Inside the Beijing Olympics. Jeff PhD Ruffolo. Читать онлайн. Newlib. NEWLIB.NET

Автор: Jeff PhD Ruffolo
Издательство: Ingram
Серия:
Жанр произведения: Спорт, фитнес
Год издания: 0
isbn: 9781456609429
Скачать книгу
radio is to paint “word pictures” in the minds of all listeners, young or old, that will draw people to each broadcast. I always wanted to bring each Volleyball broadcast alive; to make it a linguistical event …from the colors of the uniforms the players wore to the sheer all out drive that each student athlete brings to their sport. Basically, I wanted to pull every listener through the radio speakers, have them sit down next to me, pop a cold soda and enjoy the event with me. Fortunately, that was what I was able to do. To create and bring to life a linguistic world that would make Volleyball as exciting to the listener as any NCAA football or basketball game.

      And I was “in the face” of the listener. You know that when you listened to me broadcast a sport event, I would give it my all. Total and complete focus on every facet of the match. If a player mishandled the ball, I would call it – sometimes so loudly that it many times would convince an umpire who, like anyone within the first three rows of an arena could hear my voice, to make the call. Many times, live on the air, I would challenge the umpire on his call and they would argue with me, many times to the consternation of both home and away coaching staffs. When that happened, I would grab a stick microphone and pointed it at the umpire and made him/her explain their rational for that particular ruling.

      ***

      When the fall semester of 1992 rolled around, I was doing the play-by-play of all of the BYU Women’s matches, both in Provo and when they travelled on the road; as well as all of the mainland competition for the University of Hawaii Wahine. The two radio programs combined had me on the run – one night at San Diego State, the next at UCLA and the immediately on an airplane the next morning to hustle over to the BYU Smith Fieldhouse for an evening broadcast. I loved every minute of it. I had found my life’s calling and I reveled in it. Combining both the men’s and women’s competition of BYU and mainland competition for Hawaii. The money wasn’t great but it paid some bills. The most important thing was that I constantly was honing my skills and getting better each time I put on the headsets.

      There was no way any of this would have happened without Bob McGregor’s patience with my frustrations and challenges. Volleyball is not the easiest sport to broadcast. Eventually, I invested several thousands of dollars of my own money in my own Sennheiser headphones, mixer board and other equipment. All of it fit nicely into a large Sideout Sport carrying bag that I took everywhere. Within about 10 minutes, I could be plugged in and ready to go. All I needed was a direct dial telephone and one power cord. Remember … its radio not TV. Radio is the most portable medium there is and I only carried what I needed, plus one backup cable.

      ***

      Just before the start of the 1992 NCAA Women’s Volleyball broadcast season began, probably around July of that year, I got something in my head. That is a dangerous thing to do because once it’s there, it generally never gets away. And this brilliant idea started with a lunch at a local UC Irvine hamburger joint with Bob Newcomb and ended two hours later with my selling corporate sponsorships for the WIVA. This was a big step for me as it meant that I would be stepping out of the “shadow” of Bob McGregor and the BYU broadcasts with an all-new NCAA Men’s Volleyball Radio “Game of the Week” package (more on that in a moment) and marketing of the WIVA league with on-going PR.

      Newcomb instantly said yes to my ideas and turned me loose. I quickly sold several solid sponsors. The first was a league title sponsorship to PowerBar, a Berkley, California based manufacturer of energy food bars. I sold them a one-year corporate sponsorship for $45,000 and they got their logo on all of the Volleyball nets that each team in the WIVA used, title sponsorship of the league tournament plus radio commercial time on the new league radio broadcasts I was setting up. The second WIVA Men’s Volleyball sponsor was Continental Airlines. The carrier gave more than 50, positive space airline tickets good to/from any US destination.

      Now that was worth something!

      So I took the tickets and sold them for cash to Bob Reese, the father of Carter Reese, who was playing for UC Santa Barbara at the time and then gave additional commercial time to his company, Motorvac, a manufacturer of automotive engine cleaning equipment. So now, I had more than $80,000 in cash from the sale of the airline tickets and three new league sponsors. All of this happened prior to the start of the 1992 Women’s season, so I really had my hands full getting all of the marketing elements ramped up to start for the men’s season that coming January.

      Now, let me explain how I created this league radio deal.

      1992-93 was a strategic year of growth for the Internet with introduction of Windows 2.1 starting to take off and 386-chip computers were popping up all over the place but it would still be years away before the consumer market would see Pentium processors from Intel. Also coming onto the scene was a new Internet audio company called AudioNet, based in Dallas, Texas that created a new service that is commonplace today; live streaming of music and sports through a home computer. Before AudioNet was dreamed of, sports fans who wanted to listen live to their favorite college sports team had to actually dial number, punch in their credit card and a live operator would then connect them to a radio feed of their specific sports team, generally football. Then you could turn on a speaker and listen to the game from the local radio broadcast.

      ***

      In Sunland, California, a suburb of Los Angeles tucked away alongside the Southern California hillsides, is a small, unimpressive strip mall located near the Interstate 210 Freeway. Nestled within these uninspiring shops and grocery stores is a doorway to a downstairs office and the “headquarters” for the Cable Radio Network. Mike Horn was, and still is as of this writing, the founder and president of CRN which provides an eclectic brand of “radio” programming that is available exclusively to Cable TV subscribers. It is relatively obscure to find CRN on any of the cable TV listings, but it is there, and Horn had signed-up a solid list of nationwide Cable TV systems that carry his audio programming. I took a morning off and drove over to Sunland and met Mike at his CRN offices and, with some of the sponsor money in hand, prepaid for an entire season of NCAA Men’s Volleyball programming for the next January. I would create the radio log of commercials that CRN would follow and the music outcues and return from commercial breaks. And since every sports broadcast needs a music “bed” to end each broadcast, I used, “I Love Your Smile” by ‘90’s pop star Shanice which came out in 1991 and had a great beat.

      Next was creating a three-step platform the for expansion of the sports broadcasts across America and around the world.

      Step One: Have CRN carry the NCAA Men’s Volleyball programming which would give the NCAA Men’s Volleyball sports broadcasts a national, satellite platform. With CRN available throughout most all of North America, via satellite, it offered sports fans a chance to listen from pretty much anywhere.

      Step Two: Link sports and news websites around the world to these new broadcasts. In 1992, this had never been done before and each of the more than 500 webmasters that I e-mailed jumped at this new opportunity and before you knew it, there were hundreds of web links found on websites across America and around the world that has the logo of CRN (and the embedded link to the station) and the schedule of the Volleyball broadcasts on their respective webpages.

      Step Three: Build a commercial network of sports radio stations that would also take the CRN feed in total. Thinking really “out of the box”, the first radio station I contracted with was 660 AM, KTNN, located on the Navajo Indian nation’s reservation at Window Rock, Arizona in far eastern Arizona. Basically in the middle of nowhere. Now, why would I buy time on a Native American radio station that was the “Voice of the Navajo Nation”? Well, Dear Reader, radio stations that are low on the AM dial generally will generally have a better reception and, more important, the Native Americans were the sole owners of a FCC “grandfathered” 50,000 watt radio powerhouse. This means that during evening hours, when all of the NCAA Men’s Volleyball broadcasts would be aired, 660 on the AM dial would provide a gigantic “footprint” that would “throw” the broadcasts into 11 Western US states and even to Central Canada to the north. That means commercial radio coverage to all of California, Utah, Nevada, Washington, Oregon and Idaho. This was huge. The station’s broadcast power was a “radio flamethrower” that would send the sports broadcasts to every major US