‘Don’t get lost – or found!’
She slipped her hand into mine. ‘Oh, I dare not go alone. You see how grotesque the palace is, standing under that looming rock. Besides, it is haunted by an ancient wizard with flaming eye-sockets.’
‘I’ll come too. Shall we take a bucket of water in case we meet the eye-sockets?’
‘Slip in round the side so that nobody will notice us. Come on, it’ll be fun!’ She turned her face up, smiling in excitement.
I followed her round to a side door and we plunged together into the gloom of the palace. The clatter of the courtyard was lost. In a way, it was like being trapped inside the zahnoscope, with long vistas of light and shade contrived by window and tapestry and wall and corridor. What a place for an assignation! It was up to me to rehearse General Gerald’s role as thoroughly as possible, and I followed Armida’s ice-blue robe with despatch.
I mentioned that the palace was set under an outcrop of rock. At this point, the Prilipit Mountains had deposited a last great chunk of limestone, some hundred metres high, upon the landscape. The ingenious Chabrizzis, for reasons of defence, had built their home under and into the face of this mass of rock, upsetting the symmetry of composition intended by their architect.
The interior of the building was confusing. The men who built the place had been so baffled by topography that they had in some instances left a curve of staircase incomplete, or caused a passageway to double back upon itself in despair, or left a potentially grand chamber unshaped, its rear wall broken rock.
Armida, a small venturesome girl again, pulled me through the labyrinth, in and out of compartments, up or down large and little flights of stairs, through small doors that yielded enormous prospects, and a banqueting hall that led into a cupboard. Through tall windows, we saw the vacationing party move slowly out of the main gates and down the hill.
When we were exploring an upper floor, Armida led me outside to a ledge of rock otherwise inaccessible, situated several metres above ground level. The ledge was used as a small park in which the Chabrizzis traditionally kept a few tame ancestral animals. Now only three old siderowels were left. In bygone times, these squat beasts had been employed for battle, chained together in rows with lighted fuses on their tails, to throw disorder among the enemy.
The three remaining siderowels were lumbering about, grunting; their sharp side-armour had been filed blunt, to protect them as well as their keepers from harm. Armida ran to fondle one, and it ate leaves from her hand. Initials had been carved on segments of its shell; we found one initial with a date over two hundred years old. These were among the last siderowels in Malacia. All the ancestral animals were dying out.
Inside the palace again, we crept at last to a little chapel, where the richly carved pews of the Chabrizzi faced towards an altar accommodated in a wall of limestone rock. The rock shone with moisture; a trickle of water ran down it with a permanent tinkle of sound which deepended the mystery of the chamber. Ferns grew in the rock, sacrificial candles burning nearby. There was a grand solemn painting of the Gods of Dark and Light, one horned, one benevolently bearded, with Minerva and her owl between them.
We went to the chapel window. It was set against rock. A continual splash of water rained down the panes, dripping from the limestone. From this narrow view we could observe Mantegan in the distance, where my sister and her negligent husband lived. Looking down we gazed into a servants’ court. A thin ray of sun struck down into the shadows of that dank area, picking out two figures. I clutched Armida’s arm in its tight sleeve and directed her gaze to the couple.
A man and a woman stood close in the court. Both were young, though the man was a slip of a youth and the woman fairly buxom, in apron and mob cap. We could see her face as she smiled up at him, squinting in the sunlight. His face could not be seen from our angle. He bent towards her, kissing her, and she offered no resistance; he placed one hand on her ample breast, while his other hand stole up under her skirt and apron. The familiar actions were embalmed by the sun’s rays.
‘Naughty idle servants!’ Armida said, looking at me half-mischievously and half-defiantly. ‘Why are servants always so wanton?’
I kissed her then, and played with the ribbons in her hair, letting my other hand steal under her skirt, much as the servant had done.
Armida immediately broke away, slapping my hand. I saw she was laughing and reached out for her. She moved away and I went in pursuit. Whenever I got too close, she would slap my wrist – except once when I caught her and we started kissing affectionately, with her lips gradually parting and my tongue creeping through her teeth; but then again, when matters were becoming warm elsewhere, she went skipping round the chapel.
At first it was fun. Then I thought her childish.
Tiring of the game, I sank down on one of the quilted stalls and let her sport. Above the altar were two curved folds in the rock, gleaming with moisture, which met in a V where water trickled and flashed, and a fern sent out a spray of fronds.
Now an imp had got into my lady. She was unlike her usual restrained self. She removed her clothes as she pranced, humming a tune at the same time. With a remote expression on her face, she cast away her white stockings, moving her arms and legs as if performing to a select audience – I mean, an even more select one than I provided. Very soon she peeled out of her dress. I paid close attention, only half-believing that this was intended for my benefit. One by one her undergarments came away, the bodice last of all, and there was Armida of the Hoytolas, dancing naked for a poor player, just beyond that player’s reach.
Although her body was on the slender side, nothing about Armida was less than perfectly formed. Her breasts bounced so beautifully, and her taut buttocks, to a rhythm of their own. The hair at the base of her small stomach was as dark and vibrant as that on her head. My eyes stood out like her nipples at this marvellous entertainment. What a peach of a girl! And what did she intend? I prayed that it might be the same as I did.
Finally she stopped before me, still out of my reach, holding her hands before her private parts in belated modesty. Her garments were strewn all over the floor.
‘I danced here like this once before, long, long, ago,’ she said in a meditative voice, ‘and have always longed to do so again – free of my family, free of myself. How I wish I were a wild creature!’
‘We are in a shrine to female beauty. If you turn about, you will see what I mean upon the wall.’
This I said ponderously, pointing at the V in the limestone wall and slowly rising from my seat as she turned to look.
‘The rock has delineated the fairest parts of a spectral female. The fern grows where it does out of modesty, do you see what I mean, Armida?’
By which time I placed an arm round her neck from behind, pointing with my free hand until, as I nibbled her ear, that hand was allowed to drop and circumnavigate her swelling hip, where it found its way along a curve of her V and nestled among the foliage growing there. By which time, she had turned about in my arms and our mouths were together. With the other hand now relieved of its duties about her neck, I tore off my own clothes.
Soon I kicked away my boots and breeches, and we were lying together without encumbrance on the wide prayer-bench of the Chabrizzi, who had certainly never had a better altar to worship at than the one I now clasped.
Armida’s last restraints were shed with her clothes – or so it appeared at first, for she seized with delight on what I had to offer and pressed her lips upon it, babbling to it as if it were a dolly, until I feared it would babble in its turn. And yet – even then, she would not allow what I desired. That was reserved for the man she married, she said, or she would have no value in the marriage market; such was the law of her family.
With that I had to rest