Style over Substance, by Design
Top Down, Popularity Up
Appearance Was Paramount
But Performance Still Mattered
The “Shelby Cobra” Lives On (sort of)
Change of Venue
A Perfect Storm
A. O. Smith
The Vision Becomes Reality
Production Begins . . . Slowly
“Ding In Roof”
It’s the Economy, Stupid
Keeping It Simple(r)
Cookie-Cutter Consistency
Roger Miller, the Cobra Jet and the King of the Road
The Snake is Quicker than the Bowtie
Gold (non) Standard
More Color Curiosities
A Reduced Rent-a-Racer Revival
More Appropriate for the Masses
Camaro, Firebird and Javelin Made it Happen
CS (but not for Carroll Shelby)
Built for California, in California
Explaining (or trying to) the Unexplainable
Affordability Begets Unaffordability
The Price Pyramid
Extraordinary within the Mundane
The Numbers Game
Trust . . . But Verify
Shelby’s Mustang, Redefined
Whether you are a supporter or detractor of Carroll Shelby, you have to concede that his management philosophy of surrounding himself with the best, brightest, and most talented people to accomplish an objective, worked. That’s the approach I followed in creating this book. Although the appropriateness of using Shelby’s technique to write a book about his cars is certainly apparent, the real reason I followed that model was because it works. There is some degree of lunacy to penning any work on Shelby’s Mustangs without tapping into the vast resources of the Shelby American Automobile Club (SAAC) and its registrars and concours judges, so I took full advantage of their willingness to share their collective expertise. Rodney Harrold, Dave Mathews, Howard Pardee, Pete Disher, Jeff Speegle, and SAAC founder and National Director, Rick Kopec (who also shares more than a little of the blame for launching my literary career, if I dare call it that) took it as their personal challenge to make me sound as if I know what I am talking about; I am thankful for their success.
While I can claim responsibility for some for the photos of the Shelbys, Mustangs, and other Fords that appear between these covers, others are the work of the car owners, some of whom went far above and beyond to provide superb images of the wonderful machines (many of them driven regularly) of which they are caretakers. Sincere thanks to
Dennis Blocker (CSX 3311), Tim Brillhart (8T02R206064-02591), Dominic Ciliberto and Diana Duffee (8T03S115994-00136, 8T02J188441-02993, and S.F.M. 6S2050), Tom Clark (1968 Mustang GT California Special), Colin Comer (8T02J205264-03218), Tony Conover (8T02R205374-03447), Rich DiMarino (1968 Mustang GT California Special), Pete Disher (8T02R204798-03206), Lee Dixon (8T02S129547-00555), Scott Fuller (8T03S185133-02837, 8T02R205375-03447, and 8T03R216160-04391), Bev Harrold (1968 Mustang GT California Special), Rodney Harrold (8T02R201713-02267), Bill Hartmann (1964-1/2 Mustang Hardtop), Dan Hayenhjelm (1961 Ford Falcon), Mike Hudock (8T02R210376-03760), Martin Jackler (67200F3-0069), Peter Larkin (S.F.M. 6S327), Charlie McHose (8T03S134540-00987), David and Kellie Meador (8T02S143434-01561), Gary and Deb Miller (8T02J126809-00397), Gary and Jason Miller (1967 Shelby “Little Red” replica), Paul M. Newitt (1968 Mustang GT California Special), Scott Nickett (1962 Ford Thunderbird 09KR0166), Carol Padden (S.F.M. 6S1012), Howard Pardee (S.F.M. 5R095), Linda and Len Perham (S.F.M. 6S2377), Robert Perruso (8T02J193184-02085), Richard Pozarycki (8T02J192467-02184), Bill and Cyndi Prohidney (07H0318), David Russell (67400F8U00723), Simeone Foundation Automotive Museum (CSX 2287 and XGT-1) Scott Smith (8T02J134489-00930), Jan Sochurek (S.F.M. 5S392), Mike Tillery (8T02R205338-03382), Lance Tarnutzer (8T03R2210094-03473), Samuel Vassallo (8T03S149444-01445 and 8T02R216177-04408), Brian Walshe (’66 Mustang GT “K” fastback), Fred Warf (8T02J204810-03271), and Jim Wojcik (8T02R210136-03515).
Kevin Marti of Marti Autoworks (martiauto.com) provided valuable assistance in decoding VIN and ID tags and determining various cars’ build dates; Marty Jackler willingly shared his vast knowledge of Ford parts and their applications (past and present); and Scott Fuller of Scott Fuller Reproductions (sfreproductions.com) supplied more information than I ever