"Well, my dear fellow, tomorrow we are off at last," said Prince Vasili one day, closing his eyes and fingering Pierre's elbow, speaking as if he were saying something which had long since been agreed upon and could not now be altered. "We start tomorrow and I'm giving you a place in my carriage. I am very glad. All our important business here is now settled, and I ought to have been off long ago. Here is something I have received from the chancellor. I asked him for you, and you have been entered in the diplomatic corps and made a Gentleman of the Bedchamber. The diplomatic career now lies open before you."
Notwithstanding the tone of wearied assurance with which these words were pronounced, Pierre, who had so long been considering his career, wished to make some suggestion. But Prince Vasili interrupted him in the special deep cooing tone, precluding the possibility of interrupting his speech, which he used in extreme cases when special persuasion was needed.
"Mais, mon cher, I did this for my own sake, to satisfy my conscience, and there is nothing to thank me for. No one has ever complained yet of being too much loved; and besides, you are free, you could throw it up tomorrow. But you will see everything for yourself when you get to Petersburg. It is high time for you to get away from these terrible recollections." Prince Vasili sighed. "Yes, yes, my boy. And my valet can go in your carriage. Ah! I was nearly forgetting," he added. "You know, mon cher, your father and I had some accounts to settle, so I have received what was due from the Ryazan estate and will keep it; you won't require it. We'll go into the accounts later."
By "what was due from the Ryazan estate" Prince Vasili meant several thousand rubles quitrent received from Pierre's peasants, which the prince had retained for himself.
In Petersburg, as in Moscow, Pierre found the same atmosphere of gentleness and affection. He could not refuse the post, or rather the rank (for he did nothing), that Prince Vasili had procured for him, and acquaintances, invitations, and social occupations were so numerous that, even more than in Moscow, he felt a sense of bewilderment, bustle, and continual expectation of some good, always in front of him but never attained.
Of his former bachelor acquaintances many were no longer in Petersburg. The Guards had gone to the front; Dolokhov had been reduced to the ranks; Anatole was in the army somewhere in the provinces; Prince Andrew was abroad; so Pierre had not the opportunity to spend his nights as he used to like to spend them, or to open his mind by intimate talks with a friend older than himself and whom he respected. His whole time was taken up with dinners and balls and was spent chiefly at Prince Vasili's house in the company of the stout princess, his wife, and his beautiful daughter Helene.
Like the others, Anna Pavlovna Scherer showed Pierre the change of attitude toward him that had taken place in society.
Formerly in Anna Pavlovna's presence, Pierre had always felt that what he was saying was out of place, tactless and unsuitable, that remarks which seemed to him clever while they formed in his mind became foolish as soon as he uttered them, while on the contrary Hippolyte's stupidest remarks came out clever and apt. Now everything Pierre said was charmant. Even if Anna Pavlovna did not say so, he could see that she wished to and only refrained out of regard for his modesty.
In the beginning of the winter of 1805-6 Pierre received one of Anna Pavlovna's usual pink notes with an invitation to which was added: "You will find the beautiful Helene here, whom it is always delightful to see."
When he read that sentence, Pierre felt for the first time that some link which other people recognized had grown up between himself and Helene, and that thought both alarmed him, as if some obligation were being imposed on him which he could not fulfill, and pleased him as an entertaining supposition.
Anna Pavlovna's "At Home" was like the former one, only the novelty she offered her guests this time was not Mortemart, but a diplomatist fresh from Berlin with the very latest details of the Emperor Alexander's visit to Potsdam, and of how the two august friends had pledged themselves in an indissoluble alliance to uphold the cause of justice against the enemy of the human race. Anna Pavlovna received Pierre with a shade of melancholy, evidently relating to the young man's recent loss by the death of Count Bezukhov (everyone constantly considered it a duty to assure Pierre that he was greatly afflicted by the death of the father he had hardly known), and her melancholy was just like the august melancholy she showed at the mention of her most august Majesty the Empress Marya Fedorovna. Pierre felt flattered by this. Anna Pavlovna arranged the different groups in her drawing room with her habitual skill. The large group, in which were Prince Vasili and the generals, had the benefit of the diplomat. Another group was at the tea table. Pierre wished to join the former, but Anna Pavlovna—who was in the excited condition of a commander on a battlefield to whom thousands of new and brilliant ideas occur which there is hardly time to put in action—seeing Pierre, touched his sleeve with her finger, saying:
"Wait a bit, I have something in view for you this evening." (She glanced at Helene and smiled at her.) "My dear Helene, be charitable to my poor aunt who adores you. Go and keep her company for ten minutes. And that it will not be too dull, here is the dear count who will not refuse to accompany you."
The beauty went to the aunt, but Anna Pavlovna detained Pierre, looking as if she had to give some final necessary instructions.
"Isn't she exquisite?" she said to Pierre, pointing to the stately beauty as she glided away. "And how she carries herself! For so young a girl, such tact, such masterly perfection of manner! It comes from her heart. Happy the man who wins her! With her the least worldly of men would occupy a most brilliant position in society. Don't you think so? I only wanted to know your opinion," and Anna Pavlovna let Pierre go.
Pierre, in reply, sincerely agreed with her as to Helene's perfection of manner. If he ever thought of Helene, it was just of her beauty and her remarkable skill in appearing silently dignified in society.
The old aunt received the two young people in her corner, but seemed desirous of hiding her adoration for Helene and inclined rather to show her fear of Anna Pavlovna. She looked at her niece, as if inquiring what she was to do with these people. On leaving them, Anna Pavlovna again touched Pierre's sleeve, saying: "I hope you won't say that it is dull in my house again," and she glanced at Helene.
Helene smiled, with a look implying that she did not admit the possibility of anyone seeing her without being enchanted. The aunt coughed, swallowed, and said in French that she was very pleased to see Helene, then she turned to Pierre with the same words of welcome and the same look. In the middle of a dull and halting conversation, Helene turned to Pierre with the beautiful bright smile that she gave to everyone. Pierre was so used to that smile, and it had so little meaning for him, that he paid no attention to it. The aunt was just speaking of a collection of snuffboxes that had belonged to Pierre's father, Count Bezukhov, and showed them her own box. Princess Helene asked to see the portrait of the aunt's husband on the box lid.
"That is probably the work of Vinesse," said Pierre, mentioning a celebrated miniaturist, and he leaned over the table to take the snuffbox while trying to hear what was being said at the other table.
He half rose, meaning to go round, but the aunt handed him the snuffbox, passing it across Helene's back. Helene stooped forward to make room, and looked round with a smile. She was, as always at evening parties, wearing a dress such as was then fashionable, cut very low at front and back. Her bust, which had always seemed like marble to Pierre, was so close to him that his shortsighted eyes could not but perceive the living charm of her neck and shoulders, so near to his lips that he need only have bent his head a little to have touched them. He was conscious of the warmth of her body, the scent of perfume, and the creaking of her corset as she moved. He did not see her marble beauty forming a complete whole with her dress, but all the charm of her body only covered by her garments. And having once seen this he could not help being aware it, just as we cannot renew an illusion we have once seen through.
"So