A loop comprises racing your engine, opening your engine full out, putting it into a slight dive to get full speed, then all you do is pull back the joystick, right back into your stomach, and the machine goes up, over, and then drops. As it drops, you switch off the engine and come smoothly out into a glide. They are usually done at a height of a thousand feet or more to give you time to recover in case you lose too much engine speed and the machine comes straight down.
Ronald Sykes remembers the thrill of the vertical bank:
It was the most delightful manoeuvre. You could just move your stick an inch or two over to the side and she would immediately turn over onto a wingtip. At the same time, you pulled the stick back into your stomach and the nose began to whip round the horizon. You also had to put on full left rudder because the engine tended to make the nose climb into the sky on a left turn and the left rudder kept it down.
Pilots took pleasure in trying to outdo each other and achieve what had not been achieved before. Frederick Powell came up with an idea that was very nearly his last:
One night I was lying in bed and I thought, ‘I’ll do something nobody else has ever done – tomorrow morning I will loop off the ground!’ My Bristol Bullet had a maximum speed of about seventy miles an hour but I thought that if I held it down just over the top of the grass until I was going flat out, then I could go up in a very big loop and when I got to the top I could pull the joystick into my tummy, whip the tail over and gravity plus the engine would pull me round. So next morning, I went off and tried it. I pulled up in the loop, flipped it – and realized I hadn’t enough room. I have a feeling that my life was saved by some sheep grazing at the far end of the airfield. They all started to run out star fashion away from me and I was so interested in watching them that I didn’t stiffen myself up. I went straight into the ground at about 150 mph. I shot through the front of the aircraft, my belt broke, I hit my head on the instrument board and was knocked out. My legs shot through the rotary engine. Another quarter of a turn and I would have lost both my legs. As it was, I finished with the engine in my crotch. The ground was hard and nothing had sunk more than a few inches into the earth. Everything was flattened like a pancake. My CO stopped everyone from running out because he thought I was going to be a nasty mess. So he strolled slowly across to the crash. When he got there, he found me singing. I was quite out of it but I was singing the latest song:
Sprinkle me with kisses,
A lot of lovely kisses,
If you want my love to grow …
While practising something new in his Sopwith Camel, Graham Donald cheated death in a manner that might make a believer of the sternest atheist:
As I was approaching the airfield at 6000 feet, I decided to try a new manoeuvre which might prove useful in combat. It was to be a half loop and then I would roll at the top and fly off in the opposite direction. I pulled her up into a neat half loop but I was going rather slowly and I was hanging upside down in the air. With an efficient safety belt that would have been no trouble at all – but our standard belts were a hundred per cent unsafe. Mine stretched a little and suddenly I dived clean through it and fell out of the cockpit. There was nothing between me and the ground. The first 2000 feet passed very quickly and terra firma looked damnably ‘firma’. As I fell, I began to hear my faithful little Camel somewhere nearby. Suddenly I fell back onto her. I was able to grip onto her top plane and that saved me from slithering straight through the propeller which was glistening beautifully in the evening sunshine. She was now diving noisily at about 140 mph. I was hanging onto her with my left hand and with one foot hooked into the cockpit, I managed to reach down with my other hand and I pulled the control stick backwards to pull her gently out of her dive. This was a mistake – she immediately went into the most appalling inverted spin. Even with two hands on the top plane, I was slipping. I had about 2500 feet left. Remembering that everything was inverted, I managed to put my right foot on the control stick and I pushed it forwards. The Camel stopped spinning in half a turn and went into a smooth glide but upside down. It was now easy to reach my hand down (or up) and pull her gently down and round into a normal glide. I grabbed the seat cushion which was obstructing the cockpit, chucked it over the side and sat back down. I was now at about 800 feet but in spite of the extraordinary battering she had received, my little Camel was flying perfectly. One or two of the wings were a bit loose but nothing was broken. I turned the engine off in case of strains so my approach was made in silence. I made an unusually good landing but there was no one there to applaud – every man-jack of the squadron had mysteriously disappeared. After a minute or so, heads began to appear all over the place – popping up like bunny rabbits from every hole. Apparently, when I had pressed my foot on the control stick, I’d also pressed both triggers and the entire airfield had been sprinkled with bullets. Very wisely, the ground crew dived as one man for the nearest ditch.
As well as learning how to fall back into an aircraft from a height of several thousand feet, pilots had to learn to make cross-country flights. Charles Chabot remembers a particularly popular method of navigation:
One wasn’t particularly instructed in the use of a compass and our map-reading technique was not very good. When we had to get from A to B, most of us used to fly by ‘Bradshaw’. That was the name of the railway guide. One simply followed the railway lines. It was the recognized way of getting about.
A pilot who ‘Bradshawed’ his way down to a seaside resort, like Archibald Yuille, might have an enjoyable day out:
We used to go to Brighton and fly along the seafront and very often below the level of the pier. Then we’d zoom up over the West Pier, down again, zoom up over the Palace Pier and down again. We’d swing round and fly inland looking as if we were going to fly in the windows of the hotels then we’d zoom up over the roofs. That gave us great amusement but the people of Brighton didn’t like it very much.
As the war progressed, pilots began to learn to fly at night. Archibald Yuille recalls the difficulties:
It’s very funny, night flying. You get a good horizon to fly against and you can see water clearly underneath you but of course you can’t pick out roads or railway lines. The main thing is to keep your eye on the horizon and not find yourself getting into a dive when you don’t mean to. You had no aids – you were up there all by yourself in the dark for two hours. Not everybody has the mentality to do that. One of the things one did was sing – quite unconsciously. You’d come down absolutely hoarse.
Once a pilot had received his training, he was assigned to a squadron on active service. He was immediately confronted by his greatest challenge. He had to adapt to the reality of aerial warfare – and he had to adapt quickly. Some pilots were simply inept and no amount of training could make a difference. Harold Wyllie, an observer with 6 Squadron, was enraged by such a man in April 1915. His diary records:
Clarke was dreadfully smashed here today. Ross Hume was pilot and somehow managed to side slip and nose dive to the ground. This is wrong. Ross Hume stalled his machine turning. He was a rotten pilot and should never have been allowed to carry a passenger. Clarke died at 11.50 pm without regaining consciousness, thank God. He was one of the best fellows that ever lived and a valuable life has been thrown away by sheer bad flying.
By 1916, so many pilots were being lost that their replacements were barely trained when they arrived at the front. Cecil Lewis, arriving at 3 Squadron, was one of these replacements:
When I got to France, I only had about twenty hours flying and I was posted to a BE2c squadron down on the Somme. The CO took one look at my logbook and said, ‘My God, it’s murder sending you chaps out with nothing on the logbook. You’d better put in a bit of time!’ So he gave me an aircraft and I walloped off to have a look at the lines, to get used to the French maps, all the things that were different. One had always heard, ‘Behind the lines, this side of the lines, the lines, the lines, the lines …’ But I hadn’t a clue as to what the lines looked like – really from the air – looked like …
John Boon was aware