It was impossible to tell exactly what was happening in the bowl, but there were two sets of screams now, joined in a chorus of prolonged suffering, and death.
‘You miserable bastard,’ Ross sobbed. ‘I’ll no’ watch them burn.’ And already a grenade had left his hand and was sailing towards the inferno.
The explosion blew out the life of the fire. And stopped the screaming.
In the silence that followed, Urquhart was conscious that his hands were trembling. For the first time, he had killed – in the national interest, with all the authority of the common weal, but he knew that many would not accept that as justification. Nothing was to be gained from this. Ross stood before him, struggling to compose himself, his fists clenched into great balls which might at any moment strike out. The other men were crowded round, sullen, sickened.
‘Corporal Ross, this was not what I had wanted,’ he started slowly, ‘but they brought it on themselves. War requires its victims, better terrorists than more like MacPherson. Nor do I wish to see you ruined and locked away as a result of a court martial. You have a long record of military service of which you can be proud.’ The words were coming more easily now, his hands had stopped trembling and the men were listening. ‘I think it would be in everyone’s interests that this incident be forgotten. We want no more EOKA martyrs. And I don’t want your indiscipline to provide unnecessary work for the Military Provosts.’ He cleared his throat, uncomfortable. ‘My Situation Report will reflect the fact that we encountered two unidentified and heavily armed terrorists. They were killed in a military engagement following the death of Private MacPherson. We shall bury the bodies in the forest, in secret, leave no trace. Deny the local villagers an excuse for retaliation. Unless, that is, you want a fuller report to be lodged, Corporal Ross?’
Ross, the large, lumbering, caring soldier-father, recognized that such a full report might damage Urquhart but would in all certainty ruin him. That’s the way it was in the Army, pain was passed down the ranks. For Urquhart the Army was nothing more than a couple of years of National Service, for Ross it was his whole life. He wanted to scream, to protest that this had been nothing less than savagery; instead his shoulders sagged and his head fell in capitulation.
While the men began to search for a burial site in the thin forest soil, Urquhart went to inspect the scene within the rocky bowl. He was grateful that there was surprisingly little obvious damage to the dark skin of their faces, but the sweet-sour stench of scorching and petrol fumes made him desperately want to vomit. There was nothing of military value in their pockets, but around their necks on two thin chains hung crucifixes engraved with their names. He tore them off; no one should ever discover their identities.
It was dusk when they drove back down the mountain with MacPherson’s body strapped in the back. Urquhart turned for one last look at the battle scene. Suddenly, in the gathering darkness, he saw a light. An ember, a fragment of fire, had somehow survived and been fanned by the evening breeze, causing it to burst back into life. The young pine which stood in the middle of the bowl was ablaze, a beacon marking the site that could be seen for miles around.
He never spoke of the incident on the mountain again but thereafter, at times of great personal crisis and decision in his life, whenever he closed his eyes and occasionally when he was asleep, the brilliant image and the memory of that day would return, part-nightmare, part-inspiration. The making of Francis Urquhart.
I prefer dogs to humans. Dogs are easier to train.
The door of the stage manager’s box opened a fraction for Harry Grime to peer into the auditorium.
‘Hasn’t arrived, then,’ he growled.
Harry, a leading dresser at the Royal Shakespeare Company, didn’t like Francis Urquhart. Fact was, he loathed the man. Harry was blunt, Yorkshire, a raging queen going to seed who divided the universe into thems that were for him and thems that weren’t. And Urquhart, in Harry’s uncomplicated and unhumble opinion, weren’t.
‘Be buggered if that bastard’ll get back,’ Harry had vouchsafed to the entire company last election night. Yet Urquhart had, and Harry was.
Three years on, Harry had changed his hair colour from vivid chestnut to a premature orange and shed his wardrobe of tight leather in preference for something that let him breathe and allowed his stomach to fall more naturally, but he had moved none of his political opinions. Now he awaited the arrival of the Prime Minister with the sensibilities of a Russian digging in before Stalingrad. Urquhart was coming, already he felt violated.
‘Sod off, Harry, get out from under my feet,’ the stage manager snapped from his position alongside the cobweb of wires that connected the monitors and microphones with which he was supposed to control the production. ‘Go check that everyone’s got the right size codpiece or something.’
Harry bristled, about to retaliate, then thought better of it. The Half had been called, all hands were now at their posts backstage and last-minute warfare over missing props and loose buttons was about to be waged. No one needed unnecessary aggravation, not tonight. He slunk away to recheck the wigs in the quick-change box at the back of the stage.
It was to be a performance of Julius Caesar and the auditorium of the Swan Theatre was already beginning to fill, although more slowly than usual. The Swan, a galleried and pine-clad playhouse that stands to the side of the RSC’s main theatre in Stratford-upon-Avon, is constructed in semi-circular homage to the Elizabethan style and has an intimate and informal atmosphere, 432 seats max. Delightful for the performance but a nightmare for Prime Ministerial security. What if some casual theatre-goer who loved Shakespeare much yet reviled Francis Urquhart more, more even than did Harry Grime, took the opportunity to…To what? No one could be sure. The Stratford bard’s audiences were not renowned for travelling out with assorted weaponry tucked away in pocket or purse – Ibsen fans, maybe, Chekov’s too, but surely not for Shakespeare? Yet no one was willing to take responsibility, not in the presence of most of the Cabinet, a handful of lesser Ministers, assorted editors and wives and other selected powers in the realm who had been gathered together to assist with celebrations for the thirty-second wedding anniversary of Francis and Mortima Urquhart.
Geoffrey Booza-Pitt was the gatherer. The youngest member of Francis Urquhart’s Cabinet, he was Secretary of State for Transport and a man with an uncanny eye for opportunity. And for distractions, of all forms. And what better distraction from the shortcomings of Ministerial routine than to block-book a hundred seats in honour of the Master’s anniversary and invite the most powerful men in the land to pay public homage? Two thousand pounds’ worth of tickets returned a hundred-fold of personal publicity and left favours scattered throughout Westminster, including Downing Street. That’s precisely what Geoffrey had told Matasuyo, car giant to the world and corporate sponsor to the RSC, who had quietly agreed to pay for the lot. It hadn’t cost him a penny. Not that Geoffrey would tell.
They arrived late, their coming almost regal. If nothing else, after the eleven years they had lived in Downing Street, they knew how to make an entrance. Mortima, always carefully presented, appeared transported onto a higher plane in an evening dress of black velvet with a high wing collar and a necklace of pendant diamonds and emeralds that caught the theatre’s lighting and reflected it back to dazzle all other women around her. The wooden floors and galleries of the playhouse complained as people craned forward to catch a glimpse and a ripple of applause broke out amongst a small contingent of American tourists which took hold, the infection making steady if reluctant progress through the auditorium to the evident embarrassment of many.
‘Le roi est arrive.’
‘Be fair, Bryan,’ chided one of the speaker’s two companions from their vantage point in the First Gallery, above and to the right of where the Urquharts were taking their seats.
‘Fair?