‘Mr Hunsden! good evening.’
‘Good evening, indeed! yes, but you would have passed me without recognition if I had not been so civil as to speak first.’
‘I did not know you.’
‘A famous excuse! You ought to have known me; I knew you, though you were going ahead like a steam-engine. Are the police after you?’
‘It wouldn’t be worth their while; I’m not of consequence enough to attract them.’
‘Alas, poor shepherd! Alack and well-a-day! What a theme for regret, and how down in the mouth you must be, judging from the sound of your voice! But since you’re not running from the police, from whom are you running? the devil?’
‘On the contrary, I am going post to him.’
‘That is well – you’re just in luck: this is Tuesday evening; there are scores of market gigs and carts returning to Dinneford tonight; and he, or some of his, have a seat in all regularly; so, if you’ll step in and sit half-an-hour in my bachelor’s parlour, you may catch him as he passes without much trouble. I think though you’d better let him alone tonight, he’ll have so many customers to serve; Tuesday is his busy day in X— and Dinneford; come in at all events.’
He swung the wicket open as he spoke.
‘Do you really wish me to go in?’ I asked.
‘As you please – I’m alone; your company for an hour or two would be agreeable to me; but, if you don’t choose to favour me so far, I’ll not press the point. I hate to bore anyone.’
It suited me to accept the invitation as it suited Hunsden to give it. I passed through the gate, and followed him to the front door, which he opened; thence we traversed a passage, and entered his parlour; the door being shut, he pointed me to an armchair by the hearth; I sat down, and glanced round me.
It was a comfortable room, at once snug and handsome; the bright grate was filled with a genuine —shire fire, red, clear, and generous, no penurious South-of-England embers heaped in the corner of a grate. On the table a shaded lamp diffused around a soft, pleasant, and equal light; the furniture was almost luxurious for a young bachelor, comprising a couch and two very easy chairs; bookshelves filled the recesses on each side of the mantelpiece; they were well-furnished, and arranged with perfect order. The neatness of the room suited my taste; I hate irregular and slovenly habits. From what I saw I concluded that Hunsden’s ideas on that point corresponded with my own. While he removed from the centre-table to the sideboard a few pamphlets and periodicals, I ran my eye along the shelves of the bookcase nearest me. French and German works predominated, the old French dramatists, sundry modern authors, Thiers, Villemain, Paul de Kock, George Sand, Eugene Sue; in German – Goethe, Schiller, Zschokke, Jean Paul Richter; in English there were works on Political Economy. I examined no further, for Mr Hunsden himself recalled my attention.
‘You shall have something,’ said he, ‘for you ought to feel disposed for refreshment after walking nobody knows how far on such a Canadian night as this; but it shall not be brandy-and-water, and it shall not be a bottle of port, nor ditto of sherry. I keep no such poison. I have Rhein-wein for my own drinking, and you may choose between that and coffee.’
Here again Hunsden suited me: if there was one generally received practice I abhorred more than another, it was the habitual imbibing of spirits and strong wines. I had, however, no fancy for his acid German nectar, but I liked coffee, so I responded, ‘Give me some coffee, Mr Hunsden.’
I perceived my answer pleased him; he had doubtless expected to see a chilling effect produced by his steady announcement that he would give me neither wine nor spirits; he just shot one searching glance at my face to ascertain whether my cordiality was genuine or a mere feint of politeness. I smiled, because I quite understood him; and, while I honoured his conscientious firmness, I was amused at his mistrust; he seemed satisfied, rang the bell, and ordered coffee, which was presently brought; for himself, a bunch of grapes and half a pint of something sour sufficed. My coffee was excellent; I told him so, and expressed the shuddering pity with which his anchorite fare inspired me. He did not answer, and I scarcely think heard my remark. At that moment one of those momentary eclipses I before alluded to had come over his face, extinguishing his smile, and replacing, by an abstracted and alienated look, the customarily shrewd, bantering glance of his eye. I employed the interval of silence in a rapid scrutiny of his physiognomy. I had never observed him closely before; and, as my sight is very short, I had gathered only a vague, general idea of his appearance; I was surprised now, on examination, to perceive how small, and even feminine, were his lineaments; his tall figure, long and dark locks, his voice and general bearing, had impressed me with the notion of something powerful and massive; not at all: – my own features were cast in a harsher and squarer mould than his. I discerned that there would be contrasts between his inward and outward man; contentions, too; for I suspected his soul had more of will and ambition than his body had of fibre and muscle. Perhaps, in these incompatibilities of the ‘physique’ with the ‘morale,’ lay the secret of that fitful gloom; he would but could not, and the athletic mind scowled scorn on its more fragile companion. As to his good looks, I should have liked to have a woman’s opinion on that subject; it seemed to me that his face might produce the same effect on a lady that a very piquant and interesting, though scarcely pretty, female face would on a man. I have mentioned his dark locks – they were brushed sideways above a white and sufficiently expansive forehead; his cheek had a rather hectic freshness; his features might have done well on canvas, but indifferently in marble: they were plastic; character had set a stamp upon each; expression re-cast them at her pleasure, and strange metamorphoses she wrought, giving him now the mien of a morose bull, and anon that of an arch and mischievous girl; more frequently, the two semblances were blent, and a queer, composite countenance they made.
Starting from his silent fit, he began, ‘William! what a fool you are to live in those dismal lodgings of Mrs King’s, when you might take rooms here in Grove Street, and have a garden like me!’
‘I should be too far from the mill.’
‘What of that? It would do you good to walk there and back two or three times a day; besides, are you such a fossil that you never wish to see a flower or a green leaf?’
‘I am no fossil.’
‘What are you then? You sit at that desk in Crimsworth’s counting-house day by day and week by week, scraping with a pen on paper, just like an automaton; you never get up; you never say you are tired; you never ask for a holiday; you never take change or relaxation; you give way to no excess of an evening; you neither keep wild company, nor indulge in strong drink.’
‘Do you, Mr Hunsden?’
‘Don’t think to pose me with short questions; your case and mine are diametrically different, and it is nonsense attempting to draw a parallel. I say, that when a man endures patiently what ought to be unendurable, he is a fossil.’
‘Whence do you acquire the knowledge of my patience?’
‘Why, man, do you suppose you are a mystery? The other night you seemed surprised at my knowing to what family you belonged; now you find subject for wonderment in my calling you patient. What do you think I do with my eyes and ears? I’ve been in your counting-house more than once when Crimsworth has treated you like a dog; called for a book, for instance, and when you gave him the wrong one, or what he chose to consider the wrong one, flung it back almost in your face; desired you to shut or open the door as if you had been his flunkey; to say nothing of your position at the party about a month ago, where you had neither place nor partner, but hovered about like a poor, shabby hanger-on; and how patient you were under each and all of these circumstances!’
‘Well, Mr Hunsden, what then?’
‘I can hardly tell you what then; the conclusion to be drawn as to your character depends upon the nature of the motives which guide your conduct; if you are patient because you expect to make something eventually out of Crimsworth, notwithstanding his tyranny,