‘These unexplained absences of yours have become a habit, and one BMR can’t afford,’ Gary told Ella pompously. It was over a week since Mimi’s funeral, but this was the first day Ella had felt well enough to return to work at her boring, number-crunching job in the statistics division.
‘OK,’ she said calmly, standing up to go.
Gary Larson frowned. ‘Wait!’ he called after her. It was infuriating the way that Ella Praeger seemed immune to his authority. Even now, when he was firing her ass, the bitch wouldn’t do him the courtesy of showing any emotion. He’d secretly hoped for tears, perhaps even some pleading. He’d imagined Ella on her knees, her strangely beautiful face turned up to his in desperation. ‘Please, Mr Larson. I need this job. I’ll do anything!’ But instead she was walking away and out of his life with no more concern than someone who’d just been told about a minor change to their bus timetable.
‘Please, take a seat.’ He gestured magnanimously to the chair Ella had just vacated. ‘This isn’t personal, you know. I’ve always liked you.’
‘I know,’ said Ella, still standing.
Gary softened. Perhaps he was being too hasty, letting Ella Praeger go? She was an oddball, certainly, and not popular with her colleagues. But she was a brilliant statistician and a hard worker when she deigned to show up. And then of course there was that body …
‘You wanted to sleep with me from the day I joined.’
‘I beg your pardon?’ Gary flushed.
‘My first day here, you put your hands on my buttocks in the elevator,’ said Ella, mimicking the action with her hands.
‘I have no memory of that!’ Gary spluttered.
‘I do,’ Ella said calmly. ‘Also, when I ate in the canteen you used to sit next to me and touch my legs with yours.’
‘Ella, I assure you …’
‘You also made repeated positive observations about my appearance,’ Ella went on, ‘which is another well-known indicator of sexual attraction.’
The CEO’s face went from pink to red to puce.
‘Now listen, Ella, there’s no need for this to get ugly.’
Ella looked perplexed. Why would it get ugly?
‘You’re throwing around some pretty wild accusations there. I’m sorry if you misinterpreted some of my friendly overtures towards you, as your boss …’
‘No need to apologize,’ said Ella, her tone still maddeningly neutral. ‘I didn’t misinterpret them. I just ignored them because I didn’t find you attractive. Goodbye.’
Gary opened his mouth to say something, then closed it again, like a dying fish on a line. Was she threatening him? Or insulting him? Or was this just Ella Praeger being her usual, baffling, socially awkward self?
She walked out of his office and this time Gary Larson let her go. As soon as she left he loosened his tie, which felt horribly tight all of a sudden, and picked up the phone to HR.
‘Make sure Ella Praeger gets a generous severance package,’ he barked. ‘And when she takes it, have her sign a rider to waive any future claims against the company.’
‘Of course, sir. And when you say “generous” …?’
‘Give her whatever she wants,’ Gary blurted. ‘Just get rid of her.’
Noriko Adachi sipped her iced water as she listened intently to the man sitting across the table from her.
His call last night had been unexpected, but welcome. Professor Adachi still had no idea how this total stranger knew she was in New York, never mind the hotel where she was staying, her room number, and precise details of her itinerary. The seminar on early nineteenth-century feminist literature at NYU was hardly a well-publicized event, especially for those outside the academic world. And yet this polished, erudite American businessman, Mark Redmayne – a billionaire according to Google – seemed to know all there was to know about her.
In other circumstances Noriko would have shut him down immediately. She didn’t appreciate being stalked. But as soon as she heard the word ‘Petridis’, he had her undivided attention.
‘My condolences for your loss, Professor,’ Redmayne began, the moment Noriko sat down at their corner table at The Finch in Brooklyn. ‘From what we hear, your son Akiko was a fine young man.’
‘Thank you. He was.’
It was odd the way he used ‘we’ instead of ‘I’. He’d done the same thing last night on the phone. Noriko wondered who else he was speaking for.
‘Fifteen years ago, wasn’t it?’
‘That’s right.’ Despite herself she felt the tears welling in her eyes. It was so long since anyone had talked to her about Kiko. Hearing his name brought it all back.
‘But it feels like yesterday?’
‘Yes,’ Noriko cleared her throat. ‘It’s been hard to lay him to rest knowing his killers were never brought to justice. Worse than that, they were praised. Adored by the world.’ A muscle began to twitch in her jaw. She twisted her napkin violently between her fingers, as if it were a chicken and she were trying to wring its neck.
‘I understand, believe me,’ said Redmayne. ‘My Group – the organization I run – have been on to the Petridises for years. Decades. Oh, we tried to get the authorities to investigate. Governments, international agencies, local police forces. But no one took us seriously. In the end, we were forced to take matters into our own hands.’
Noriko listened, enthralled. ‘What do you mean “take matters into your own hands”?’ She paused for a moment, her clever mind racing to catch up as she answered her own question. ‘The helicopter crash?’ She lowered her voice to a whisper. ‘That was you?’
Redmayne nodded. ‘That was us.’
As their food arrived, he described his ‘Group’ to Noriko, albeit in very vague, shadowy terms. From what she could tell they appeared to be some sort of secret, vigilante society – a slick, well-funded one, if Mark Redmayne’s credentials were anything to go by – targeting criminals that the police or politicians either couldn’t or wouldn’t bring to justice. Perhaps she should have listened in more detail, but her brain was still stuck on the Petridises. At long last she had met someone who not only believed her about Kiko and the destruction that Spyros and Athena had wrought, but who had actually done something about it! It was intoxicating.
‘I read your article. The one Newsweek wouldn’t run,’ Redmayne told her. ‘You were right about so much. I can feel your pain vibrating off the page.’
‘Yes. Those were dark times,’ admitted Noriko, too caught up in the moment to ask him how he’d found and read an article that had never been published. ‘After the crash, things were better for a while. I started to let go. But then …’
‘But then this. Right?’ Mark Redmayne slid a high-resolution copy of the picture of the drowned migrant boy across the table. The ‘L’ on his foot was clearly visible.
Noriko bit her lip and pinched the bridge of her nose, determined not to cry again.
‘Yes.’
‘I can’t imagine how painful it must have been for you to see that,’ said Redmayne.
Noriko