An Unlikely Countess: Lily Budge and the 13th Earl of Galloway. Louise Carpenter. Читать онлайн. Newlib. NEWLIB.NET

Автор: Louise Carpenter
Издательство: HarperCollins
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Жанр произведения: Биографии и Мемуары
Год издания: 0
isbn: 9780007391707
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to have consequences for her own daughters. She had no notion of what it meant to be a child; her thoughts ran solely on making ends meet. She bore a hatred of alcohol; she deeply distrusted education (which she considered something to be tolerated and on no account to be pursued further than necessary); and she had a contradictory attitude towards children. She viewed them both as good – a woman’s role in life – and bad – an economic drain, especially when born into poverty, which in itself she considered an act of supreme irresponsibility.

      When Andrew Miller met Sis she was a well-established presence at the mill. Day after day, in the early morning darkness, she joined the gang of women who made the long walk along the road that led out from Duns. Sis was pleasant looking in the way that the plain often are: petite with wavy, mousy hair, a reasonable figure and small, round unsmiling brown eyes. (Her younger sister was the real beauty, but she was to die giving birth to her illegitimate child.) Heaven knows exactly how her path crossed with Andrew, since Sis rarely indulged in dancing and never in drinking, but in 1910, when she was twenty, she gave birth to the girl who became known as Etta. Papa, as Sis began to call Andrew, always explained his initial hesitance in marrying her as a result of his ‘bachelor’ job at the castle. This cannot have angered Sis too much, despite having to spend another three years under her mother’s roof, for on 25 September 1913, she married him at 1 Duke Street, Glasgow, by common declaration, with Papa’s brothers, William the coal miner and James the baker, as witnesses.

      Papa recognised in his new wife the courage and spirit he lacked himself. She had a fighting, steely nature and offered him the prospect of a secure family environment (he had been old enough to remember his mother abandoning him). Sis saw that Papa was free of all the vices of her own family. In his knee-high boots, riding hat, and voluminous breeches, as he proudly drove his horses through town, with their polished saddles on glossy black flanks, he was considered a splendid sight and quite a gentleman. But while each filled the other’s needs, they were ill-suited at heart. Aside from a skill for mimicry, Papa was quiet and self-contained, dour even, certainly not prone to the great surges of emotions that erupted from his wife. He had always regretted his thwarted education and as an adult, became a determined autodidact, spending hours poring over Scottish literature. At one stage he even attempted to compile a history of the Scots language, which Sis would throw on the bonfire after his death. Sis hated books and frippery, and found it hard to control her feelings, particularly if she suspected he had been drinking at the bar of the Swan Hotel.

      They had been married one year when the First World War broke out. Papa did not have the resolve to become a conscientious objector, but the idea of war horrified him nevertheless. He could not hide in the stables for long. In January 1915, for example, Country Life ran an editorial posing five questions:

      1. Have you a Butler, Groom, Chauffeur, Gardener, or Gamekeeper serving you who, at this moment should be serving your King and Country?

      2. Have you a man serving at your table who should be serving a gun?

      3. Have you a man digging your garden who should be digging trenches?

      4. Have you a man driving your car who should be driving a transport wagon?

      5. Have you a man preserving your game who should be helping to preserve your Country?

      As Pamela Horn points out in Life Below Stairs in the 20th Century, in all the great houses in Scotland and England, building projects and improvements stopped, freeing up the men to fight. Gardens once lovingly tended were given over to potato growing, and much of the work on the estates, both indoors and outdoors, was carried out by women – those who did not go into munitions factories – be they former housekeepers and maids, or members of the Women’s Land Army. In the various gentlemen’s clubs, such as the Athenaeum in London, waitresses replaced the all-male staff. Mrs Cornwallis-West, the former Lady Randolph Churchill, readily embraced the change, and one hostess replaced her footmen with a set of ‘foot girls’, handsome, strapping young women in blue livery jackets, stripped waistcoats, stiff shirts, short blue skirts, black silk stockings, and patent leather shoes with three-inch heels. Most employers were less brazen. In the big hotels in Edinburgh, such as the Caledonian, staff quickly became depleted. In January 1916, conscription was introduced and Papa had no choice. He joined the Scots Greys, was wounded in the battle of the Somme in 1916, and returned home immediately. From that day on, he refused to talk of his war experiences, so his family never really knew what had happened to him – only that he came back pensioned off.

