In short, he seemed an awful lot like the genuine article.
“There you are, you old bastard,” said Charles happily, and sacré bleu, I realized then what I already knew, that the man before me was no delusion. That the Paris Ritz was the kind of place that could conjure up anyone it wanted.
“Stefan,” I said. “What a lovely surprise.”
(And the big trouble was, I think I meant it.)
“Experience is simply the name
we give our mistakes.”
OSCAR WILDE
Palm Beach • 1966
1.
The Mercedes-Benz poses on the grass like a swirl of vintage black ink, like no other car in the world.
You’d never guess it to look at her, but Miss Pepper Schuyler—that woman right over there, the socialite with the golden antelope legs who’s soaking up the Florida sunshine at the other end of the courtyard—knows every glamorous inch of this 1936 Special Roadster shadowing the grass. You might regard Pepper’s pregnant belly protruding from her green Lilly shift (well, it’s hard to ignore a belly like that, isn’t it?) and the pastel Jack Rogers sandal dangling from her uppermost toe, and you think you have her pegged. Admit it! Lush young woman exudes Palm Beach class: What the hell does she know about cars?
Well, beautiful Pepper doesn’t give a damn what you think about her. She never did. She’s thinking about the car. She slides her gaze along the seductive S-curve of the right side fender, swooping from the top of the tire to the running board below the door, like a woman’s voluptuously naked leg, and her heart beats a quarter-inch faster.
She remembers what a pain in the pert old derrière it was to repaint that glossy fender. It had been the first week of October, and the warm weather wouldn’t quit. The old shed on Cape Cod stank of paint and grease, a peculiarly acrid reek that had crept right through the protective mask and into her sinuses and taken up residence, until she couldn’t smell anything else, and she thought, What the hell am I doing here? What the hell am I thinking?
Thank God that was all over. Thank God this rare inky-black 1936 Mercedes Special Roadster is now someone else’s problem, someone willing to pay Pepper three hundred thousand dollars for the privilege of keeping its body and chrome intact against the ravages of time.
The deposit has already been paid, into a special account Pepper set up in her own name. (Her own name, her own money: now, that was a glorious feeling, like setting off for Europe on an ocean liner with nothing but open blue seas ahead.) The rest will be delivered today, to the Breakers hotel where Pepper is staying, in a special-delivery envelope. Another delightful little big check made out in Pepper’s name. Taken together, those checks will solve all her problems. She’ll have money for the baby, money to start everything over, money to ignore whoever needs ignoring, money to disappear if she needs to, forever and ever. She’ll depend on no one. She can do whatever the hell she pleases, whatever suits Pepper Schuyler and—by corollary—Pepper Junior. She will toe nobody’s line. She will fear nobody.
So the only question left in Pepper’s mind, the only question that needs resolving, is the niggling Who?
Who the hell is this anonymous buyer—a woman, Pepper’s auction agent said—who has the dough and the desire to lay claim to Pepper’s very special Special Roadster, before it even reaches the public sales ring?
Not that Pepper cares who she is. Pepper just cares who she isn’t. As long as this woman is a disinterested party, a person who has her own reasons for wanting this car, nothing to do with Pepper, nothing to do with the second half of the magic equation inside Pepper’s belly, well, everything’s just peachy keen, isn’t it? Pepper will march off with her three hundred thousand dollars and never give the buyer another thought.
Pepper lifts a tanned arm and checks her watch. It’s a gold Cartier, given to her by her father for her eighteenth birthday, perhaps as a subtle reminder to start arriving the hell on time, now that she was a grown-up. It didn’t work. The party always starts when Pepper gets there, not before, so why should she care if she arrives late or early? Still, the watch has its uses. The watch tells her it’s twenty-seven minutes past twelve o’clock. They should be here any moment: Pepper’s auction agent and the buyer, to inspect the car and complete the formalities. If they’re on time, and why wouldn’t they be? By all accounts, the lady’s as eager to buy as Pepper is to sell.
Pepper tilts her head back and closes her eyes to the white sun. She can’t get enough of it. This baby inside her must have sprung from another religion, one that worshipped the gods in the sky or gained nourishment from sunbeams. Pepper can almost feel the cells dividing in ecstasy as she points herself due upward. She can almost feel the seams strain along her green Lilly shift, the dancing monkeys stretch their arms to fit around the ambitious creature within.
Well, that makes sense, doesn’t it? Like father, like child.
“Good afternoon.”
Pepper bolts upright. A small and slender woman stands before her, dark-haired, dressed in navy Capri pants and a white shirt, her delicate face hidden by a pair of large dark sunglasses. It’s Audrey Hepburn, or else her well-groomed Florida cousin.
“Good afternoon,” Pepper says.
The woman holds out her hand. “You must be Miss. Schuyler. My name is Annabelle Dommerich. I’m the buyer. Please, don’t get up.”
Pepper rises anyway and takes the woman’s hand. Mrs. Dommerich stands only a few inches above five feet, and Pepper is a tall girl, but for some reason they seem to meet as equals.
“I’m surprised to see you,” says Pepper. “I had the impression you wanted to remain anonymous.”
Mrs. Dommerich shrugs. “Oh, that’s just for the newspapers. Actually, I’ve been hugely curious to meet you, Miss Schuyler. You’re even more beautiful than your pictures. And look at you, blooming like a rose! When are you due?”
“February.”
“I’ve always envied women like you. When I was pregnant, I looked like a beach ball with feet.”
“I can’t imagine that.”
“It was a long time ago.” Mrs. Dommerich takes off her sunglasses to reveal a pair of large and chocolaty eyes. “The car looks beautiful.”
“Thank you. I had an expert helping me restore it.”
“You restored it yourself?” Both eyebrows rise, so elegant. “I’m impressed.”
“There was nothing else to do.”
Mrs. Dommerich turns to gaze at the car, shielding her brows with one hand. “And you found it in the shed on Cape Cod? Just like that, covered with dust? Untouched?”
“Yes. My sister-in-law’s house. It seemed to have been abandoned there.”
“Yes,” says Mrs. Dommerich. “It was.”
The grass prickles Pepper’s feet through the gaps in her sandals. Next to her, Mrs. Dommerich stands perfectly still, like she’s posing for a portrait, Woman Transfixed in a Crisp White Shirt. She talks like an American, in easy sentences, but there’s just the slightest mysterious tilt to her accent that suggests something