Or there is Appendix 20, an account of Deception Plan “Cloak”, whereby General Slim deceived the Japanese by a fake crossing of the Irrawaddy. He confused Nine Section, too; we dug in at no fewer than three different positions in as many hours, Grandarse lost his upper dentures on a sandbank, little Nixon disturbed a nest of black scorpions in the dark, we dug in hurriedly in a fourth position, and the general feeling was that the blame for the whole operation lay at the door of, first, Winston Churchill, secondly, the royal family, and thirdly (for some unimaginable reason), Vera Lynn. It should be understood that we did not know that “Cloak” had worked brilliantly; we were footsore, hungry, forbidden to light fires, and on hundred per cent stand-to – even although, as Grandarse, articulating with difficulty, pointed out, there wasn’t a Jap within miles.
It is not facetious to recall these undertones of war. With all military histories it is necessary to remember that war is not a matter of maps with red and blue arrows and oblongs, but of weary, thirsty men with sore feet and aching shoulders wondering where they are, and when the historian writes:
“17th Division closed in on Pyawbwe from all directions”
that this involved, inter alia, the advance of long green lines of bush-hatted men, ducking but not breaking stride as the low-angle shells burst among them, and Sergeant Hutton muttering: “Ah knew we’d git the shit – if we’d been lead platoon, or at back, we’d ha’ bin reet, but we ’ad to be in’t bloody middle! Keep spread oot!”, and a corporal with a bleeding furrow across his temple propped against a bank shouting: “Ga’n git ’em, marras!” and starting to sing “John Peel”, and little Nixon making his usual philosophic remark that we’d all git killed and he didn’t want to die Tojo’s way, and someone falling down a well and having to be pulled out, and it ended with a hectic charge to a wrecked railway line, and we caught them in the open on the other side, and I was kneeling, sodden and steaming, with little Nick beside me shooting and humming under his breath and remarking: “Ye’re firin’ low an’ left, Jock – that’s it … git that booger, he’s nobbut wounded!”
Eleven hundred Japanese died in that battle; the official history records the fact, but doesn’t tell you how.
I wrote the above, or something like it, as a book review twenty-five years ago, which was twenty years after it happened. It is ancient history now, and war, and attitudes to war, have changed so much that you may wonder if it is worth returning to, so late in the day. But I think it is those changes, really, that make it worth while. After all, if mankind is lucky, it may be that the end of the Burma campaign was the last great battle in the last great war; and even if it wasn’t, it may still be worth remembering from an ordinary foot-soldier’s point of view, for it is a story of an army the like of which had not been seen (in Churchill’s words) since Xerxes crossed the Hellespont – a huge foreign legion of what Attlee called “the scrapings of the barrel” from half the nations under the sun, fighting under one of the great captains in mountain, jungle, and dry plain, in hot sun and drenching monsoon, and inflicting on one of the great warrior races its most crushing defeat.
That is my reason for writing not a history, for that has been done better than I could do it, or even a coherent detailed narrative, for I haven’t got that kind of memory, but simply what I know and remember of the Burma war.
Looking back over sixty-odd years, life is like a piece of string with knots in it, the knots being those moments that live in the mind forever, and the intervals being hazy, half-recalled times when I have a fair idea of what was happening, in a general way, but cannot be sure of dates or places or even the exact order in which events took place. I suspect it is the same with most folk, although I am often astonished (and suspicious, being an old newspaperman) at the orderliness with which some can trace a continuous thread of recollection. In my case, there are coloured strips of film at each knot of memory, and in between many rather grainy sequences which can be made out only with difficulty, and in some cases the print is spoiled or even undeveloped.
To give an example: I have the most vivid recollection of my first encounter with an angry Japanese, and the immediately preceding and succeeding events – but I have only the vaguest idea of where and when that momentous encounter took place. I do not know what day General Slim visited us when we were holding Meiktila, or whether the lake shore on which he stood was the northern or southern one, but I see him clear, with that robber-baron face under the Gurkha hat, and his carbine slung, looking like a rather scruffy private with a general’s tabs – which of course is what he was. I don’t know from which point of the compass we attacked Pyawbwe, because it didn’t matter to me, but I know what happened there. I could not come within weeks of naming the day when our canoe foundered in a tributary of the Sittang, which was also the day we picked up the section’s first Jap prisoner, and Forster stole his watch. I don’t even know where I was on VJ Day – and if it seems remarkable that I am unaware of these things, I must emphasise that at private soldier level you frequently have no idea where you are, or precisely how you got there, let alone why.
Had I been an officer my memories would be very different. I discovered this a year or two later, as a subaltern in a Highland regiment in the Middle East: the whole chronology of that time is clear and connected, possibly because an officer’s concerns cannot be the selfish ones of a private soldier, who need not look beyond himself and his mates; an officer, even a subaltern, must at least know where he is and have a broader picture of what is happening. Well, more or less.
Certain matters have become clearer to me in the course of writing, because I have had recourse to written histories of the war. I had a rough idea, when we attacked the place I call the temple wood, and ran into rifle and machine gun fire which took out a third of the section in a matter of seconds, why we were doing it, but now I understand the overall plan of which that attack was a small part. I remember vividly the free-for-all battle when we finally got into the wood, but only now do I learn that during it we killed 136 Japanese. I understand at last the strategic implications of the monsoon’s breaking two weeks early, but my chief memory of the beginning of that monumental deluge is of a giant centipede emerging, all fifteen scaly inches of it, from the folds of a tent we were trying to erect. That was the time, the histories tell me, when thousands from the shattered Japanese divisions were trying to escape east from the Pegu Yomas across the Sittang, giving rise to the Battle of the Rangoon Road: that was Slim’s strategic problem; our tactical one was that the tent canvas was so rotten it fell apart, and we slept in the open in six inches of warmish water, with Grandarse beaming contentedly up at the downpour, remarking: “Aye, grand growin’ weather.”
A strange trait of the human memory – of mine, at any rate – is that it is no respecter of the great and important; the most utter trivia becomes as embedded in the mind as matters of life and death. It is natural enough that I should have an indelible image of Long John frowning at his bayonet which was bent almost double after he had pulled it out of a Japanese on the night when they got inside our position and all hell broke loose in the dark; or remember the sick feeling in my throat when, as the section scout, I found myself advancing alone, safety catch off and one up the spout, across a hundred yards of open ground to a silent screen of palm and thicket concealing a village where there might, or might not be, a Japanese position. There wasn’t, as it happened, but I remember every step, and the fact that I got no comfort at all from mentally reciting Browning’s “Prospice” as I walked on eggshells wishing to God I’d passed Lower Latin and got into university in 1943. But why should I remember just as plainly that a cigarette smoked during an ambush on the Sittang was a brand called Panama, or hear so clearly Bing Crosby singing “The Wedding Song of Reynaldo” on the company set in a basha on the Rangoon road, or be able to see the jungle sore on the wrist of a comrade as he rummaged in his housewife for a needle when I can’t even recall his face, or have near total recollection of Madame Dubarry’s name cropping up in the section’s conversation, and her imagined charms being compared (unfavourably) to those of Susanna Foster, the film star?
I