"Now then, go on, go on!" incited the officer, bending forward and trying not to lose a word of the speech which was incomprehensible to him. "More, please: more! What's he saying?"
Dolokhov did not answer the captain; he had been drawn into a hot dispute with the French grenadier. They were naturally talking about the campaign. The Frenchman, confusing the Austrians with the Russians, was trying to prove that the Russians had surrendered and had fled all the way from Ulm, while Dolokhov maintained that the Russians had not surrendered but had beaten the French.
"We have orders to drive you off here, and we shall drive you off," said Dolokhov. "Only take care you and your Cossacks are not all captured!" said the French grenadier. The French onlookers and listeners laughed.
"We'll make you dance as we did under Suvorov...," * said Dolokhov.
* "On vous fera danser."
"Qu' est-ce qu'il chante?" * asked a Frenchman.
* "What's he singing about?"
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"It's ancient history," said another, guessing that it referred to a former war. "The Emperor will teach your Suvara as he has taught the others..."
"Bonaparte..." began Dolokhov, but the Frenchman interrupted him. "Not Bonaparte. He is the Emperor! Sacre nom...!" cried he angrily. "The devil skin your Emperor."
And Dolokhov swore at him in coarse soldier's Russian and shouldering his musket walked away. "Let us go, Ivan Lukich," he said to the captain.
"Ah, that's the way to talk French," said the picket soldiers. "Now, Sidorov, you have a try!"
Sidorov, turning to the French, winked, and began to jabber meaningless sounds very fast: "Kari, mala, tafa, safi, muter, Kaska," he
said, trying to give an expressive intonation to his voice.
"Ho! ho! ho! Ha! ha! ha! ha! Ouh! ouh!" came peals of such healthy and good-humored laughter from the soldiers that it infected the French involuntarily, so much so that the only thing left to do seemed to be to unload the muskets, explode the ammunition, and all return home as quickly as possible.
But the guns remained loaded, the loopholes in blockhouses and entrenchments looked out just as menacingly, and the unlimbered cannon confronted one another as before.
CHAPTER XVI
Having ridden round the whole line from right flank to left, Prince Andrew made his way up to the battery from which the staff officer had told him the whole field could be seen. Here he dismounted, and stopped beside the farthest of the four unlimbered cannon. Before the guns an artillery sentry was pacing up and down; he stood at attention when the officer arrived, but at a sign resumed his measured, monotonous pacing. Behind the guns were their limbers and still farther back picket ropes and artillerymen's bonfires. To the left, not far from the farthest cannon, was a small, newly constructed wattle shed from which came the sound of officers' voices in eager conversation.
It was true that a view over nearly the whole Russian position and the greater part of the enemy's opened out from this battery. Just facing it, on the crest of the opposite hill, the village of Schon Grabern could be seen, and in three places to left and right the French troops amid the smoke of their campfires, the greater part of whom were evidently in the village itself and behind the hill. To the left from that village, amid the smoke, was something resembling a battery, but it was impossible to see it clearly with the naked eye. Our right flank was posted on a rather steep incline which dominated the French position. Our infantry were stationed
there, and at the farthest point the dragoons. In the center, where Tushin's battery stood and from which Prince Andrew was surveying the position, was the easiest and most direct descent and ascent to the brook separating us from Schon Grabern. On the left our troops were close to a copse, in which smoked the bonfires of our infantry who were felling wood. The French line was wider than ours, and it was plain that they could easily outflank us on both sides. Behind our position was a steep and deep dip, making it difficult for artillery and cavalry to retire. Prince Andrew took out his notebook and, leaning on the cannon, sketched a plan of the position. He made some notes on two points, intending to mention them to Bagration. His idea was, first, to concentrate all the artillery in the center, and secondly, to withdraw the cavalry to the other side of the dip. Prince Andrew, being always near the commander in chief, closely following the mass movements and general orders, and constantly studying historical accounts of battles, involuntarily pictured to himself the course of events in the forthcoming action in broad outline. He imagined only important possibilities: "If
the enemy attacks the right flank," he said to himself, "the Kiev grenadiers and the Podolsk chasseurs must hold their position till reserves from the center come up. In that case the dragoons could successfully make a flank counterattack. If they attack our center we, having the center battery on this high ground, shall withdraw the left flank under its cover, and retreat to the dip by echelons." So he reasoned.... All the time he had been beside the gun, he had heard the voices of the officers distinctly, but as often happens had not understood a word of what they were saying. Suddenly, however, he was struck by a voice coming from the shed, and its tone
was so sincere that he could not but listen.
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"No, friend," said a pleasant and, as it seemed to Prince Andrew, a familiar voice, "what I say is that if it were possible to know what is beyond death, none of us would be afraid of it. That's so, friend."
Another, a younger voice, interrupted him: "Afraid or not, you can't escape it anyhow."
"All the same, one is afraid! Oh, you clever people," said a third manly voice interrupting them both. "Of course you artillery men are very wise, because you can take everything along with you--vodka and snacks."
And the owner of the manly voice, evidently an infantry officer, laughed.
"Yes, one is afraid," continued the first speaker, he of the familiar voice. "One is afraid of the unknown, that's what it is. Whatever
we may say about the soul going to the sky... we know there is no sky but only an atmosphere."
The manly voice again interrupted the artillery officer.
"Well, stand us some of your herb vodka, Tushin," it said.
"Why," thought Prince Andrew, "that's the captain who stood up in the sutler's hut without his boots." He recognized the agreeable, philosophizing voice with pleasure.
"Some herb vodka? Certainly!" said Tushin. "But still, to conceive a future life..."
He did not finish. Just then there was a whistle in the air; nearer and nearer, faster and louder, louder and faster, a cannon ball, as if it had not finished saying what was necessary, thudded into the ground near the shed with super human force, throwing up a mass of earth. The ground seemed to groan at the terrible impact.
And immediately Tushin, with a short pipe in the corner of his mouth and his kind, intelligent face rather pale, rushed out of the shed followed by the owner of the manly voice, a dashing infantry officer who hurried off to his company, buttoning up his coat as he ran.
CHAPTER XVII
Mounting his horse again Prince Andrew lingered with the battery, looking at the puff from the gun that had sent the ball. His eyes ran rapidly over the wide space, but he only saw that the hitherto motionless masses of the French now swayed and that there really was a battery to their left. The smoke above it had not yet dispersed. Two mounted Frenchmen, probably adjutants, were galloping up the hill. A small but distinctly visible enemy column was moving down the hill, probably to strengthen the front line. The smoke of the first shot had not yet dispersed before another puff appeared, followed by a report. The battle had begun! Prince Andrew turned his horse and galloped back to Grunth to find Prince Bagration. He heard the cannonade behind him growing louder and more frequent. Evidently our guns had begun to reply. From the bottom of the slope, where the parleys had taken place, came the report of musketry.
Lemarrois had just arrived at a gallop with Bonaparte's stern letter, and Murat, humiliated and anxious to expiate his fault, had at once