“I’m very wet,” I say, picking up another cube out of the glass and running the ice up and down my thigh above my stocking. “You could say I’m slippery when wet.”
His eyes bulge out, his breaths coming fast and short. “Let me see your cunt.”
“Not yet, Ivan.” I stretch my body up tall, and with a bump and grind, I edge my forefinger under my bra strap. Rolling my shoulders forward and humming to myself, I slowly pull down the strap until it slackens and falls down over my arm. “I bet that guidance chip is burning a hole in your pocket.” I lick my lips, but keep my eyes on the Russian. Anticipation plays a big part in my game. A slow smile creeps over his smooth face, but he makes no comment. That worries me. Long pauses are no good. He’s thinking. I pull my bra down lower, let him see more flesh, not too much, and ask, “Why don’t you get rid of it?”
Breathing heavily, the ex-KGB agent without a single gray strand anywhere in his slicked-back, dyed black hair, watches me with a combination of wariness and interest. After a brief hesitation, he dips his hand into his jacket, then opens his palm, revealing a small chip enclosed in a clear plastic case, shiny with the residue of his sweat.
“Is this what you want?” he asks.
“Yes.” I reach for the chip, but he closes his palm.
“Take off your clothes first,” he insists, leaning forward and reaching out to grab my bra strap.
“Not so fast, Ivan.” I turn my body away from him, though I keep my eyes on him. Never lose eye contact. Keep the mark under your control. “You don’t want to miss the show, do you?”
I rock back and forth on my high-heeled boots, elongating my leg to an erotic pinnacle, raising my arms up high, stretching my lissome body. Then I turn around to face him and slide down my other bra strap. With a pout and a moan, I push my breasts together to wow him with my cleavage. He’s almost panting, but I won’t flash my nipples. Not yet. Stripping in front of the Russian ref lects the power of my nudity over him. Men have a negotiable weakness for watching a woman take off her clothes. Promise them nipples and pussy lips and they’ll babble about everything from tip-offs to defections.
Why?
It’s simple. I let him get close enough to smell me, then his eyes take in my form-fitting corset, stockings held up by tight black leather garters, but I don’t let him possess me. The game is over then. I’ll get nothing from him. You could call me a tease, but interrogation can be a cruel game. Very cruel. How well I know the tenebrous mood of an angry interrogator.
An unconscious shiver slithers down my spine, chilling my blood as memories of my first day at Tadma prison play in my mind like a video on endless rewind. Though I long for a total blackout of that day, it never comes. I find peace only in total darkness, when I sink into a numbing calm and blur the vibrant but ugly colors of the prison scenes burned into my brain. No matter how hard I try, I can never erase from my mind the months of torture and pain I experienced in that hellhole. Back then, I never thought I’d be stripping in front of a man who’s a killer, a sexual deviant, a mole.
But my nightmare didn’t start in prison. I once led a normal life as an archaeologist, traveling the world in search of antiquities. And I had a family who cared about me. A mother and a sister. I also had dreams of advancing in my field. I’d just made a startling archaeological discovery in the middle of the Syrian Desert when the horror began….
Two years earlier An excavation site in northern Syria
I descend the crude stone steps into the dark underground vault, my heart pumping, my lungs trying not to breathe in the lingering incense. An eerie flickering from my flashlight angers a barrage of bats. Shrieking and fluttering, these mammals of darkness descend upon me, catching their spindly wings in my long ponytail and pulling on my khaki shirt. I cry out with frustration more than fear, pulling a squealing bat off my chest. A loose button pops off my shirt, revealing my cleavage nestled in a white lacy bra. I ignore it and cover my face, my long blue-glass earrings swinging wildly and stinging my cheeks as I slice through the damp, humid air with my flashlight, hissing and whirling like a mythical avian creature until the bats leave me alone.
Am I alone?
Hush…sssh, I hear as an unnerving susurration pounces upon my ears, unsettling yet wanting, needing, crying out. They’re here. Calling to me. I see no creature stirring save for scavenger scorpions busy feeding their hungry bellies on insects so tiny they escape my eye, but I know they’re here. Waiting for me. I can’t leave without seeing them one final time to contemplate the beautiful with the strange.
With more excitement making my pulse race than I would have thought possible, I sweep the beam of my flashlight on the emptiness below me. Cool air and moist shredded spiderwebs tickle my face. I wiggle my nose and a musky smell similar to the odor of sex makes me take in my breath. I place my boot on the crumbling step, then a second, a third, slowly, methodically, as if I’m in a hypnotic trance, unable to blink, my senses numb to all emotion except what I glean from the voices.
Voices.
They call me the bone whisperer. A fanciful term for an archaeologist, considering what I do falls somewhere between science and imagination, but it fits me. In my travels to numerous digs, I’ve listened to a mummy shyly whisper about having her pubic hair shaved before they wrapped her body in linen; to a young woman dreaming of her lover’s kiss before a lion knocked her down with its great paw and crushed her skull; to a queen’s haughty attendant boast about seducing a high-ranking court official before she jumped into the death pit.
I spend my days in other times in a fascinating world, where a kaleidoscope of images, sounds and smells all converge in a strange language that allows me to slip into the skin of these women and record their lives.
You have to see how the bones come out of the ground, I always say, to hear their stories. I whisper back to them before removing the bones from their final resting place, assure them I mean them no harm, then listen to their precious answers before I make my conclusions.
In my work, I’ve danced on wildf lower carpets throughout the Middle East, from preserved Roman cities with paved and colonnaded streets, plazas and amphitheaters to the vast desert with its burnt red moonscape valleys and towering sandstone mountains and cliffs. Hot desert winds at my back are my companions. Cold, damp crypts are my workplace.
I live to find the dead and tell their stories. Not easy to do when my grant money is about to run out. I’m a student in search of a Ph.D., following every lead that comes my way to complete my doctoral dissertation on the role of women in premodern Syria. I’ve spent my entire career trying to convince the academic world that archaeology is an important sexual science, that women played a major part in ancient civilizations, participating in sacred rituals, meeting secretly to explore pleasure, whether it was with male members of the tribe or with sex tools. Consequently, I often experience anxious moments at airport security when I forget I’ve stuffed broken bones or a stone phallic symbol from the Ice Age in my carry-on bag.
I’ve been kicking around the Near East for more than a year, working on various digs, but it’s rare to make any major discovery in the field these days. Archaeology is menial work, sifting dirt oozing with invading termites or scratching at hard rock, breaking off my nails, scrutinizing each bagful of potsherds, but rewarding for me when I see a small piece of bone, a faded remnant of cloth, a broken glass earring. Then I hear the whispers. This time they led me here to a forgotten vault in the middle of the desert.
It all started two weeks ago with a walk through the souk in Aleppo in northern Syria. I’d hoped to join a dig in Jableh but that fell through, so I decided to see the centuries-old bazaar before trying my luck in Damascus. No sooner had I found my way to the souk than a pleasant young man approached me, introduced himself as Ahmed and offered in broken English to act as my tour guide. Dubious at first,