He used his sidelights as he drove on down the A57. Halfway down, Morrissey looked back. Her hand felt in her coat pocket for the little autofocus camera that she had not used. Postcards with photographs taken from this spot always seemed to face the other way, to frame a view of the valley bathed in sunlight. They never pictured Irontongue.
Shortly before the Snake Inn, they had to stop behind a line of cars that were waiting for a policeman in a fluorescent yellow jacket to wave them on. The other side of the road was blocked by two patrol cars with their lights flashing, and a snowplough was standing idle, with more cars pulled in close behind it.
‘There, you see,’ said Baine. ‘I told you there must have been an accident. Somebody’s run into the snowplough.’
Morrissey stared at the scene as they went by. She couldn’t see any damage, or even figure out what the snowplough had collided with. Maybe they had already towed the other vehicle away. Yet there were people standing by the side of the road, and a woman in a sort of white boiler suit crouching in a snowdrift.
‘Downhill all the way now,’ said Baine. ‘We’ll soon be in Edendale.’
He turned on the radio. The sound of the eight o’clock news filled the car, speaking clearly of families going about their ordinary domestic routines, arguing over the use of the bathroom and the last cup of coffee in the pot, rushing to find the right shoes and cursing as they remembered, one by one, all the things they had to do that day. Morrissey closed her eyes.
‘Have a doze, if you like,’ said Baine.
‘Frank,’ she said, ‘whenever I close my eyes, that’s when the pictures come. The pictures of dead men.’
Baine nodded. ‘Someone once said that memories are photographs on the wrong side of your eyes.’
‘All my life, I’ve never been quite sure where memory ends and imagination begins. These days, I can’t always say which side of my eyes the dead men are.’
She opened her eyes again. A black, unmarked van with tinted rear windows was passing them slowly, going up the hill. Morrissey twisted in her seat to watch the policeman direct it into the side of the road. A blonde woman wearing a black coat and a red scarf stared at her until she turned away, and they drove on into Edendale.
Diane Fry hated these spells of standing around doing nothing. There were plenty of people who were better at that sort of thing than she was. It had been marginally better back at West Street, where at least she might have been able to hang on to the SOCOs’ fan heater for a little while longer. But out here there was nothing to keep her warm, apart from the long, red scarf she had bought from Gap at Meadowhall for the winter. There was no shelter, nor even any physical activity to prevent her body from seizing up. She would rather have been the officer directing the traffic – at least he got to wave his arms a bit. But it wasn’t the thing for a new detective sergeant to be doing.
Instead, she spent her time going through some discreet exercises, rising up on her toes, stretching her tendons, practising her breathing, feeling for the centres of energy in her body, keeping her circulation moving in her extremities to combat the cold. She became so absorbed in what she was doing that she almost forgot she wasn’t alone. Almost.
‘No blood,’ said DI Paul Hitchens. He folded his arms across his chest as he leaned casually on the wheel arch of the snowplough, whose blade had been hastily covered by a sheet of blue plastic. Hitchens looked relaxed, and he spoke as if he were commenting on the weather. No blood today then, just snow. How boring. But Fry knew the comment wasn’t addressed to her. Hitchens had a more appreciative audience.
DC Gavin Murfin had been talking to the county council driver and his mate, who were now sitting in the back of a patrol car. Murfin was wearing a pair of unsuitable fur-covered boots that came up to his knees, like the bottom half of a yeti costume. He stamped his feet on an area of compacted snow as he came round the back of the plough and wheezed faintly in the cold air.
‘Blood? Not a drop,’ he said cheerfully.
Fry frowned at Murfin as he fumbled among his clothes for a pocket to put his notebook away in. He was wearing so many sweaters that he looked like the original Michelin Man, with layers of rubber wobbling around his middle. Yet his face was flushed with cold. Somewhere in his pockets, she suspected, there might be a secret supply of food – something to keep him going for an hour or two, until he could find the nearest Indian takeaway for a beef biryani to stink her car out again.
‘You know, I really hate it when there’s no blood,’ said Hitchens.
The pathologist, Juliana Van Doon, was suited up and working in the area cleared of snow, while an officer video’d the scene. Mrs Van Doon had the dead man’s clothes open across his abdomen to examine a gaping wound. In her white suit, she looked like a badly designed snowman. Fry sighed. A snowman and the Michelin Man. There must be something wrong with her brain today. The cold weather was giving her hallucinations.
‘Blood really makes a body, I always think,’ said Hitchens. ‘It gives it that bit of excitement. A certain je ne sais quoi. A subtle edge of implied violence, perhaps. The bitter-sweet taste of mortality. Do you know what I mean, Gavin?’
‘Oh, sure,’ said Murfin. ‘It means you know the bloke’s a definite stiff ’un, like.’
Fry thought Murfin’s voice sounded slightly muffled, as if he had smuggled something into his mouth without her noticing. She thought she heard the rustle of a chocolate wrapper in his pocket. She looked longingly towards her car. There were things for her to be doing back at West Street. There were always things for her to be doing at the moment. Life went on in all its predictable messy ways in Edendale, as it did in every town in Derbyshire, as it no doubt did in every town and city in the country. There were plenty of crimes that went by without being investigated, let alone cleared up. The paperwork was everywhere to prove it – cases that had been allocated crime numbers for insurance claims, and then filed. Everyone was crying out for more police time to be spent on solving crime, as if the world depended on it.
But here, at the foot of the Snake Pass, Fry felt as though she were standing on the edge of the world. On either side of the A57 there was a white wall a couple of feet deep where the snow lay untouched and unnaturally smooth, so that the edges of the road merged seamlessly into the surrounding moorland. The tarmacked surface of the A57 was normally the only sign of civilization this far out of Edendale, and Fry found its disappearance unsettling. It seemed to be telling her she might never get out.
Mrs Van Doon turned for a second to stare at the police officers standing in the road. Their voices carried loud and clear to where she was working. She shook her head and concentrated again on her job.
‘You’d think if someone had been cut almost in half by a snowplough, they would bleed a bit,’ said Hitchens.
‘Yes, you’d think so,’ said Murfin. ‘A bit.’
‘If only out of a desire to be artistically satisfying in their final moments.’
Hitchens caught Fry’s eye and nodded at her, as if she had said something intelligent. She knew he sensed her antipathy to Murfin and her irritation at the way the DI was encouraging him. But Hitchens smiled, like a man who had all the time in the world at his disposal and had chosen to spend part of it right here, in this isolated, snow-covered spot, with a handful of fellow police officers, two distraught council workmen, and a body with no blood.
‘Mind you, it’s probably a clue,’ he said.
Fry watched the pathologist taking a temperature and examining the corpse’s skin for lividity. The dead man was dressed in a dark suit that bore the marks of the snowplough blade where it had gouged into him and tossed him on to the roadside verge like a sack of rubbish. The blue overnight bag that