“I will tell you frankly,” said Prince Vasili in the tone of a crafty man convinced of the futility of being cunning with so keen-sighted a companion. “You know, you see right through people. Anatole is no genius, but he is an honest, goodhearted lad; an excellent son or kinsman.”
“All right, all right, we’ll see!”
As always happens when women lead lonely lives for any length of time without male society, on Anatole’s appearance all the three women of Prince Bolkonski’s household felt that their life had not been real till then. Their powers of reasoning, feeling, and observing immediately increased tenfold, and their life, which seemed to have been passed in darkness, was suddenly lit up by a new brightness, full of significance.
Princess Mary grew quite unconscious of her face and coiffure. The handsome open face of the man who might perhaps be her husband absorbed all her attention. He seemed to her kind, brave, determined, manly, and magnanimous. She felt convinced of that. Thousands of dreams of a future family life continually rose in her imagination. She drove them away and tried to conceal them.
“But am I not too cold with him?” thought the princess. “I try to be reserved because in the depth of my soul I feel too near to him already, but then he cannot know what I think of him and may imagine that I do not like him.”
And Princess Mary tried, but could not manage, to be cordial to her new guest. “Poor girl, she’s devilish ugly!” thought Anatole.
Mademoiselle Bourienne, also roused to great excitement by Anatole’s arrival, thought in another way. Of course, she, a handsome young woman without any definite position, without relations or even a country, did not intend to devote her life to serving Prince Bolkonski, to reading aloud to him and being friends with Princess Mary. Mademoiselle Bourienne had long been waiting for a Russian prince who, able to appreciate at a glance her superiority to the plain, badly dressed, ungainly Russian princesses, would fall in love with her and carry her off; and here at last was a Russian prince. Mademoiselle Bourienne knew a story, heard from her aunt but finished in her own way, which she liked to repeat to herself. It was the story of a girl who had been seduced, and to whom her poor mother (sa pauvre mere) appeared, and reproached her for yielding to a man without being married. Mademoiselle Bourienne was often touched to tears as in imagination she told this story to him, her seducer. And now he, a real Russian prince, had appeared. He would carry her away and then sa pauvre mere would appear and he would marry her. So her future shaped itself in Mademoiselle Bourienne’s head at the very time she was talking to Anatole about Paris. It was not calculation that guided her (she did not even for a moment consider what she should do), but all this had long been familiar to her, and now that Anatole had appeared it just grouped itself around him and she wished and tried to please him as much as possible.
The little princess, like an old war horse that hears the trumpet, unconsciously and quite forgetting her condition, prepared for the familiar gallop of coquetry, without any ulterior motive or any struggle, but with naive and lighthearted gaiety.
Although in female society Anatole usually assumed the role of a man tired of being run after by women, his vanity was flattered by the spectacle of his power over these three women. Besides that, he was beginning to feel for the pretty and provocative Mademoiselle Bourienne that passionate animal feeling which was apt to master him with great suddenness and prompt him to the coarsest and most reckless actions.
After tea, the company went into the sitting room and Princess Mary was asked to play on the clavichord. Anatole, laughing and in high spirits, came and leaned on his elbows, facing her and beside Mademoiselle Bourienne. Princess Mary felt his look with a painfully joyous emotion. Her favorite sonata bore her into a most intimately poetic world and the look she felt upon her made that world still more poetic. But Anatole’s expression, though his eyes were fixed on her, referred not to her but to the movements of Mademoiselle Bourienne’s little foot, which he was then touching with his own under the clavichord. Mademoiselle Bourienne was also looking at Princess Mary, and in her lovely eyes there was a look of fearful joy and hope that was also new to the princess.
“How she loves me!” thought Princess Mary. “How happy I am now, and how happy I may be with such a friend and such a husband! Husband? Can it be possible?” she thought, not daring to look at his face, but still feeling his eyes gazing at her.
In the evening, after supper, when all were about to retire, Anatole kissed Princess Mary’s hand. She did not know how she found the courage, but she looked straight into his handsome face as it came near to her shortsighted eyes. Turning from Princess Mary he went up and kissed Mademoiselle Bourienne’s hand. (This was not etiquette, but then he did everything so simply and with such assurance!) Mademoiselle Bourienne flushed, and gave the princess a frightened look.
“What delicacy!” thought the princess. “Is it possible that Amelie” (Mademoiselle Bourienne) “thinks I could be jealous of her, and not value her pure affection and devotion to me?” She went up to her and kissed her warmly. Anatole went up to kiss the little princess’ hand.
“No! No! No! When your father writes to tell me that you are behaving well I will give you my hand to kiss. Not till then!” she said. And smilingly raising a finger at him, she left the room.
Chapter 5
They all separated, but, except Anatole who fell asleep as soon as he got into bed, all kept awake a long time that night.
“Is he really to be my husband, this stranger who is so kind—yes, kind, that is the chief thing,” thought Princess Mary; and fear, which she had seldom experienced, came upon her. She feared to look round, it seemed to her that someone was there standing behind the screen in the dark corner. And this someone was he—the devil—and he was also this man with the white forehead, black eyebrows, and red lips.
She rang for her maid and asked her to sleep in her room.
Mademoiselle Bourienne walked up and down the conservatory for a long time that evening, vainly expecting someone, now smiling at someone, now working herself up to tears with the imaginary words of her pauvre mere rebuking her for her fall.
The little princess grumbled to her maid that her bed was badly made. She could not lie either on her face or on her side. Every position was awkward and uncomfortable, and her burden oppressed her now more than ever because Anatole’s presence had vividly recalled to her the time when she was not like that and when everything was light and gay. She sat in an armchair in her dressing jacket and nightcap and Katie, sleepy and disheveled, beat and turned the heavy feather bed for the third time, muttering to herself.
“I told you it was all lumps and holes!” the little princess repeated. “I should be glad enough to fall asleep, so it’s not my fault!” and her voice quivered like that of a child about to cry.
The old prince did not sleep either. Tikhon, half asleep, heard him pacing angrily about and snorting. The old prince felt as though he had been insulted through his daughter. The insult was the more pointed because it concerned not himself but another, his daughter, whom he loved more than himself. He kept telling himself that he would consider the whole matter and decide what was right and how he should act, but instead of that he only excited himself more and more.
“The first man that turns up—she forgets her father and everything else, runs upstairs and does up her hair and wags her tail and is unlike herself! Glad to throw her father over! And she knew I should notice it. Fr... fr... fr! And don’t I see that that idiot had eyes only for Bourienne—I shall have to get rid of her. And how is it she has not pride enough to see it? If she has no pride for herself she might at least have some for my sake! She must be shown that the blockhead thinks nothing of her and looks