"Have you prepared Sofya Semyonovna?"
"No, I have not said a word to her and am not quite certain whether she is at home now. But most likely she is. She has buried her stepmother to-day: she is not likely to go visiting on such a day. For the time I don't want to speak to anyone about it and I half regret having spoken to you. The slightest indiscretion is as bad as betrayal in a thing like this. I live there in that house, we are coming to it. That's the porter of our house--he knows me very well; you see, he's bowing; he sees I'm coming with a lady and no doubt he has noticed your face already and you will be glad of that if you are afraid of me and suspicious. Excuse my putting things so coarsely. I haven't a flat to myself; Sofya Semyonovna's room is next to mine--she lodges in the next flat. The whole floor is let out in lodgings. Why are you frightened like a child? Am I really so terrible?"
Svidrigalov's lips were twisted in a condescending smile; but he was in no smiling mood. His heart was throbbing and he could scarcely breathe. He spoke rather loud to cover his growing excitement. But Dounia did not notice this peculiar excitement, she was so irritated by his remark that she was frightened of him like a child and that he was so terrible to her.
"Though I know that you are not a man... of honour, I am not in the least afraid of you. Lead the way," she said with apparent composure, but her face was very pale.
Svidrigalov stopped at Sonia's room.
"Allow me to inquire whether she is at home.... She is not. How unfortunate! But I know she may come quite soon. If she's gone out, it can only be to see a lady about the orphans. Their mother is dead.... I've been meddling and making arrangements for them. If Sofya Semyonovna does not come back in ten minutes, I will send her to you, to-day if you like. This is my flat. These are my two rooms. Madame Resslich, my landlady, has the next room. Now, look this way. I will show you my chief piece of evidence: this door from my bedroom leads into two perfectly empty rooms, which are to let. Here they are... You must look into them with some attention."
Svidrigalov occupied two fairly large furnished rooms. Dounia was looking about her mistrustfully, but saw nothing special in the furniture or position of the rooms. Yet there was something to observe, for instance, that Svidrigalov's flat was exactly between two sets of almost uninhabited apartments. His rooms were not entered directly from the passage, but through the landlady's two almost empty rooms. Unlocking a door leading out of his bedroom, Svidrigalov showed Dounia the two empty rooms that were to let. Dounia stopped in the doorway, not knowing what she was called to look upon, but Svidrigalov hastened to explain.
"Look here, at this second large room. Notice that door, it's locked. By the door stands a chair, the only one in the two rooms. I brought it from my rooms so as to listen more conveniently. Just the other side of the door is Sofya Semyonovna's table; she sat there talking to Rodion Romanovitch. And I sat here listening on two successive evenings, for two hours each time--and of course I was able to learn something, what do you think?"
"You listened?"
"Yes, I did. Now come back to my room; we can't sit down here."
He brought Avdotya Romanovna back into his sitting-room and offered her a chair. He sat down at the opposite side of the table, at least seven feet from her, but probably there was the same glow in his eyes which had once frightened Dounia so much. She shuddered and once more looked about her distrustfully. It was an involuntary gesture; she evidently did not wish to betray her uneasiness. But the secluded position of Svidrigalov's lodging had suddenly struck her. She wanted to ask whether his landlady at least were at home, but pride kept her from asking. Moreover, she had another trouble in her heart incomparably greater than fear for herself. She was in great distress.
"Here is your letter," she said, laying it on the table. "Can it be true what you write? You hint at a crime committed, you say, by my brother. You hint at it too clearly; you daren't deny it now. I must tell you that I'd heard of this stupid story before you wrote and don't believe a word of it. It's a disgusting and ridiculous suspicion. I know the story and why and how it was invented. You can have no proofs. You promised to prove it. Speak! But let me warn you that I don't believe you! I don't believe you!"
Dounia said this, speaking hurriedly, and for an instant the colour rushed to her face.
"If you didn't believe it, how could you risk coming alone to my rooms? Why have you come? Simply from curiosity?"
"Don't torment me. Speak, speak!"
"There's no denying that you are a brave girl. Upon my word, I thought you would have asked Mr. Razumihin to escort you here. But he was not with you nor anywhere near. I was on the look-out. It's spirited of you, it proves you wanted to spare Rodion Romanovitch. But everything is divine in you.... About your brother, what am I to say to you? You've just seen him yourself. What did you think of him?"
"Surely that's not the only thing you are building on?"
"No, not on that, but on his own words. He came here on two successive evenings to see Sofya Semyonovna. I've shown you where they sat. He made a full confession to her. He is a murderer. He killed an old woman, a pawnbroker, with whom he had pawned things himself. He killed her sister too, a pedlar woman called Lizaveta, who happened to come in while he was murdering her sister. He killed them with an axe he brought with him. He murdered them to rob them and he did rob them. He took money and various things.... He told all this, word for word, to Sofya Semyonovna, the only person who knows his secret. But she has had no share by word or deed in the murder; she was as horrified at it as you are now. Don't be anxious, she won't betray him."
"It cannot be," muttered Dounia, with white lips. She gasped for breath. "It cannot be. There was not the slightest cause, no sort of ground.... It's a lie, a lie!"
"He robbed her, that was the cause, he took money and things. It's true that by his own admission he made no use of the money or things, but hid them under a stone, where they are now. But that was because he dared not make use of them."
"But how could he steal, rob? How could he dream of it?" cried Dounia, and she jumped up from the chair. "Why, you know him, and you've seen him, can he be a thief?"
She seemed to be imploring Svidrigalov; she had entirely forgotten her fear.
"There are thousands and millions of combinations and possibilities, Avdotya Romanovna. A thief steals and knows he is a scoundrel, but I've heard of a gentleman who broke open the mail. Who knows, very likely he thought he was doing a gentlemanly thing! Of course I should not have believed it myself if I'd been told of it as you have, but I believe my own ears. He explained all the causes of it to Sofya Semyonovna too, but she did not believe her ears at first, yet she believed her own eyes at last."
"What... were the causes?"
"It's a long story, Avdotya Romanovna. Here's... how shall I tell you?--A theory of a sort, the same one by which I for instance consider that a single misdeed is permissible if the principal aim is right, a solitary wrongdoing and hundreds of good deeds! It's galling too, of course, for a young man of gifts and overweening pride to know that if he had, for instance, a paltry three thousand, his whole career, his whole future would be differently shaped and yet not to have that three thousand. Add to that, nervous irritability from hunger, from lodging in a hole, from rags, from a vivid sense of the charm of his social position and his sister's and mother's position too. Above all, vanity, pride and vanity, though goodness knows he may have good qualities too.... I am not blaming him, please don't think it; besides, it's not my business. A special little theory came in too--a theory of a sort--dividing mankind, you see, into material and superior persons, that is persons to whom the law does not apply owing to their superiority, who make laws for the rest of mankind, the material, that is. It's all right as a theory, _une thorie comme une autre_. Napoleon attracted him tremendously, that is, what affected him was that a great many men of genius have not hesitated at wrongdoing, but have overstepped the law without thinking about it. He seems to have fancied that he was a genius too--that is, he