‘For pity’s sake, Katti,’ said Troy, ‘come back with me. I’ve got a sort of monster in there.’
‘Is it staying to dinner?’
‘I haven’t asked it, but I should think so. So we shall have to open one of Rory’s tins.’
‘Hadn’t you better go back to this bloke?’
‘Do come too. I’m afraid of him. He tells me about his family, presenting each member of it in a repellent light, and yet expecting me to desire nothing more than their acquaintance. And the alarming thing is, Katti, that the narrative has its horrid fascination. Important Pauline, acquisitive Sonia; dreadful little Panty, and Milly, who laughs perpetually at nothing; that’s Millamant, of course, who wrote the letter. And Papa, larger than life, and presenting himself with his own portrait because the Nation hasn’t come up to scratch –’
‘You aren’t going to tell me you’ve accepted!’
‘Not I. Good Lord, no! I’d be demented. But – keep an eye on me, Katti,’ said Troy.
III
Thomas accepted the invitation to dinner, expressing himself as delighted with his share of tinned New Zealand crayfish. ‘We’ve got friends in New Zealand and America too,’ he said, ‘but unfortunately tinned fish brings on an attack of Papa’s gastroenteritis. If we have it he can’t resist it, and so Milly doesn’t let us have it. Next time I go to Ancreton she’s giving me several tins to take back to my flat.’
‘You don’t live at Ancreton?’ Troy asked.
‘How could I when my job’s in London? I go there sometimes for week-ends to give them all an opportunity of confiding in me. Papa likes us to go. He’s having quite a party for his birthday. Pauline’s son, Paul, who has a wounded leg, will be there, and Millamant’s son, Cedric, who is a dress-designer. I don’t think you’d care for Cedric. And my sister Desdemona, who is at liberty just now, though she hopes to be cast for a part in a new play at the Crescent. My other sister-in-law, Jenetta, will be there too, I hope, with her daughter, Fenella. Her husband, my eldest brother Claude, is a Colonel in the occupation forces and hasn’t come home yet.’
‘Rather a large party,’ said Katti. ‘Fun for you.’
‘There’ll be a good many rows, of course,’ Thomas replied. ‘When you get two or three Ancreds gathered together they are certain to hurt each other’s feelings. That’s where I come in handy, because I’m the insensitive one and they talk to me about each other. And about Sonia, I needn’t say. We shall all talk about Sonia. We’d hoped to unveil your portrait of Papa on this occasion,’ he said, looking wistfully at Troy. ‘Indeed, that’s really what the party’s for.’
Troy mumbled something indistinguishable.
‘Papa had a lovely time last week looking out the Macbeth clothes,’ Thomas continued. ‘I wonder if you remember his costume. Motley did it for us. It’s red, a Paul Veroniseish red, dark but clear, with a smoky overcloak. We’ve got a miniature theatre at Ancreton, you know. I brought down the original backdrop for one of the inset scenes and hung it. It’s quite a coincidence, isn’t it,’ Thomas went on innocently, ‘that you did the original designs for that production? Of course, you remember the one I mean. It’s very simple. A boldly distorted castle form seen in silhouette. He dressed himself and stood in front of it, resting on his claymore with his head stooped, as if listening. “Good things of day begin to droop and drowse,” do you remember?’
Troy remembered that line very well. It was strange that he should have recalled it; for Alleyn was fond of telling her how, in the small hours of a stormy morning, a constable on night duty had once quoted it to him. Thomas, speaking the line, with an actor’s sense of its value, sounded like an echo of her husband, and her thoughts were filled with memories of his voice.
‘– He’s been ill off and on for some time,’ Thomas was saying, ‘and gets very depressed. But the idea of the portrait bucked him up no end, and he’s set his heart on you to paint it. You see, you did his hated rival.’
‘Sir Benjamin Corporal?’ Troy muttered, eyeing Katti.
‘Yes. And old Ben makes a great story about how you only paint subjects that you take a fancy to – pictorially, I mean. He told us you took a great fancy to him pictorially. He said he was the only actor you’d ever wanted to paint.’
‘On the contrary,’ Troy said angrily. ‘It was a commission from his native town – Huddersfield. Old popinjay!’
‘He told Papa he’d only be snubbed if he approached you. Actually, Papa was dressed as Macbeth when your telegram arrived. He said: “Ah! This is propitious. Do you think, my dear, that Miss Troy – should he have said ‘Mrs. Alleyn?’ – will care for this pose?” He was quite young-looking when he said it. And then he opened your telegram. He took it rather well, really. He just gave it to Milly, and said: “I shouldn’t have put on these garments. It was always an unlucky piece. I’m a vain old fool.” And he went away and changed and had an attack of gastroenteritis, poor thing. It must almost be time, I thought of walking back to the station, mustn’t it?’
‘I’ll drive you,’ Troy said.
Thomas protested mildly, but Troy overruled him brusquely when the time came, and went off to start her car. Thomas said good-bye politely to Katti Bostock.
‘You’re a clever chap, Mr. Ancred,’ said Katti grimly.
‘Oh, do you think so?’ asked Thomas, blinking modestly. ‘Oh, no! Clever? Me? Goodness, no. Good night. It’s been nice to meet you.’
Katti waited for half an hour before she heard the sound of the returning car. Presently the door opened and Troy came in. She wore a white overcoat. A lock of her short dark hair hung over her forehead. Her hands were jammed in her pockets. She walked self-consciously down the room looking at Katti out of the corners of her eyes.
‘Got rid of your rum friend?’ asked Miss Bostock.
Troy cleared her throat. ‘Yes. He’s talked himself off.’
‘Well,’ said Miss Bostock, after a long silence, ‘when do you leave for Ancreton?’
‘To-morrow,’ said Troy shortly.
I
Troy wished that Thomas Ancred would say good-bye and leave her to savour the moment of departure. She enjoyed train journeys enormously, and, in these days, not a second of the precious discomfort should be left unrelished. But there stood Thomas on the Euston platform with nothing to say, and filled, no doubt, with the sense of tediousness that is inseparable from these occasions. ‘Why doesn’t he take off his hat and walk away,’ Troy thought fretfully. But when she caught his eye, he gave her such an anxious smile that she instantly felt obliged to reassure him.
‘I have been wondering,’ Thomas said, ‘if, after all, you will merely loathe my family.’
‘In any case I shall be working.’
‘Yes,’ he agreed, looking immensely relieved, ‘there is that. I can’t tell you how much I dislike many actors, and yet, when I begin to work with them, sometimes I quite love them. If they do what I tell them, of course.’
‘Are you working this morning?’ And she thought: how unreal the activities seem of people one leaves behind on railway stations.