The Sluts of Sutton Drive. Joshua Conkel

Developments and Musical Theatre Network UK | Craig Adams

      Literary Manager | Francis Grin

      Literary Associate Music Theatre | Max Pappenheim

      Senior Reader | Aoife Moylan

      Technical Manager | Miguel Figueiredo

      Assistant Technical Manager | Jude Malcomson

      Associate Designer | Philip Lindley

      Marketing | Gemma Bealing

      Resident Casting Directors | Lucy Casson, Hayley Kaimakliotis

      Resident Assistant Director | George Ransley

      Resident Assistant Producer | Luke Holbrook,India Pool (India Pool is on attachment from the MA in Creative Producing at Birkbeck, University of London).

      And our many interns and volunteers.

      The Associate Director position is supported by The National Theatre Studio’s Bursary for Emerging Directors, a partnership between the National Theatre Studio and the Finborough Theatre.

      The Finborough Theatre has the support of the Pearson Playwrights’ Scheme. Sponsored by Pearson PLC.

      The Cameron Mackintosh Resident Composer Scheme is facilitated by Mercury Musical Developments and Musical Theatre Matters

      STAGETEXT Captioned Performances Captioning converts the spoken word into text that provides people with hearing loss with access to live performance. www.stagetext.org

      The Finborough Theatre is a member of the Independent Theatre Council, Musical Theatre Network UK and The Earl’s Court Society www.earlscourtsociety.org.uk

      Ecovenue is a European Regional Development Fund backed three year initiative of The Theatres Trust, aiming to improve the environmental sustainability of 48 small to medium sized performing arts spaces across London. www.ecovenue.org.uk

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      Friends The Finborough Theatre is a registered charity. We receive no public funding, and rely solely on the support of our audiences. Please do consider supporting us by becoming a member of our Friends of the Finborough Theatre scheme. There are four categories of Friends, each offering a wide range of benefits.

      Brandon Thomas Friends – Bruce Cleave. Matthew Littleford. Sean W. Swalwell.

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      Smoking is not permitted in the auditorium and the use of cameras and recording equipment is strictly prohibited.

      In accordance with the requirements of the Royal Borough of Kensington and Chelsea:

      1. The public may leave at the end of the performance by all doors and such doors must at that time be kept open.

      2. All gangways, corridors, staircases and external passageways intended for exit shall be left entirely free from obstruction whether permanent or temporary.

      3. Persons shall not be permitted to stand or sit in any of the gangways intercepting the seating or to sit in any of the other gangways.

      The Finborough Theatre is licensed by the Royal Borough of Kensington and Chelsea to The Steam Industry, a registered charity and a company limited by guarantee. Registered in England no. 3448268. Registered Charity no. 1071304. Registered Office: 118 Finborough Road, London SW10 9ED. The Steam Industry is under the Artistic Direction of Phil Willmott. www.philwillmott.co.uk

THE SLUTS OF SUTTON DRIVE

      Joshua Conkel

       THE SLUTS OF SUTTON DRIVE

      OBERON BOOKS

      LONDON

      First published in 2012 by Oberon Books Ltd

      521 Caledonian Road, London N7 9RH

      Tel: [phone] / Fax: [phone]

      e-mail: [email protected] www.oberonbooks.com

      Copyright © Joshua Conkel 2012

      Joshua Conkel is hereby identified as author of this play in accordance with section 77 of the Copyright, Designs and Patents Act 1988. The author has asserted his moral rights.

      All rights whatsoever in this play are strictly reserved and application for performance etc. should be made before commencement of rehearsal to Di Glazer, ICM Talent, 730 Fifth Avenue, 3rd Floor, New York, NY 10019 (dglazer@icmpartners. com). No performance may be given unless a licence has been obtained, and no alterations may be made in the title or the text of the play without the author’s prior written consent.

      This book is sold subject to the condition that it shall not by way of trade or otherwise be circulated without the publisher’s consent in any form of binding or cover or circulated electronically other than that in which it is published and without a similar condition including this condition being imposed on any subsequent purchaser.

      A catalogue record for this book is available from the British

      Library.

      PB ISBN: 978-1-84943-498-0

      EPUB ISBN: 978-1-84943-539-0

      Printed, bound and converted

      by CPI Group (UK) Ltd, Croydon, CR0 4YY.

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