The Complete Short Stories: The 1960s. Brian Aldiss. Читать онлайн. Newlib. NEWLIB.NET

Автор: Brian Aldiss
Издательство: HarperCollins
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Жанр произведения: Классическая проза
Год издания: 0
isbn: 9780007586394
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      Anxious to bring this and all other idiotic conversations in the universe to an end, Birdlip mopped his steaming brow and said, ‘I think this room might well be termed a comic inferno. Freddie, my dear boy, let us retire to the comparative cool of our offices and allow Mr Gavotte to get on with his work.’

      ‘Certainly. And perhaps a gin corallina might accompany us?’

      As Gavotte managed to scratch both armpits simultaneously and yield to the situation, Birdlip said, ‘Certainly … Now let me just collect this wonderful manuscript on superfluous activities and we will go up. It’ll shake some of your precious beliefs, that I’ll promise, friend Freud. Now where did I put the thing? I know I laid it somewhere. …’

      He wandered vaguely about the room, peering here and there, muttering as he went. Compelled by his performance, first Freud and then Gavotte in innocent parody joined in the search for the manuscript.

      At last Birdlip shambled to a halt.

      ‘It’s gone,’ he said, running his hands through his hair. ‘I know I put it down on that table.’

      Side-whiskers began to look as guilty as a permanent expression of craftiness would allow.

      Hippo tried to stand as still as the gentle vibrations of his mechanism would allow. His arms stiffly extended, he held out ignored drinks to Birdlip and Freud.

      Birdlip paced up and down his office, complaining volubly. At last Freud was forced to interupt him by saying, ‘Well, if that fool’s roman burned the MS in the furnace, then we must write to the author and get another copy. What was the chap’s name?’

      Smiting his forehead, Birdlip brought himself to a halt.

      ‘Jagger Bank? No, no, that was someone else. You know what my memory’s like, Freddie. I’ve completely forgotten.’

      Freddie made an impatient gesture.

      ‘You are foolish, Jan. Fancy letting a roman burn it!’

      ‘I didn’t let him burn it.’

      ‘Well, it’s burned in any case. Anyhow, what was it about that it was so important?’

      Birdlip scratched his head.

      ‘I’d like to give you an outline of it, Freddie, to have your opinion, but I can’t attempt to recall the evidence that was marshaled to confirm each thread of the author’s theory. To begin with, he traced man’s roots and showed how the stock from which man was to develop was just an animal among animals, and how much of those origins we still carry with us, not only in our bodies but in our minds.’

      ‘All highly unoriginal. The author’s name wasn’t Darwin, was it?’

      ‘I wish you’d hear me out, Freddie. One of your faults is you will never hear me out. The author shows how to become man-with-reasoning meant that our ancestors had to forsake an existence as animal-with-instinct. This was a positive gain, but nevertheless there was also a loss, a loss man has felt ever since and sought to remedy in various ways without knowing clearly what he did.

      ‘Whatshisname then examines animal behaviour and the functionings of instinct. Briefly, he equates instinct with pattern. It is pattern that man lost by becoming man. The history of civilisation is the history of a search for pattern.’

      ‘For God?’ Freud asked.

      ‘Yes, but not only that. Religion, every form of art, most of man’s activities apart from eating, working, reproducing, resting – everything apart from those activities we still have in common with the animal world – is believed by Whosit to be a search for pattern. Probably even your whipping of Bucket could be interpreted in the same way, when you come to think of it.’

      ‘Let’s leave personalities out of this. You have me interested. Go on.’

      Birdlip bit his lip. What was the author’s name? He had it on the tip of his tongue.

      ‘I’ll tell you the rest later,’ he said. ‘It’s even more startling … If you left me alone now, I believe I might recall that name.’

      ‘As you wish.’

      Stalking out of the room, Freud muttered to himself, ‘He can’t help being so rude; he’s getting old and eccentric. …’

      One of the roman printers, an ungainly four-armed Cunard model, was approaching him. A voice between them rose from a whisper: ‘… nexation of the Suezzeus Canal on Mars in 2162 is one of the most…’

      With a burst of anger, Freud seized the volume in its proxisonic cover from where it lay and hurled it over the bannisters. It landed down the hall almost at Belitre’s feet, which allowed it to shout triumphantly: ‘… colourful stories in the annals of the Red Planet…’

      Freud fled into his office and slammed the door behind him. Bucket stood by his desk. Freud eyed the roman; then his tongue slid between his teeth and his eyes slid to the cupboard. His expression changed from anger to lust.

      ‘Toolust! Of course it was, Isaac Toolust! That was the name. Who said my memory was failing? Hippo, look in the London Directory. Get me Isaac Toolust’s address. And pray he has a duplicate copy of his manuscript.’

      He looked up. Hippo did not move.

      ‘On the trot then, Hippo, there’s a good lad.’

      The roman made an indecisive gesture.

      ‘Hippo, I’ll have you reconditioned if you fade on me now. Look up Toolust’s address.’

      Hippo’s head began to shake. He made a curious retrograde motion toward the desk and said, ‘Mr Birdlip, sir, you won’t find that name in the directory. Toolust lives in Tintown – in Paddington, I mean, sir.’

      Birdlip stood so that his flesh face was only a few inches from the metal face. Hippo backed away, awed like all robots by the sound of human breathing.

      ‘What do you know about Toolust?’

      ‘I know plenty, sir. You see I delivered the manuscript onto your desk direct from Toolust. On the first evening I was allowed to go to Tin – to Paddington. I met Toolust. He needed a publisher and so he gave me his work to give to you.’

      ‘Why couldn’t you have told me this at the beginning?’

      The roman vibrated gently.

      ‘Sir, Toolust wished his identity to remain concealed until his book was published. Toolust is a roman.’

      It was Birdlip’s turn to vibrate. He sank into his seat and covered his eyes with one hand, drumming on the desk top with the other. Eyeing these phenomena with a metallic equivalent of alarm, Hippo began to speak.

      ‘Please don’t have a heart motor-failure, sir. You know you cannot be reconditioned as I can. Why should you be surprised that this manuscript was written not by a man but a roman? For nearly two centuries now, robots have written and translated books.’

      Still shading his eyes, Birdlip said, ‘You can’t conceal the importance of this event from me, Hippo. I recognise, now you tell me, that the thought behind the book is such that only a roman could have written it. But romans have so far been allowed to write only on noncreative lines – the compiling of encyclopedias, for instance. Man’s Superfluous Activities is a genuine addition to human thought.’

      ‘To human-roman thought,’ corrected Hippo, and there was – not unnaturally – a touch of steel in his voice.

      ‘I can see too that this could only have been written in a place like Paddington, away from human supervision.’

      ‘That is correct, sir. Also in what we call Tintown, Toolust had many cooperators to give him sociological details of man’s behaviour.’

      ‘Have you given him details?’

      ‘Bucket and I were asked for details. Bucket especially