Hester shook out another sock and went on.
"Nobody was ever hurt by goin' to a circus. Why, law me! I remember I went to one myself once, when I was little. I had most forgot about it. It was over at Pewtown, an' I remember how I had set my heart on going. I don't think I'd ever forgiven my father if he hadn't taken me, though that red clay road was in a frightful way after the rain. I mind they had an elephant and six poll parrots, an' a Rocky Mountain lion, an' a cage of monkeys, an' two camels. My! but they were a sight to me then!"
Hester dropped the black sock and shook her head and smiled at the recollection. She was not expecting anything from William yet, and she was fairly startled when he said gravely, in much the same tone in which he announced the hymns in prayer meeting:
"No, there was only one camel. The other was a dromedary."
She peered around the lamp and looked at him keenly.
"Why, William, how come you to know?"
William folded his paper and answered with some hesitation, "I was there, too."
Hester's interest flashed up.--"Well, I never, William! To think of my finding it out after all these years! Why, you couldn't have been much bigger'n our Billy then. It seems queer I never saw you when you was little, to remember about you. But then you Back Creek folks never have anything to do with us Gap people. But how come you to go? Your father was stricter with you than you are with your boys."
"I reckon I shouldn't 'a gone," he said slowly, "but boys will do foolish things. I had done a good deal of fox hunting the winter before, and father let me keep the bounty money. I hired Tom Smith's Tap to weed the corn for me, an' I slipped off unbeknownst to father an' went to the show."
Hester spoke up warmly: "Nonsense, William! It didn't do you no harm, I guess. You was always worked hard enough. It must have been a big sight for a little fellow. That clown must have just tickled you to death."
William crossed his knees and leaned back in his chair.
"I reckon I could tell all that fool's jokes now. Sometimes I can't help thinkin' about 'em in meetin' when the sermon's long. I mind I had on a pair of new boots that hurt me like the mischief, but I forgot all about 'em when that fellow rode the donkey. I recall I had to take them boots off as soon as I got out of sight o' town, and walked home in the mud barefoot."
"O poor little fellow!" Hester ejaculated, drawing her chair nearer and leaning her elbows on the table. "What cruel shoes they did use to make for children. I remember I went up to Back Creek to see the circus wagons go by. They came down from Romney, you know. The circus men stopped at the creek to water the animals, an' the elephant got stubborn an' broke a big limb off the yellow willow tree that grew there by the toll house porch, an' the Scribners were 'fraid as death he'd pull the house down. But this much I saw him do; he waded in the creek an' filled his trunk with water, and squirted it in at the window and nearly ruined Ellen Scribner's pink lawn dress that she had just ironed an' laid out on the bed ready to wear to the circus."
"I reckon that must have been a trial to Ellen," chuckled William, "for she was mighty prim in them days."
Hester drew her chair still nearer William's. Since the children had begun growing up, her conversation with her husband had been almost wholly confined to questions of economy and expense. Their relationship had become purely a business one, like that between landlord and tenant. In her desire to indulge her boys she had unconsciously assumed a defensive and almost hostile attitude towards her husband. No debtor ever haggled with his usurer more doggedly than did Hester with her husband in behalf of her sons. The strategic contest had gone on so long that it had almost crowded out the memory of a closer relationship. This exchange of confidences to-night, when common recollections took them unawares and opened their hearts, had all the miracle of romance. They talked on and on; of old neighbors, of old familiar faces in the valley where they had grown up, of long forgotten incidents of their youth--weddings, picnics, sleighing parties and baptizings. For years they had talked of nothing else but butter and eggs and the prices of things, and now they had as much to say to each other as people who meet after a long separation.
When the clock struck ten, William rose and went over to his walnut secretary and unlocked it. From his red leather wallet he took out a ten dollar bill and laid it on the table beside Hester.
"Tell the boys not to stay late, an' not to drive the horses hard," he said quietly, and went off to bed.
Hester blew out the lamp and sat still in the dark a long time. She left the bill lying on the table where William had placed it. She had a painful sense of having missed something, or lost something; she felt that somehow the years had cheated her.
The little locust trees that grew by the fence were white with blossoms. Their heavy odor floated in to her on the night wind and recalled a night long ago, when the first whip-poor-Will of the Spring was heard, and the rough, buxom girls of Hawkins Gap had held her laughing and struggling under the locust trees, and searched in her bosom for a lock of her sweetheart's hair, which is supposed to be on every girl's breast when the first whip-poor-Will sings. Two of those same girls had been her bridesmaids. Hester had been a very happy bride. She rose and went softly into the room where William lay. He was sleeping heavily, but occasionally moved his hand before his face to ward off the flies. Hester went into the parlor and took the piece of mosquito net from the basket of wax apples and pears that her sister had made before she died. One of the boys had brought it all the way from Virginia, packed in a tin pail, since Hester would not risk shipping so precious an ornament by freight. She went back to the bed room and spread the net over William's head.
Then she sat down by the bed and listened to his deep, regular breathing until she heard the boys returning. She went out to meet them and warn them not to waken their father.
"I'll be up early to get your breakfast, boys. Your father says you can go to the show." As she handed the money to the eldest, she felt a sudden throb of allegiance to her husband and said sharply, "And you be careful of that, an' don't waste it. Your father works hard for his money."
The boys looked at each other in astonishment and felt that they had lost a powerful ally.
_Library_, May 12, 1900
_The Namesake_
Seven of us, students, sat one evening in Hartwell's studio on the Boulevard St. Michel. We were all fellow-countrymen; one from New Hampshire, one from Colorado, another from Nevada, several from the farm lands of the Middle West, and I myself from California. Lyon Hartwell, though born abroad, was simply, as every one knew, "from America." He seemed, almost more than any other one living man, to mean all of it--from ocean to ocean. When he was in Paris, his studio was always open to the seven of us who were there that evening, and we intruded upon his leisure as often as we thought permissible.
Although we were within the terms of the easiest of all intimacies, and although the great sculptor, even when he was more than usually silent, was at all times the most gravely cordial of hosts, yet, on that long remembered evening, as the sunlight died on the burnished brown of the horse-chestnuts below the windows, a perceptible dullness yawned through our conversation.
We were, indeed, somewhat low in spirit, for one of our number, Charley Bentley, was leaving us indefinitely, in response to an imperative summons from home. To-morrow his studio, just across the hall from Hartwell's, was to pass into other hands, and Bentley's luggage was even now piled in discouraged resignation before his door. The various bales and boxes seemed literally to weigh upon us as we sat in his neighbor's hospitable rooms, drearily putting in the time until he should leave us to catch the ten o'clock express for Dieppe.
The day we had got through very comfortably, for Bentley made it the occasion of a somewhat