The Grampian Quartet. Nan Shepherd. Читать онлайн. Newlib. NEWLIB.NET

Автор: Nan Shepherd
Издательство: Ingram
Серия: Canongate Classics
Жанр произведения: Контркультура
Год издания: 0
isbn: 9781847675958
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little. For only thus could he endure

      Divinity upon him, and unfold

      Its thousand-fold intensity. The lure

      Of the worlds had called him and their tale untold.

      ‘So grew he, oft surrendering complete

      And rounded silences and brimmed desire,

      And chose bewildering war: but deemed it meet.

      For though he had learnt the All, and might not tire

      ‘Of knowing it, he knew not yet the whole

      Of those inconstancies and alterations

      That dwell resolved in God. God of his soul

      He knew the fulfilment, but-’

      ‘Luke dear, now listen,’ said Dussie firmly, climbing on his knee and covering his mouth with her hand. ‘Do you remember that we have a supper party tonight?’

      ‘Yes, of course,’ he answered, coming promptly out of his absorption. ‘Fraser and young Kennedy and the beautiful Mrs. K., mostly frocks and fal-la-la-la − what Marty’s mother would call with equal truth and eloquence a flee-up.’

      ‘Well. − Don’t be soulful in front of Mrs. Kennedy, Luke.’

      ‘I shall be myself, my love. If the self chances to be soulful, all the worse for the beautiful Mrs. K.’

      Soulful the self chanced to be, the beautiful Mrs. K. notwithstanding. He discussed at length the scheme and purpose of his narrative poem and declaimed the complete contents of the manuscript.

      ‘If you’d cut out two-thirds of it and sharpen the rest, Luke,’ said young Kennedy, ‘you could make something of that.’

      ‘Cut out two-thirds! My dear fellow, there’s two-thirds yet to write.’

      Kennedy grinned. With his Buchan accent he developed his criticism.

      ‘It’s like a half-hewn statue just now. Imperfectly disengaged from the block. You want to hew much deeper −’

      ‘My good youth, am I a hewer of wood and a drawer of water?’

      He wrote his poetry easily. Like going to heaven, it was fun; and without the travail of his soul he was satisfied.

      Martha spoke little during the supper party. She sat very quiet, smiling to herself with a still, shining smile. She was intensely happy. How Luke could take her secret thoughts and transfigure them! − as though she had not always known that when the angel visits the man the deeper spiritual experience is the angel’s. Since he had begun to write poetry (would he be as great as − oh, not Milton! one could not expect that − as Tennyson perhaps? or Mr. Yeats?) he had written nothing but had responded, like the vibration of a stringed instrument, to some tune within her own being. She did not look at him, but once or twice amid the nonsense he was talking he caught her eye. There passed between them a spark, swift, momentary, the flitting of a gleam, a recognition from their external and perfect selves.

      Fraser called across the quadrangle next morning, ‘Hello, Luke, how’s the Archangel Gabriel?’ It became a three-weeks’ fashion to greet him with, ‘Hello, Luke, what’s the Archangel doing?’

      The Archangel Gabriel remained in a parlous state between earth and heaven, and Luke was unable to extricate him from his plight.

      ‘After all,’ he explained, ‘light takes a few hundred years to make the passage. You can’t expect an Archangel to do it in a month.’

      Doubtless the Archangel accepted the situation with grace and humour, that paradisal attribute. The only person to suffer seriously from the delay was Martha, who was passionately exercised over the climax of Gabriel’s experience. What did he discover about God? She wished Luke would reveal it; and brooding, devised conclusions for herself, even setting one of them, impatiently, to rhyme; though to tell the truth her verses were by no means as beautiful as her eyes had been when she tramped the Quarry Wood beating out the metre. Preoccupied thus, less than ever did she yield her inclinations to Dussie’s Cupid-mongering.

       ELEVEN

       The Lustre Frock

      ‘She’s to hae a goon like the lave o’ them,’ said Geordie. ‘She’s nae to be an ootlin.’

      Emmeline fingered the stuff of Aunt Leebie’s lustre frock, holding it taut and running her thumb along its weave.

      ‘It’s richt gweed stuff,’ she said. ‘Yer Aunt Leebie’ll be terrible offended if ye dinna wear it.’

      Martha had said, when she brought the frock from Muckle Arlo:

      ‘I promised to wear it when I’m capped.’

      Graduation had looked immeasurably distant then, but how rapidly the years had sped! She had still her year of professional training to go through before she would be a ‘finished teacher’; but her University course was almost over. Another month, and she would be dismissed into the world with a little tap on the head to signify that there was learning there … Initium sapientiae. …

      Meanwhile there was the question of the frock. Martha considered it with a bad grace. The sacrificial mood was in abeyance. She had conceived a horror of the out-moded garment and would have repudiated her own hasty promise with great good-will. It was Dussie whose quick eye saw the possibilities of the lustre, her hands that transformed it. Martha was astonished by the result.

      The Graduation morning arrived.

      Geordie, Emmeline and Aunt Josephine came through the archway slowly. Of the three, Aunt Josephine was most at ease. She was superbly at her ease. She had travelled. She knew the ways of the world. She moved at her steady sober pace down the quadrangle, doubting nothing of the homeliness of those towers and pinnacles of granite towards which she floated with sails full-set. She would have made port as cheerfully in a barn.

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