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forms part of the limbic system and is primarily associated with memory and spatial navigation. It is the hippocampus’s job to create meaning out of memory. At three years old it is at its peak point of creating your narrative sense of self; giving you an identity and determining how you fit into the story.

      The things that happen when we are very young inform how we perceive reality, how we understand love, and what levels of physical touch and intimacy feel good and come naturally. Whether we were smacked, how often we were held, the level of conflict or love demonstrated in our home environment at that age, all of this impacts us hugely.

      I was two and a half when my brother was born. By then we had lived in Ireland on a vegan commune where I had a goose called Lucy. We had been to Italy, and lived in Scotland in a tiny house up a very big hill. In 1983 we lived in Thame, near Oxford, where my brother was born at home on a Sunday morning after brunch. My dad’s mum came over to look after me and I remember being excited.

      I loved my brother immediately.

      In fact my first real techni-colour and ever-so-happy memory is pushing him in a toy pram across a field of grass and flowers, under the biggest, bluest sky, in New Zealand. The sun made everything sparkle and refract tiny little rainbows, the world was huge, expansive and I was wild and free. In that memory I must have been three and he about six or seven months. My belief about life then was that it was truly magical.

      In 1984 we moved back to London. We moved into my grandma’s house in Hackney, where I had a makeshift bed of wooden boxes on wheels on the landing at the top of the stairs. It was all mine, and I loved it. I loved that I could hear everything that was going on downstairs. I loved staying awake and listening to the adults talking and I loved that the night I had my first nightmare (about a red dinosaur trying to eat me) my dad came and tucked me in so tightly that nothing in any dream could get me.

      Shortly after that we moved into our own house. It was just around the corner from my grandma’s and it was a real grown-up house. I was four when we moved in and we stayed there until I was seven. It was the longest we’d ever lived anywhere. I remember people commenting on it. I remember helping my dad lift the paving stones and lay turf in the garden. I remember the day we got a climbing frame, with a trapeze that hung down in the middle. I remember the green gym mats that lined the floor underneath and smelled of rubber. I remember swinging and making up songs, singing as I swung. I remember having a playroom and I remember having Victorian telephones rigged up between our playroom and our bedroom. We were happy. Life was good.

      From four to six I felt pretty normal, I’m not sure that I knew what normal was, but I knew when I stopped feeling it.

      NOT NORMAL AND THE QUEST FOR NORMALITY

      ‘NOW I AM SIX I AM CLEVER AS CLEVER, I THINK I’LL STAY SIX FOR EVER AND EVER.’

      – AA MILNE

      The year I turned seven things changed for me.

      One day, while I was still six, we were driving to a place we’d not been before. We were going to visit an old friend of my mum’s. I was super excited because she had told me that he had fairies at the bottom of his garden, that she’d seen them and maybe I would see them too. On the way there in the car my parents fought; she was a fucking-awful-map-reading-passenger, he was a shouty-aggressive-impatient-driver, and I was an annoying are-we-nearly-there-yet child, who got shouted at by them in unison for trying to make them stop. My grandma and my brother were also in the car. At one point I remember my dad saying, ‘Well if you don’t fucking know, let’s just follow that car, he seems to know where he’s going.’

      Pretty normal family car journey, right?

      When we finally arrived I snuck off to the end of the garden and sure enough, right down at the bottom, past the lawn, in the long grass, hanging out by an overgrown Christmas tree, there were fairies. They were awesome.

      No one else could see them, but I didn’t mind – the adults believed I could and so that made it OK. I was special, I could see fairies and it was magical. That was when I was still six.

      When I was seven it was no longer OK to be psychic or intuitive or magical. Up until then I thought it was, because people believed me, but then one day no one believed me anymore.

      Not long after my seventh birthday I was walking home with my mum, excited because my grandma was making me a skirt. She’d not told me anything about it, just that it was almost done. We didn’t get new things all that often and I could not wait. My grandma’s house was about a ten-minute walk from ours. I asked if we could go via her house and get it. I was told no.

      ‘She might not be in.’ My mum tried to hurry me along and get us home.

      All I could think about was the skirt. I’d imagined it in my head over and over. And then I saw it lying on the street.

      ‘That’s my skirt!’ I trilled, skipping over and picking it up.

      ‘No it’s not. Leave it alone. Put it back.’

      ‘But I KNOW it’s my skirt. I promise it’s my skirt. It must have fallen out of Granny’s handbag. Please can we take it home!’

      How did I know it was my skirt? I just knew. I love how the French have two words for ‘knowing’: savoir and connaître. There are proper definitions of when to use which, but in my mind one is for the stuff you just know, and the other is for the things you learn to know. I just knew all sorts of things as a child. Before I was seven I think I was 100% in tune with who I was; my wild uninhibited intuitive nature was as yet untarnished and in that moment, standing on the street with my mother, it changed. I could no longer trust what I knew because my mum, who knew everything as far as I was concerned, was MORE sure than I was that this was not my skirt.

      When we got to our house Grandma was there, having a cup of tea with my dad and brother.

      ‘Hello darling,’ she said, ‘go and fetch me my handbag, I’ve got your skirt for you.’

      I felt like saying ‘No you don’t it’s down