘So?’ she demanded, unexpectedly irritated. ‘The tattlers are sometimes wrong, you know.’
‘Yes, but I wondered how disappointed you had been.’
‘Not at all,’ she lied. ‘I knew we should not suit.’
‘And so you married Corringham.’
‘I was very fond of George, Percy. Now, let us forget this conversation. It is of no import whatever.’
‘I beg your pardon,’ he said. ‘Unless you wish it, I will never refer to it again.’
‘Thank you. And I would be obliged, if you hear others mentioning water under bridges or anything of that nature, you put them right.’
‘Certainly, I will, though I doubt it will be at the top of the gabble-grinders’ list; it was all a long time ago.’
‘You remembered it.’
‘To be sure, but I am different.’
‘Why different?’
‘Oh, long memory and nothing else to fill it,’ he said vaguely. ‘Now, do we go home, or shall we have a canter across the grass?’
She laughed. ‘A gallop, I think.’
It was not considered the thing for ladies to gallop; indeed, they should do no more than walk or trot along the ride, the whole point of the exercise being to see and be seen, but Frances had never slavishly obeyed the rules and, because she was popular with everyone and considered quite beyond the marriage mart, no one took any notice when she veered off across the grass towards the middle of the park and spurred her horse into a gallop.
Sir Percival followed and half an hour later, exhilarated and free of the cobwebs in her mind which had plagued her overnight, they turned for home.
And that afternoon, just to prove her independence, she took her sketch pad and crayons and asked John Harker to drive her to the East End, where she positioned her stool and easel on one of the docks and drew a tea schooner being unloaded. Its spars and rigging were something of a challenge and totally absorbed her until it was time to return home. Marcus Stanmore, Duke of Loscoe, was banished from her mind and he did not return to it until the following afternoon.
She had taken the portrait to the Willoughby mansion and watched as her ladyship instructed a footman hold it up in one place after another in the main drawing room, undecided where it would look to best advantage. The obvious place was the wall over the Adam fireplace, but that already held a heavy gilt mirror; the fireplace recess was not light enough and the wall opposite the window too light; the sun shining upon it would spoil its colours.
‘Perhaps it should go in another room,’ Frances suggested when the footman had moved it for the fourth time and was looking decidedly bored with the task.
‘Oh, no, it must be in here. I want all my callers to see it. Perhaps I should have the mirror taken down…’
‘I think the heat from the chimney might crack the canvas in time, my lady.’
It was at this point Lord Willoughby arrived and, being asked his opinion, stroked his chin contemplatively and pointed to an empty space to one side of the room, well away from the fire. ‘Leave it on its easel and put it there.’
‘Not hang it?’ her ladyship queried. ‘Will it not look unfinished?’
‘No, why should it?’ He laughed. ‘You can move it about as the fancy takes you. You might even start a fashion for displaying pictures on easels.’
Her ladyship clapped her hands in delight. ‘So I shall.’ She turned to Frances. ‘Dear Countess, can I prevail upon you to let me borrow your easel until we can procure one?’
‘Oh, you do not need to borrow it,’ Frances said, thinking about the fat fee she had only a few minutes before put into her reticule. ‘Have it with my compliments.’
‘I think I will cover it until everyone is here,’ Lady Willoughby said happily. ‘Then I can unveil it with a flourish. It is so good and will enhance your reputation even further, my dear Countess. How you manage to produce something so exactly to life I shall never know, for I was never any good at drawing when I was young.’
Frances stifled a chuckle; the picture was undoubtedly of Lady Willoughby, but a much slimmer Lady Willoughby than the one who faced her in the flesh—mounds of it. And the good lady could not see the difference. But surely her husband could and so would everyone else. Frances began to wonder, and not for the first time, if she was prostituting her art and ought to have more self-respect, when a footman announced the first of her ladyship’s guests.
They came in one by one, were greeted, asked to sit and plied with tea and little almond cakes. The easel stood covered by a tablecloth. Frances wished she could make her escape before the unveiling. She had never been happy publicising herself and her work, thinking it smacked of conceit. She was on the point of taking her leave when the Duke of Loscoe and Lady Lavinia were announced. She had been half out of her seat, but now sank back into it, feeling trapped.
He came into the room, entirely at ease even knowing that everyone was looking at him. He was dressed in a dark blue superfine coat with black buttons and a high collar. His cravat, in which glittered a diamond pin, testified to the attentions of a very good valet and his hair had obviously been cut by one of the haut monde’s best hairdressers. His long muscular legs were encased in pale blue pantaloons and tasselled Hessians. A concerted sigh escaped all the ladies except Frances, who refused to follow the pack.
He made his bow to his hostess. ‘My lady, your obedient.’
‘We are indeed honoured that you could attend our little gathering, your Grace,’ her ladyship simpered. ‘And this must be Lady Lavinia.’
‘It is indeed.’ He turned to his daughter. ‘Make your curtsy, Vinny.’
Lavinia did as she was told and even managed a smile as she murmured, ‘My lady.’
‘Now let me introduce you to everyone,’ Lady Willoughby said, and proceeded to conduct him round the room. He bowed to everyone, murmured polite nothings and moved on, followed by his daughter, whose smile was so fixed, Frances wondered what dire threat Marcus had made to produce it.
‘The Countess of Corringham,’ her ladyship said, suddenly looming large in Frances’s vision. ‘But I believe you are acquainted.’
‘Indeed.’ He bowed. ‘How do you do, Countess?’
She managed a smile, wondering if it looked as fixed as Lavinia’s. ‘I am very well, your Grace.’
‘The Countess is the reason for our little gathering,’ Lady Willoughby went on. ‘The guest of honour, you might say, excepting your good self, of course.’
‘Indeed?’ he said again, lifting a well-arched eyebrow at Frances, a gleam of humour lighting his dark eyes. It totally bewildered her. Had he forgotten? Or was he, like her, pretending nothing had ever happened between them? ‘I am sure it is well deserved.’
Lady Willoughby appeared not to notice as she turned away and clapped her hands for attention. ‘My friends,’ she said. ‘This is not a formal occasion, so there will be no speeches, but I particularly wanted you to be the first to see this.’ And with that, she tugged the cover off the portrait. ‘It is the most recent work of the Countess of Corringham.’
There was silence for about two seconds, two seconds in which Frances wished the floor would open up and swallow her, and then there was a burst of applause which was soon taken up by everyone, followed by a babble of conversation. ‘She has caught you to the life, Emma.’
‘The flesh tones are superb.’
‘You can pick out every individual hair.’
‘The hands are good too. Not everyone can portray hands.’
‘I