It would be difficult to think of another novel that has influenced a genre quite so much as Dracula, except perhaps Frankenstein. Together they form the foundation upon which most subsequent horror stories rest. In many respects the vampire and the monster have now become caricatures of themselves, but a read of the original books make’s one realize just how dark and Gothic those characters were upon first inception.
Vampire Legend
There have been so many permutations of the Dracula and vampire theme in modern culture in print, television and film that it is easy to forget how it all started, with the publication of Dracula the novel in 1897. In truth, Bram Stoker did not invent the idea of the vampire by any means, but his story brought together the various myths and legends that were already in existence into a cohesive whole. Stoker’s tale of Count Dracula caught the imagination of a Victorian audience and continues to appeal to readers to this day.
Stories of vampires had trickled through to England from Eastern Europe for centuries before Stoker was inspired to write. European folklore included tales of vampires from the late mediaeval period and these became embellished and retold as popular fireside stories. Perhaps the earliest example of a real person being accused of vampiric traits was a Croatian named Jure Grando. It was claimed that he rose from death to feast on the blood of the living and had to be decapitated when a stake through the heart proved ineffective.
At that time, in the late 17th century, people were entirely open to notions of witchcraft and supernatural powers as science and empiricism had yet to come to the fore. Word of mouth, secondhand accounts and circumstantial evidence were taken as proof in a world where they served as likely explanations for things that people found frightening and disturbing. People were religious too, so they were entirely indoctrinated with the notion of heaven and hell, and good and evil. We can never know the truth of the Grando case, but it certainly caught the public imagination.
By the 18th century things were beginning to get out of hand. Many people, both dead and alive, were accused of vampirism and found themselves staked or beheaded whenever unexplained misfortune fell upon others in the community. In cultures where illnesses and diseases were not understood scientifically it was only natural to presume that someone had cast a spell on them or done something unspeakable to them. So it was that perfectly innocent neighbours became scapegoats and were slain as vampires or else had their corpses disinterred only to die a second time.
By the 19th century the subject of vampires had entered the realm of considered debate. Many scholars denounced the whole idea, pointing out that all reports of vampires were nothing more than fictitious stories based on anecdote and hearsay. Furthermore, there wasn’t a scrap of scientific evidence that it was possible for people to become ‘the undead’ and transform into vampires under cover of darkness. Nevertheless, many people persisted in their beliefs – especially in the more remote regions of Eastern Europe.
To my friend Bertha Nicoll with affectionate esteem.
CONTENTS
Copyright
History of Collins
Life & Times
Dedication
Chapter 1
Chapter 2
Chapter 3
Chapter 4
Chapter 5
Chapter 6
Chapter 7
Chapter 8
Chapter 9
Chapter 10
Chapter 11
Chapter 12
Chapter 13
Chapter 14
Chapter 15
Chapter 16
Chapter 17
Chapter 18
Chapter 19
Chapter 20
Chapter 21
Chapter 22
Chapter 23
Chapter 24
Chapter 25
Chapter 26
Chapter 27
Chapter 28
Classic Literature: Words and Phrases
About the Publisher
Adam Salton sauntered into the Empire Club, Sydney, and found awaiting him a letter from his grand-uncle. He had first heard from the old gentleman less than a year before, when Richard Salton had claimed kinship, stating that he had been unable to write earlier, as he had found it very difficult to trace his grand-nephew’s address. Adam was delighted and replied cordially; he had often heard his father speak of the older branch of the family with whom his people had long lost touch. Some interesting correspondence had ensued. Adam eagerly opened the letter which had only just arrived, and conveyed a cordial invitation to stop with his grand-uncle at Lesser Hill, for as long a time as he could spare.
“Indeed,” Richard Salton went on, “I am in hopes that you will make your permanent home here. You see, my dear boy, you and I are all that remain of our race, and it is but fitting that you should succeed me when the time comes. In this year of grace, 1860, I am close on eighty years of age, and though we have been a long-lived race, the span of life cannot be prolonged beyond reasonable bounds. I am prepared to like you, and to make your home with me as happy as you could wish. So do come at once on receipt of this, and find the welcome I am waiting to give you. I send, in case such may make matters easy for you, a banker’s draft for £200. Come soon, so that we may both of us enjoy many happy days together. If you are able to give me the pleasure of seeing you, send me as soon as you can a letter telling me when to expect you. Then when you arrive at Plymouth or Southampton or whatever port you are bound for, wait on board, and I will meet you at the earliest hour possible.”
Old Mr. Salton was delighted when Adam’s reply arrived and sent a groom hot-foot to his crony, Sir Nathaniel de Salis, to inform him that his grand-nephew was due at Southampton on the twelfth of June.
Mr. Salton gave instructions to have ready a carriage early on the important day, to start for Stafford, where he would catch the 11.40 a.m. train. He would stay that night with his grand-nephew, either