      By the time Lily was born, Papa was working in the stables of the Swan Hotel in the town square, and the family was living in a cramped house in North Street, which stood directly opposite Sis’s parents’ house in South Street. The first few years of Lily’s life were spent in the shadow of a series of Colvin crises, which taxed Sis until she was red in the face with exhaustion and despair. Sis’s father was becoming increasingly demented (he would report Papa for abusing his horses but the inspectors always found them healthy and grazing happily, as round as barrels). Sis’s youngest brother, Arthur, her mother’s favourite, had not survived the war. (12 per cent of those who fought on the western front were killed, rising to 27 per cent of officers; Duns alone lost seventy-five men to the war.) Her mother, engulfed by grief, had taken to guzzling pitchers of whisky to numb the pain. She had also contracted dropsy and swollen to gargantuan proportions. She rarely rose from her bed. Those brothers still living at home, Jock and Jim, were indolent and disinclined to help. And then, in March 1918, Sis’s younger sister died in childbirth. Her daughter was also named Lily, but when it became apparent that nobody could or would care for her but Sis, the child was deposited at North Street and renamed Rose to avoid confusion.

      If these burdens took their toll on Sis, she took them out on her own family. As a result Papa spent more time at the bar of the Swan, which angered Sis further, and the children learned never to approach their mother when she was in a rage or to contradict her even when they knew her to be wrong. Later Lily would write in the patchy beginnings of her memoirs, which she called No Silver Spoon, ‘Mother had a strong character … life had been hard for her as a child. Her environment hadn’t broken her as it might have done but had given her determination and a strong will, so it was she who set the rules, we were taught the difference between right and wrong, and if we broke the rules we were punished.’

      The Miller girls, always impeccably dressed and groomed, with laundered smocks and over-combed hair, were as temperamentally different as their parents. In personality Lily was closer to Rose, a fiery, hot-headed girl quick to lose her temper. Rose would be the first to challenge Sis and the first to escape Duns, running off to Edinburgh at the age of sixteen. It was Rose with whom Lily clashed. Each night Etta would look on, dismayed, as her sisters tugged crossly at the oil lamp Sis had placed between them. Etta was far more bovine, round and plump and compliant, the prettiest of the three; a simple and uncomplicated child with no inclination to gaze to the horizon. Lily, with her odd, bony little face, bulging eyes, and pale knobbly legs protruding from her skirt like matchsticks, was the bridge between Rose and Etta. She possessed Etta’s gentleness and Rose’s bravado and courage. She was quixotic in attitude and agile in her movements – quite the opposite of the stolid Etta – and liked to dance and spin around, tossing her head so that her bunches twirled and bobbed about her ears. It was a show put on for anybody who would look, but the best audience was always Papa. Really, though, despite her love of dancing – ‘what rubbish,’ Sis would mutter – Lily learned early on that the most effective way of winning affection and love was by saying what people wanted to hear, and in this her acting skills came in useful.

      Just before Lily’s fifth birthday, Papa was offered a position on a private estate in Ayrshire looking after hunters and racehorses, accommodation included. If ever there was a chance for Sis to slip the Colvin leash, it was now. The family packed up their possessions, piled them onto Papa’s horse and cart and set off for a new, independent life. Lily was devastated. It meant leaving behind her best friend, a wiry haired old woman called Hannah who lived in the bottom half of their council house. Hannah was an Irish immigrant, an agricultural labourer of the sort known in the lowlands as a bondager, and every night she was to be found in her bonnet and flounce sleeves, drunk in the town square, lashing out with her wizened legs at the local constable. She was, Lily later recalled, ‘very special. I have never met