THEODORE ROOSEVELT Premium Collection. Henry Cabot Lodge

it is extremely irritating to know that at any moment they may interrupt it to mew and squeal. The bold, cheery music of the robins always seems typical of the bold, cheery birds themselves. The Baltimore orioles nest in the young elms around the house, and the orchard orioles in the apple trees near the garden and outbuildings. Among the earliest sounds of spring is the cheerful, simple, homely song of the song-sparrow; and in March we also hear the piercing cadence of the meadow-lark—to us one of the most attractive of all bird calls. Of late years now and then we hear the rollicking, bubbling melody of the bobolink in the pastures back of the barn; and when the full chorus of these and of many other of the singers of spring is dying down, there are some true hot-weather songsters, such as the brightly hued indigo buntings and thistlefinches. Among the finches one of the most musical and plaintive songs is that of the bush-sparrow—I do not know why the books call it field-sparrow, for it does not dwell in the open fields like the vesperfinch, the savannah-sparrow, and grasshopper-sparrow, but among the cedars and bayberry bushes and young locusts in the same places where the prairie warbler is found. Nor is it only the true songs that delight us. We love to hear the flickers call, and we readily pardon any one of their number which, as occasionally happens, is bold enough to wake us in the early morning by drumming on the shingles of the roof. In our ears the red-winged blackbirds have a very attractive note. We love the screaming of the red-tailed hawks as they soar high overhead, and even the calls of the night heron that nest in the tall water maples by one of the wood ponds on our place, and the little green herons that nest beside the salt marsh. It is hard to tell just how much of the attraction in any bird-note lies in the music itself and how much in the associations. This is what makes it so useless to try to compare the bird songs of one country with those of another. A man who is worth anything can no more be entirely impartial in speaking of the bird songs with which from his earliest childhood he has been familiar than he can be entirely impartial in speaking of his own family.

      At Sagamore Hill we love a great many things—birds and trees and books, and all things beautiful, and horses and rifles and children and hard work and the joy of life. We have great fireplaces, and in them the logs roar and crackle during the long winter evenings. The big piazza is for the hot, still afternoons of summer. As in every house, there are things that appeal to the householder because of their associations, but which would not mean much to others. Naturally, any man who has been President, and filled other positions, accumulates such things, with scant regard to his own personal merits. Perhaps our most cherished possessions are a Remington bronze, "The Bronco Buster," given me by my men when the regiment was mustered out, and a big Tiffany silver vase given to Mrs. Roosevelt by the enlisted men of the battleship Louisiana after we returned from a cruise on her to Panama. It was a real surprise gift, presented to her in the White House, on behalf of the whole crew, by four as strapping man-of-war's-men as ever swung a turret or pointed a twelve-inch gun. The enlisted men of the army I already knew well—of course I knew well the officers of both army and navy. But the enlisted men of the navy I only grew to know well when I was President. On the Louisiana Mrs. Roosevelt and I once dined at the chief petty officers' mess, and on another battleship, the Missouri (when I was in company with Admiral Evans and Captain Cowles), and again on the Sylph and on the Mayflower, we also dined as guests of the crew. When we finished our trip on the Louisiana I made a short speech to the assembled crew, and at its close one of the petty officers, the very picture of what a man-of-war's-man should look like, proposed three cheers for me in terms that struck me as curiously illustrative of America at her best; he said, "Now then, men, three cheers for Theodore Roosevelt, the typical American citizen!" That was the way in which they thought of the American President—and a very good way, too. It was an expression that would have come naturally only to men in whom the American principles of government and life were ingrained, just as they were ingrained in the men of my regiment. I need scarcely add, but I will add for the benefit of those who do not know, that this attitude of self-respecting identification of interest and purpose is not only compatible with but can only exist when there is fine and real discipline, as thorough and genuine as the discipline that has always obtained in the most formidable fighting fleets and armies. The discipline and the mutual respect are complementary, not antagonistic. During the Presidency all of us, but especially the children, became close friends with many of the sailor men. The four bearers of the vase to Mrs. Roosevelt were promptly hailed as delightful big brothers by our two smallest boys, who at once took them to see the sights of Washington in the landau—"the President's land-ho!" as, with seafaring humor, our guests immediately styled it. Once, after we were in private life again, Mrs. Roosevelt was in a railway station and had some difficulty with her ticket. A fine-looking, quiet man stepped up and asked if he could be of help; he remarked that he had been one of the Mayflower's crew, and knew us well; and in answer to a question explained that he had left the navy in order to study dentistry, and added—a delicious touch—that while thus preparing himself to be a dentist he was earning the necessary money to go on with his studies by practicing the profession of a prize-fighter, being a good man in the ring.

