How much for your punch?
Twenty five, patroncito.
Getting sly on me?
Fifteen and fresh from the fruit, patroncito.
Say again?
Ten and to the brim, patroncito.
Facundo pulls a photocopy of an official looking letter with the municipal seal, waving it like an eviction notice in front of the lanky juice man, whose roasted body reeks of shrimp, and whose veiny arms are overtensed by the buckets’ weight.
I’m with the municipality. This juice’s probably a health hazard. Let me see your permit.
The defeated look of the juice man seems like an obvious exaggeration, no? As if he’s not used to it? Right. What an actor. The juice man squats to set the buckets down but right before they touch the cement he changes his mind and lets them drop. Flatly they land on the step. The skinned bean jars clink against each other. Splashes of red juice land on his rubber sandals. He submerges his hand into the water bucket, the one where he rinses the jars, retrieves one, and then inserts it inside the other bucket, the one with the juice and the ice.
Free for you, patron.
Ah. Much better. Nice and cold.
A limerick about gluttony is a passing thought as he swills the juice. The juice man is eyeing the smoke clouds nearby. Hoping for what? The smog of retribution? The avenging thunderbolt? Facundo tries to appease the juice man, sticking his teeth out, bunnylike, diligently wiping his curd from the rim of the jar. Nothing. No funnybone on this one. Facundo hands him back the empty jar. At a miraculous speed the juice man vanishes inside the crowd.
More arrivals stream to the front, by the stairs, mostly because there’s no line but eventually there’ll be a line and then they’ll be first, not knowing there’s probably a long wait ahead, not caring about crowding the courtyard further, hey, stop pushing, quit shoving. A green balloon escapes from someone’s grip but doesn’t drift up. Facundo swats the limp balloon, which tries to float, like an eyeball above them, toward a magician who’s selling lottery tickets and stuffed pets. The magician releases the balloon as if it were a dove on a mission, find the fig little one, fly. The balloon lollops by the magician’s feet, landing by three businessmen in blue suits. One of them scoops the balloon from the floor, careful not to scratch his cufflinks, holding it from its knot and fretting it against his fist. The other two businessmen are comparing his municipal letter with theirs. The businessmen inspect their surroundings, confirming their suspicions that everyone but the street vendors, those cholos and lowlifes, are also carrying a municipal letter, some of them carrying the original document, others probably carrying a counterfeit of the original document, which states that all municipal employees hired by El Loco will be reinstated to the payroll, your one time appearance is required at the municipal palace. Something’s fishy, one of the businessmen says. I don’t think El Loco loaded this many riffraffs into payroll. I couldn’t get ahold of El Loco today either. The other two businessmen agree. Something is fishy. Shield your wallets, gentlemen, and let’s get the hell out of here. The magician tells someone who tells someone who tells someone what they overheard those businesspeople say, and as the something’s fishy rumor spreads some are saying I don’t care if El Loco’s Loco or Sapo, at least he cared enough to write us a check, which I desperately need to buy textbooks, someone says, to buy powdered milk, someone else says, to pay the water truck, someone else says, to rent a washing machine, someone else says, and I’ve traveled far, someone says, I’ve traveled far. No one flees. Everyone remains in place. The oyster man turns the dial of his portable radio, skipping from song snippet to static to the interim president has just announced a new package of tightening measures, to Wilfrido Vargas and his papi no seas así / no te pongas guapo / ese baile les gusta a todos los muchachos. The balloon wanders back to Facundo. This time he picks it up. As he reaches the oyster stand, he digs his nails on the balloon and . . .
An explosion. A shot? A gunshot? No one’s down. Everyone hunts for the origin of the explosion. Where? Where?
Now folks please direct your attention over here, Facundo says, displaying his balloon shreds like a flight attendant. Just the balloon popping here, folks. Nothing to worry about. No one laughs. Everyone’s so frazzled here, Facundo thinks. Well. He’ll find a way to make them laugh. He towels his hands with his tee shirt, as if purging himself of his streak of lame jokes, and then he says to the oyster man oiga ñañón, turn that tune up. The oyster man shrugs and turns up the dial. Wilfrido Vargas is singing El Baile del Perrito. Everybody knows this merengue. Ladies and, okay, gentlemen too, my impression of our current mayor, our lion and grand patriarch, the one and only León, Martín, Corrrrrrdero. The doors to the palace are still shut so the crowd’s free to gather around the fat man, who’s dropping on all fours and is imitating the fast barks of the merengue, shaking his rear as if he’s the mayor eagerly wagging his tail for El Loco, who must have ordered León to reinstate all of them to the payroll, someone says, and although León has never been known for following anyone’s orders, especially those of El Loco, the crowd claps and hoots and sings if something I owe you / with this I repay you / if something I owe you / with this I repay you. Hey fatty, someone says, do you think El Loco ordered León to throw us a party? Hey SPAM man, someone else says, do you think he hired Los Iracundos to sing for us? Do you think El Loco ordered that oligarch to raise our salaries? Do you think?
The doors to the municipal palace finally open. About time, someone says. León, trailed by a film crew, dashes out. The television cameras are aiming at the courtyard, scanning them from side to side like security cameras. The reporters are mouthing into their microphones as if chronicling a flood or a raffle. Someone at the bottom of the stairs waves his arms at the cameras. Someone by the oyster stand waves her letter. Others next to her wave theirs, too. Hundreds wave their letters like handkerchiefs at a ship. But what’s wrong with León? He’s just standing there. Covering his mouth with his fist as if about to inflate himself? To knock someone out? He looks pissed. Hey fatty, someone says, why don’t you go talk to León and see what’s going on? Yeah fatty, someone else says, go. What? Me? Ha ha. But apparently they’re not kidding. The crowd parts for him, forming a passageway through the courtyard, up the stairs, to León Martín Cordero. An old woman who’s pressing a rag to her nose reminds Facundo of the smell of burnt tires. Someone pushes him forward. Okay, fine, I’m going. Facundo tries to underplay his assignment by highfiving the crowd. Not everyone plays along. The ones that do smile at him too effusively, like parents congratulating their son for coming in eleventh place. On the stairs the party’s over. Behind him the crowd goes silent. Facundo extends his hand to León but León refuses it. Hey there’s Leopoldo! Leopoldo’s approaching him but he’s shaking his head discreetly at Facundo as if saying no, Facundo, you can’t know me here.
How many of you are there?