Actually her fingernails, to be exact. Each nail looked like a tiny circuit board. She pointed her right index finger at the Binary scouts. The nail glowed green, the rutabagas were surrounded by a green light, and . . . froze. Not in terms of temperature but in terms of movement. Then she pointed her left pinkie at us; it glowed, and we were all enveloped in a purple light.
Just before the room disappeared, she looked at me. I had a brief impression of long lashes surrounding violet eyes. “Hey, cutie,” she said. And winked.
I saw Jakon give me a big grin, full of fangs. And I knew, as the chamber vanished from around us, that I’d turned crimson clear to the tips of my ears.
THE IRONY IS THAT I’ve been known to get lost just going from my bunk to the bathroom.
I used to think it was simply that I had no sense of direction. And it’s true—I didn’t. But one thing I’ve learned over the last two years is that things are never simple. It turns out that my lousy sense of direction is limited to the first three spatial dimensions: longitude, latitude, and altitude. But there are other directions, lots of them. Eight at least, and probably a whole bunch more.
If you’re like I was at first, just trying to visualize eight or more ways that proceed at right angles on top of the three we already have gives you a massive ice cream headache. Where are these other dimensions? Why can’t we interact with them the way we do with the three we already have?
Well, according to the brain trust at Base Town, they were “compactified” (one of the fun things about being a scientist is being able to make up new words) the instant this universe began; somehow they were shrunk down to distances less than the diameter of an atom. If you pick any one of the “big three”—let’s say “up”—you can use it as an infinite vector and head away from the Earth—past the moon, past Mars . . . out of the solar system and into the dark. You’ll never run out of “up.”
That’s because we live—most of us, anyway—in a three-space world (or four, if you want to get technical). In a three-space world there’s just enough room for three vectors to proceed at ninety degrees from a point; they’re mutually perpendicular. (Time is a constant until we get fairly far up the asymptotic curve, so we can ignore it for now.) But there are also universes where the rules are “looser,” where there’s more “room” for new directions to exist.
I know—it’s hard to conceive of such things. But remember: All we really know of the universe is what filters in through our senses, and that isn’t a whole lot. Take the electromagnetic spectrum. It includes virtually every ripple of energy that powers the cosmos, from the long, lazy radio waves we communicate with through microwaves that we cook with all the way up to X-rays and gamma rays, which pack enough punch into their wavelengths to outshine an entire galaxy. All that majesty, all that infinite variety of energy, and all we see is a narrow little slice of it: seven measly colors. It’s like being invited to a royal banquet and then only being allowed to pick the crumbs off one plate.
So, take everything I just told you, and then try to imagine it all at once. Things moving at angles you didn’t even know existed, inverting and reverting and transforming, all painted with colors and textures and noises, and mash it all together. Then picture it reflected in two cracked mirrors, facing each other. That’s kind of what the In-Between is like.
That’s where the girl took us, though it was by far the most wrenching transition I’d ever experienced. I’d traveled to the In-Between more times than I could count by now, and the jump had never once made me feel as queasy as it did when she brought us there.
That’s where we were, though; I could tell before I even opened my eyes. All my senses, both internal and external, were verifying it. I could tell by the incredible and ever-changing sounds: mostly wind chimes but occasionally faraway noises like car horns, rumblings, birdsongs, water flowing, and every now and then the strains of an old instrumental from the 1930s that my dad was fond of, “Powerhouse,” by Raymond Scott. If you’ve ever watched an old Warner Bros. Looney Tunes cartoon, you’ve probably heard it. I could smell paprika; chocolate; and an astringent, medicinal smell that I couldn’t identify. The breeze felt now like feathers, now like fine-grain sandpaper. All this before I even opened my eyes.
So I opened my eyes.
I was standing on what looked like a Rand McNally globe of a terrestrial planet. It was maybe twenty feet in diameter and I was sticking out from it at a forty-five-degree angle, halfway between the equator and the South Pole, just like the Little Prince on his asteroid (assuming the South Pole was on the “bottom” relative to me and the rest of my team, who were standing or floating upon or nearby a whole slew of various other improbabilities).
And something wasn’t right.
That probably seems like a pretty ridiculous statement; after all, when is anything ever right about the In-Between? It’s the essence of wrongness, entropy’s landfill. Saying there was something not right about it was like saying there was something a little scary about Lord Dogknife.
But the feeling was unmistakable. Furthermore, it wasn’t going away.
Jo opened her eyes then, and by the look on her face, I could tell she felt the same way.
J/O looked accusingly at me. “Where did you take us?”
“Hey, I didn’t take us anywhere! It was that girl,” I said. Technically, Jai was our senior officer, but after a training mission had gone awry and I’d rescued them from the clutches of HEX, most of them tended to look to me in a pinch. There are drawbacks to being even an unofficial team leader, the biggest of which is getting blamed for everything.
“Fine, then where’d your girlfriend take us?” Jo’s voice was as accusing as J/O’s glare, and it probably didn’t help my case that I was crimson again, but I tried to protest anyway. “She’s not my—”
Before I could finish, several members of my team gave little reactions of surprise, looking past me. I whirled as the unfamiliar voice sounded from behind me, my hands coming up in a defensive position. I know it sounds like cheesy kung fu movie stuff, but you learn to think fast in the In-Between.
“Yes, I’d say that is rather premature,” said the mysterious girl, giving me another wink, “since we’ve only just met.”
“Who are you?” The question was clear and strong, the voice of someone not at all intimidated—unfortunately, it was Jakon’s voice, not mine. All I’d managed to do was stutter. My tongue felt like it was tied in a Gordian knot.
“A friend,” she answered easily, giving a little shrug of one shoulder. When I’d still been home—before my life became cluttered with Multiverses, Altiverses, and versions of me sporting fur, fangs, wings, and bionic implants—I had a wild, passionate, undying crush on a girl named Rowena. Rowena had sometimes done that artless little shrug when she was being silly or coy. I’d come to covet it, to take it as proof that I could amuse her in some way, even if all I’d said to prompt it was “That test was murder, huh?” or “Do they really expect us to run a mile in eight minutes?”
“Not good enough,” I said. I stepped off the miniature world and onto a bright red cube the size of a steamer trunk that was busily engaged in turning itself inside out. It stabilized as soon as my shoe touched it. Gravity shifted to accommodate, and behind me the “planet” collapsed into a point and vanished. I hardly noticed. Oddly, the memory of Rowena had strengthened my resolve a bit. I’d never been able to talk to her because, really, what do you say to a girl like that when you’re just one guy in a school of hundreds? There had been nothing special about me then.
Now, however, I was more than just a high school kid—I was