Death in Spring. Mercè Rodoreda. Читать онлайн. Newlib. NEWLIB.NET

Автор: Mercè Rodoreda
Издательство: Ingram
Серия:
Жанр произведения: Современная зарубежная литература
Год издания: 0
isbn: 9781934824450
Скачать книгу
not leave him there, that I should go back. I crossed the river again at the Pont de Fusta in the torrential rain. At the end of the slope, I took the path that led to the forest of the dead. As I approached the tree, the rain stopped, and I could hear it making its way to the other side of the forest. The cross on the tree was bubbling; the tree was digesting. I rubbed a finger over the resin and pictured the wall with the people passing by, heard the voice of the man with shiny eyes and the screams of the woman who had to be removed . . . and I had done nothing for my father. I gathered some resin and held it for a moment in my fingers. When it started to dry, I fashioned it into a ball and carried it for a long time in my pocket. My fingers were clasping the ball of resin the day the blacksmith told me things, and when I emerged from his house, I threw it away.

      I left the forest by the seedlings and walked back toward the bridge, the Pont de Fusta, bordering the trees. A dead bee was trapped in a spider web suspended between two tall bushes. I broke the web and shoved it into the ground with the tip of my foot, bee and all.

Part Two

      I

      The birds always came from the direction of the cleft mountain. The ones in mourning were the first to arrive. They headed straight to the pasture where the horses grazed, cawing raucously and circling the sky all day long. On the following day they would approach the houses, raising an enormous din, soaring and diving as they hunted. The birds were black-plumed and black-billed; a white selvage circled their even blacker eyes. When they took flight, their tail and wing feathers would spread apart: you could almost count them. They would slowly take to the air, then suddenly begin making furious loops, their feet embedded in their bellies, out of sight, as if they had been misplaced. Straight away, they would begin building their nests in the forks of wisteria vines, where the entwined branches were most tangled. They made them with old grass they had scavenged from beneath tender grass, weaving the blades together with sedge that grew in the river. Once the nests were finished, they would return to the pasture and perch on the horses’ haunches, running their beaks slowly through the dense horsehair. The horses were fond of the mourners and would stand very still, hardly breathing. They would live together for two full weeks. If anyone tried to approach the horses, the mourners attacked them with their beaks, and the horses would lower their heads and stomp the ground with their right front hooves. When the two weeks had passed, the birds would return to find their nests full of bees that had grown fat on wisteria juice, bees they quickly downed before laying three eggs. They would sit on the eggs a few days; then the white birds would arrive. These small, mateless birds had red eyes and short, wide tail feathers. As the white birds swooped down, the mourners would scrutinize them, then attack them furiously just before they reached the nests. But the mourners would soon tire, and the white birds would manage to lodge themselves beneath the mourners’ feet and bellies and take over the nests, sitting on the eggs until the chicks hatched. Many were blood-spattered by the time they finished nesting on the eggs. If the white birds did not take possession of the nests quickly, the mourners would crush the eggs; and if the chicks had already hatched, the mourners would peck the little ones to death. The third of the mourners’ three eggs held a white bird. No one knew its origin.

      When the mourners were ousted from their nests, they would drift aimlessly above the water, through the canes, until the fledglings could fly. Then they would return to the village and kill all the white birds. This would happen at night, and on that night we scarcely slept. When we got up the next morning, we collected the dead birds, nailed one to each door, and threw the rest into the river. The newly-hatched white chicks fled; no one ever heard them or saw them fly. It was as though they had been transformed into leaves, settling among the ivy. I found a white bird once and hid it in some shrubs. When I returned a few days later, it had become a swarm of maggots that stuck to your hand.

      The mourners remained in the village until the end of summer, and when everything had turned blonde they would fly down the river toward the marshes. For a while some would wander back, roosting for four or five days on the slaughterhouse tower at Pedres Baixes, coming and going. When none was left, the elderly allowed us to take the nests apart. We examined how they were built and gathered the feathers that were caught in the nests.

      My stepmother had a little box full of white feathers, another of black feathers. Sometimes, when we were tired of making soap bubbles in the courtyard, she would climb onto the table and take down the box of black feathers with the hand on her tiny arm. With the hand on her other arm—the one that was like most people’s—she would take out the feathers one by one, letting them drop from as high as she could. They were the mourners coming. I would collect them and pile them up on the table. Then she would take the other box and cry, here come the white birds, and the white feathers would flutter down, twisting round and round, a little slower than the black ones. The villagers used to say my stepmother was a bit retarded, but I didn’t think she was. We played with the feathers in the early autumn when no birds remained. In the courtyard beneath the bloom-less wisteria, a few odd flowers would still be blossoming, those that had not known how to bloom in time. Hidden among the leaves, they didn’t have much color. At times a weary wind would expose them for a moment, as if ashamed of displaying them.

      II

      My stepmother was shorter than me; she came to just above my shoulder. Her hair was straight and black, her eyes vaguely green. The corner of her eyes fanned out into thin lines, the same lines she had on both sides of her forehead and round her mouth. Like a little old woman. She fretted on the days she had to put the flowerpot at the window, in front of the curtain, and the lines would grow deeper, slightly dark.

      I liked looking at her toenails while we sat on the step in front of the house: they were well placed on her toes and looked like glass. Sometimes they were sun-dappled with all the colors that arch in the sky from mountain to mountain after the rain. Her hair was mottled too, though more subdued, not as many colors. And her small teeth. She would settle in a corner on the days she was happy, from time to time laughing a howl-like laughter that gave a glimpse of the roof of her open mouth and her lizard-thin tongue. Little lizard arm, little lizard tongue. Her dresses fell straight from the shoulder, trailing the ground. In winter her feet and hands turned purple. She said they hurt. She was always cold. It took her a long time to reach the window and leave the flowerpot on the sill because she could hardly walk.

      She had a sweet tooth: she would rub her hands with sweet-smelling herbs before cupping them to drink from the fountain. I tried it, but the water always tasted the same. I caught her one day eating a bee. When she realized I was watching, she spit it out, saying the bee had flown into her mouth. But I knew she ate bees. She would choose the ones that had drunk the most wisteria juice and keep them alive in her mouth for a moment, let them play a little before swallowing. One day when we were walking along the stone path, I cut off a lizard’s tail, and she threw a rock at me. The lizard was stunned. She picked it up and tried to reattach the tail. Then she stared at me and put it down without uttering a word, giving it a shove so it would scurry away while the tail finished dying.

      Not much was known about her father. Her mother hanged herself. The old men at the slaughterhouse took her in, but when she had grown up a bit, she began following my father like a shadow. Father finally brought her home with him. She would fall asleep on top of the table, and father would pick her up in his arms and carry her to bed. Some nights I would reflect on things and sneak down to listen to them sleeping. I would steal down the stairs, keeping close to the wall because one of the steps creaked. Standing in front of their room, I would imagine she wasn’t sleeping with father. I would imagine she was sleeping alone, and I was afraid she was choking, choking on a bee inside her mouth, between her cheek and gum. Maybe it was flying round inside, waiting for her to fall asleep so it could escape to the courtyard with its last remaining breath. She was wild about horse fat. She would climb up on the table to take down the balls of fat she had been given. She would scoop the center out, little by little, and when father wanted to eat one, he almost always found it half-empty. If he scolded her, she went off to her corner and laughed that strange laugh of hers. But the two of them walked together and I stood apart.

      She didn’t know how to swim. All the boys and girls in the village swam. But not her, because of her arm. She would sit on the riverbank and gaze at the water, sometimes plunging her feet in it, kicking and splashing water on her face and dress. When she