Noticing the piano at the far end of the salon by the French windows, Krebs strolled over to inspect it. It was a very fine instrument indeed, a Pleyel. His keen musician’s eye passed over it, taking in the beauty of such a magnificent object. Maybe he would take it home to Germany as a trophy of war.
Then Krebs’ eye settled on the manuscript that sat on the piano’s music rest. He raised an eyebrow. He picked it up with a black-gloved hand, and peered at it.
Behind him, the hallway echoed with the cries of Madame Silbermann and her husband’s pleas as the soldiers forced them to line up at gunpoint. Captain Jundt was yelling, ‘Wo is das Gör? Où est the gamin?’ Demanding to know the whereabouts of young Gabriel, whose name was on the list. Jackboots thumped on the stairs and shook the floorboards above as more troops were dispatched to search the rest of the house.
Krebs heard none of it. His attention was completely on the manuscript in his hands as he studied it with rapt fascination. The age-yellowed paper. The signature on the front. Could it be the genuine thing? It was amazing.
Handling it as delicately as though it were some ancient scroll that could crumble at the slightest touch, Krebs replaced the precious manuscript on the music rest, then swept back his long coat and took a seat at the piano. The six flats in the manuscript’s key signature showed that the piece was in the difficult key of G flat major. He removed his gloves, laid his fingers on the keys and sight-read the first couple of bars.
Astonishing. If this was the genuine item, he wanted it for himself.
In fact, on consideration, he could think of an even better use for it. He and the now-deceased Heydrich were not the only high-ranking Nazis with a passion for classical music. What an opportunity for Krebs to ingratiate himself at the very highest level.
‘Entschuldigung, mein Obersturmbannführer—’ Jundt’s voice at his ear, breaking in on his thoughts.
‘What is it, Jundt?’
‘We cannot find the boy. Every room has been searched but he is missing.’
‘What do you mean, you can’t find him? How is that possible?’ Krebs was more irritated by the interruption than the news of a missing brat. ‘He must be hiding somewhere.’
‘The parents and sister refuse to say where, mein Obersturmbannführer.’
‘They do, do they? We will see about that.’ Krebs rose from the piano stool and marched towards the hallway. Moments like these called for a little greater authority than the likes of Jundt could summon up. Krebs drew his service automatic from its flap holster.
As Krebs reached the crowded hallway, he heard a sudden sound behind him and turned in surprise to see the young boy who seemed to have appeared from nowhere and was now racing across the salon, heading for the piano.
Jundt shouted, ‘There he is!’ as though his commanding officer were blind.
Miriam Silbermann screamed, ‘Gabriel!’
Krebs realised that the boy must have been hiding behind the wood panels, watching him as he sat at the piano. Running to the instrument, the twelve-year-old snatched the manuscript off its rest, and clutched it tightly. He yelled, ‘Filthy Boches, you won’t take our family treasure!’
His elder sister screamed, ‘Run, Gabriel!’ One of the soldiers silenced her with a harsh blow from his rifle butt.
And Gabriel ran, still grasping the precious manuscript to his chest as though nothing could persuade him to let it go. He made for the French window and slipped through, dashing towards the lawned garden and the fence at the bottom.
Krebs watched him go. Then calmly, unhurriedly, he walked towards the French window. Stepped through it, feeling the sun’s warmth on his face.
The boy was running fast. If Krebs let him run very much further, he would reach the fence and disappear into the trees, and it might take an entire Waffen SS unit all day to scour the surrounding countryside in search of the brat.
Krebs raised his pistol and took careful aim at the running child’s back. It was a long shot, but Krebs was an accomplished marksman.
The gun’s short, sharp report cracked out across the garden. Inside the house, Vidette Silbermann howled in anguish.
The boy stumbled, ran on two more staggering paces, then fell on his face and lay still.
More screams from the house, once again cut short by the soldiers. The Obersturmbannführer walked over to where Gabriel Silbermann lay dead, hooked the toe of his shiny jackboot under his body and rolled him over. A trickle of blood dribbled from the child’s lips. He was still clutching the music manuscript as if he wouldn’t give it up, even in death.
Krebs bent down and removed it from the boy’s fingers. It sickened him to see that there was blood on it, but not because it was the blood of an innocent child he had just killed. Rather, it was like seeing a rip in an old master painting. The manuscript had survived all these years, just to be indelibly stained by the blood of a filthy Jew. Disgusting. Krebs carefully slipped the precious object inside his coat before more harm could come to it. Then walked back towards the house to resume his duties. A pretty much routine day had turned out to be a lucky one for him.
Soon, the rest of the Silbermann family would be taken to their temporary new home at the Drancy internment facility, along with more than thirteen thousand other Jews rounded up by Nazi troops and French police in what was known as ‘Opération Vent Printanier’, or ‘Operation Spring Breeze’. From Drancy, not long afterwards, Abel, Vidette and Miriam would find themselves on the train that would deliver them to their terrible fate.
Only one of them would ever return.
Oxfordshire
Many years later
The country estate covered a spread of some thirty acres, a fraction of the grounds it had commanded in former, grander days, but still large enough to keep the big house well secluded from neighbouring farm cottages and the nearby village of Wychstone. The estate was entirely surrounded by a ten-foot-high stone wall, built long ago by an army of local labourers. Its main entrance gates were tall and imposing, all gothic wrought-iron and gilt spikes, set into massive ivied pillars crowned with carved stone heraldic beasts of Olde England that had guarded the gateway since 1759 and bore just the right amount of weathering and moss to convey an impression of grandiosity without looking scabby and decayed.
Neatly hidden among the ivy of the pillars were the electronic black box and mechanism for opening and shutting the gates, as well as the small intercom on which visitors had to announce themselves in order to be let in; the rest of the time, the gates were kept firmly shut. Nor could you see it from the ground, but the walls themselves were topped all the way around with broken glass cemented into the stonework, to deter unwanted callers. Technically illegal without a warning sign, but the property’s owner was little concerned with their duty of care to protect the safety and wellbeing of potential burglars, vandals or other intruders.
Entering the gates and following the long, winding driveway that led through a corridor of fine old oak trees and eventually opened up to reveal the clipped lawns and formal gardens and then the house itself, few people could have failed to be impressed by the scale and majesty of one of the nobler country piles in the region. The manor stood on five floors, comprising over thirty bedrooms and many more reception rooms than were ever in use at any given time. Its multiple