Never let it be said that Caleb McGregor didn’t embrace his cynicism wholeheartedly.
And then, as if the ornamental bloodbath wasn’t enough, Club Crimson had gone so over the top in their efforts to promote romance as to hire a red-haired chanteuse and call her Candy Cane.
A textbook case of adding insult to injury. Or it would’ve been had she not manipulated the schmaltzy lyrics into telling a story with the skill of Scheherazade—and done so with a husky R & B style, and in a voice he swore he’d heard before but couldn’t for the drunken life of him place.
He was falling for it all—the words that seduced him, the costume that tempted him, the act as a whole that had him mentally panting like a randy teen. Or a full-grown man with more alcohol than reasoning skills at his disposal.
Considering the number of drinks he’d downed, the only part of this that came as a surprise was the fact that he was able to recognize the folly of his ways.
At least he’d had the good sense at the beginning of the evening to claim a back corner booth. He was out of the way, and in the perfect position to watch. And watch he did, closely, enjoying himself more than was wise.
She was a looker, Ms. Cane, though considering the pretense of the rest of this place, he doubted her assets were genuine. That didn’t stop him from having a good time ogling the plunging front of her cherry-colored gown.
He wasn’t sure how women did it—kept their tits from falling out of flesh-baring tops cut from their throats to their navels. Some, he knew, had little to fear, but not in this case. Whether Mother Nature or manufactured, she had a lot.
She was curvy, too, her cinched-in waist flaring into real hips instead of not flaring at all. He liked hips. He liked a woman with an ass. If he ran the world, women would be required by law to be more than a pair of breasts on an androgynous body.
He’d amend the Constitution if he had to, put a picture of Candy Cane next to one of Ravyn Black, the practically hermaphroditic singer for the emo band Evermore he’d come to Mistletoe to see, to illustrate the difference between ass and no ass.
Yeah, that would be the perfect way to make his point. His point being…did he have a point?
Had he ever had a point? Was that the point his crossed eyes were seeing at the end of his nose? Or had his point become all soft and squishy and not pointy at all when he’d upended his glass and swallowed the last of his drink?
O…kay.
It was quitting time, heading-to-bed time. Time to just say no.
Or it would be if he wasn’t stuck.
The pianist was playing the introductory notes to the singer’s final song, and the crowd that had quieted when she walked onstage, that had done no more than whisper as she sang Frank Sinatra and Ella Fitzgerald and Harry Connick, Jr., had grown deathly still, pin-droppingly silent.
If Caleb got up now, he was likely to be shot.
Candy pulled the microphone from the stand she’d made love to during her previous song, and began to croon the opening lines of her last. Her hips swaying, she crossed the small corner stage and descended the steps into the mesmerized crowd drunk on whiskey, wine and love.
Her hair that he was sure was a wig—long, wavy, strawberry-blond—picked up and reflected the flashes of red thrown by the spinning disco ball, as did the sequins in the dress molded to her curves. So molded, in fact, that if it weren’t for the peekaboo slit running up one thigh, he doubted she’d be able to walk.
He watched her wind her way through the gathered listeners, smiling, fingering one man’s tie, brushing another’s hair from his forehead, cupping a shoulder or stroking her finger along a forearm of their female companions. An equal-opportunity seductress, Caleb mused, finding his eyelids drifting lazily as he, too, fell prey to her spell.
A siren, she moved from table to table, the sultry sweep of her lashes, the alluring touch of her tongue to her lips, making men’s knees weak, their palms sweaty, their blood run hot, the front of their pants—once flat against their abdomens—rise like pitched tents. He knew that’s what was happening around the room because it was happening to him.
It didn’t matter that he was the only person in the room sitting by himself. His reaction would’ve been the same had he been in the company of his mother, a date or a priest. He wasn’t hard because he was alone, or because he was lonely. He was hard because Candy Cane had made him that way.
But the fact that this was a group erection cheapened what he felt—or so he tried to convince himself, since he didn’t want to feel anything.
And then something else happened. She turned just so, moved to the perfect spot, leaned against the back of a sofa at the ideal angle with the lights exactly right. The moment didn’t last longer than a blink before it was gone, and she’d bowed her body toward another sap in the crowd.
But it stuck with him, wouldn’t let him go, and he studied her instead of looking away, stared at her instead of chalking up what he thought he was seeing to too much Scotch on a stomach empty of anything else.
What he thought he was seeing was a familiar face. A familiar face to go with the voice he could’ve sworn he recognized at the beginning of her set. A recognition he’d then dismissed because of how many times the server had replaced the single malt in his snifter.
Now he really did need a drink, and he needed it to be hot, black and fully caffeinated so he could make sense of the psychedelic swirls and splatters of reds Club Crimson had painted in his mind.
His job depended on rumors. He listened, he verified, he discarded. He’d been doing it for ten years, writing a celebrity gossip column that had started out small and gone into national syndication twenty-four months after launch. It was so popular, it was featured during what one TV network called their “celebrity beat,” and had its own Web site to boot.
Caleb McGregor was Max Savage, the notorious “Snoop with the Scoop,” loved, lauded and feared far and wide by politicians, society players and celebrities alike for his sarcastic riffs on what his audience demanded and deemed newsworthy about those in the public eye.
Not that anyone at the inn knew who he was, or that he was here by invitation for an exclusive—the very private wedding of Ravyn Black and Teddy Eagleton. Over the next few days, he’d be covering the preparations leading up to the big event. But as always, he was posing as a member of Max Savage’s street team. Not even Ravyn knew he was Max.
The only people who knew his identity, who would ever know or have need to, were his agent, his attorney and his editor. When he’d set off down tabloid road ten years ago, he’d made sure his only connection was to the Max Savage machine, not to the alter ego itself.
It was a decision that had turned out to be a sanity-saver, keeping his personal business out of the limelight. And it was going to make it a whole lot easier to transition to life after Max—a retirement that would have him hanging up his gear as soon as he finished this gig.
Yes, he found the energy of chasing down nonstop leads more intoxicating than the boredom of waiting for a big story to break. But he’d never thought he’d end up stooping to the level he had, reporting on celebutantes flashing their bare crotches or finding fame through night-vision sex tapes.
Neither had he thought himself capable of betraying a confidence, so wrapped up in the thrill that he hadn’t realized he’d gone too far until it was too late. Until he’d ruined a career by telling the truth. Until he’d lost a lifelong friend because he’d been drunk on the rush of the scoop.
He’d give anything to take back the last month, to think before revealing what his best friend Del, a music star in his own right, had shared in confidence about his Christian pop star fiancée’s drug problem…but life didn’t work that way.
Caleb couldn’t change what he’d done, but he could damn well make sure it never happened again. Right now, however, it was vital that he