      There are various bronzes in the house: Saint-Gaudens's "Puritan," a token from my staff officers when I was Governor; Proctor's cougar, the gift of the Tennis Cabinet—who also gave us a beautiful silver bowl, which is always lovingly pronounced to rhyme with "owl" because that was the pronunciation used at the time of the giving by the valued friend who acted as spokesman for his fellow-members, and who was himself the only non-American member of the said Cabinet. There is a horseman by Macmonnies, and a big bronze vase by Kemys, an adaptation or development of the pottery vases of the Southwestern Indians. Mixed with all of these are gifts from varied sources, ranging from a brazen Buddha sent me by the Dalai Lama and a wonderful psalter from the Emperor Menelik to a priceless ancient Samurai sword, coming from Japan in remembrance of the peace of Portsmouth, and a beautifully inlaid miniature suit of Japanese armor, given me by a favorite hero of mine, Admiral Togo, when he visited Sagamore Hill. There are things from European friends; a mosaic picture of Pope Leo XIII in his garden; a huge, very handsome edition of the Nibelungenlied; a striking miniature of John Hampden from Windsor Castle; editions of Dante, and the campaigns of "Eugenio von Savoy" (another of my heroes, a dead hero this time); a Viking cup; the state sword of a Uganda king; the gold box in which the "freedom of the city of London" was given me; a beautiful head of Abraham Lincoln given me by the French authorities after my speech at the Sorbonne; and many other things from sources as diverse as the Sultan of Turkey and the Dowager Empress of China. Then there are things from home friends: a Polar bear skin from Peary; a Sioux buffalo robe with, on it, painted by some long-dead Sioux artist, the picture story of Custer's fight; a bronze portrait plaque of Joel Chandler Harris; the candlestick used in sealing the Treaty of Portsmouth, sent me by Captain Cameron Winslow; a shoe worn by Dan Patch when he paced a mile in 1:59, sent me by his owner. There is a picture of a bull moose by Carl Rungius, which seems to me as spirited an animal painting as I have ever seen. In the north room, with its tables and mantelpiece and desks and chests made of woods sent from the Philippines by army friends, or by other friends for other reasons; with its bison and wapiti heads; there are three paintings by Marcus Symonds—"Where Light and Shadow Meet," "The Porcelain Towers," and "The Seats of the Mighty"; he is dead now, and he had scant recognition while he lived, yet surely he was a great imaginative artist, a wonderful colorist, and a man with a vision more wonderful still. There is one of Lungren's pictures of the Western plains; and a picture of the Grand Canyon; and one by a Scandinavian artist who could see the fierce picturesqueness of workaday Pittsburgh; and sketches of the White House by Sargent and by Hopkinson Smith.

      The books are everywhere. There are as many in the north room and in the parlor—is drawing-room a more appropriate name than parlor?—as in the library; the gun-room at the top of the house, which incidentally has the loveliest view of all, contains more books than any of the other rooms; and they are particularly delightful books to browse among, just because they have not much relevance to one another, this being one of the reasons why they are relegated to their present abode. But the books have overflowed into all the other rooms too.

      I could not name any principle upon which the books have been gathered. Books are almost as individual as friends. There is no earthly use in laying down general laws about them. Some meet the needs of one person, and some of another; and each person should beware of the booklover's besetting sin, of what Mr. Edgar Allan Poe calls "the mad pride of intellectuality," taking the shape of arrogant pity for the man who does not like the