The Elegance of the Hedgehog. Muriel Barbery. Читать онлайн. Newlib. NEWLIB.NET

Автор: Muriel Barbery
Издательство: Ingram
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Жанр произведения: Контркультура
Год издания: 0
isbn: 9781908313584
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focused within himself. Most people, when they move, well, they just move depending on whatever’s around them. At this very moment, as I am writing, Constitution the cat is going by with her tummy dragging close to the floor. This cat has absolutely nothing constructive to do in life and still she is heading towards something, probably an armchair. And you can tell from the way she’s moving: she is heading towards. Maman just went by in the direction of the front door, she’s going out shopping and in fact she already is outside, her movement anticipating itself. I don’t really know how to explain it, but when we move, we are in a way destructured by our movement towards something: we are both here and at the same time not here because we’re already in the process of going elsewhere, if you see what I mean. To stop destructuring yourself, you have to stop moving altogether. Either you move and you’re no longer whole, or you’re whole and you can’t move. But that player, when I saw him go out onto the field, I could tell there was something different about him. The impression that he was moving, yes, but by staying in one place. It’s crazy, isn’t it? When the haka began, I concentrated on him. It was obvious he wasn’t like the others. Moreover, Cassoulet Number 1 said, ‘And Somu, the formidable New Zealand fullback – what an impressive player, with a colossal build: six foot eight and eighteen stone, runs a hundred metres in eleven seconds, a fine specimen indeed, ladies!’ Everyone was enthralled by him but no one seemed to know why. Yet it became obvious in the haka: he was moving and making the same gestures as the other players (slapping the palms of his hands on his thighs, rhythmically drumming his feet on the ground, touching his elbows, and all the while looking the adversary in the eye like a mad warrior), but while the others’ gestures went towards their adversaries and the entire watching stadium, this player’s gestures stayed inside him, stayed focused upon him, and that gave him an unbelievable presence and intensity. And so the haka, which is a warrior chant, gained all its strength from him. What makes the strength of a soldier isn’t the energy he uses trying to intimidate his opponent by sending him a load of signals, it’s the strength he’s able to concentrate within himself, by staying centred. That Maori player was like a tree, a great indestructible oak with deep roots and a powerful radiance – everyone could feel it. And yet you also got the impression that the great oak could fly, that it would be as quick as the wind, despite, or perhaps because of, its deep roots.

      So I watched the game attentively, constantly on the lookout for the same thing: compact moments where a player became his own movement without having to fragment himself by heading towards. And I saw them! I saw them in every phase of the game: in the scrums, with one clear point of equilibrium, a player who found his roots, who became a solid little anchor giving his strength to the group; then in the phases of deployment, with a player who would find the right speed without thinking any more about the goal, by concentrating on his own movement and running as if in a state of grace, with the ball stuck firmly to his body; and in the trance of the kicker, cut off from the rest of the world in order to find the perfect foot movement. But none of them came near the perfection of the great Maori player. When he scored the first try for New Zealand, Papa sat there dumbfounded, his mouth wide open, his beer quite forgotten. He should have been completely pissed off because he was rooting for the French team but instead, wiping his hand across his brow, he said, ‘What a player!’ The commentators were sort of hung over but they couldn’t hide the fact that they’d seen something really beautiful: a player who was running without moving, leaving everyone else behind him. And the others, who seemed by comparison to move with frenzied and awkward gestures, were incapable of catching up with him.

      So I said to myself: There, I have managed to witness motionless movement in the world: is that something worth carrying on for? And at that very moment a French player lost his shorts in a maul and suddenly I felt totally depressed because it made everyone else laugh so hard they cried, including Papa who had himself another beer to celebrate, despite two centuries of Protestantism in the family. I felt as if something had been profaned.

      No, then, that won’t be enough. Further movements will be necessary to convince me. But at least this one has given me an idea.

       2. On Wars and Colonies

      I have had no formal education, as I said in the preamble to these musings. Well, that is not exactly true. But my studious youth came to a halt at the certificate of studies, and before that time I was careful not to draw attention to myself – I was terribly frightened by the suspicions aroused in Monsieur Servant, my teacher, when he discovered that I had been avidly devouring his newspaper, which was filled with nothing but wars and colonies – and I was not yet ten years old.

      Why? I do not know. Do you suppose I might really have continued? That’s a question for the soothsayers of old. Let us just say that the idea of struggling to make my way in a world of privileged, affluent people exhausted me before I even tried: I was the child of nothing, I had neither beauty nor charm, neither past nor ambition; I had not the slightest savoir-faire or sparkle. There was only one thing I wanted: to be left alone, without too many demands upon my person, so that for a few moments each day I might be allowed to assuage my hunger.

      For those who have no appetite, the first pangs of hunger are a source of both suffering and illumination. As a child I was apathetic, a virtual invalid, my posture so poor you would have taken me for a hunchback, and I only managed to get through my everyday life thanks to my ignorance of any alternatives. My lack of interest verged on the void: nothing spoke to me, nothing aroused me and, like a helpless wisp borne this way and that upon some mysterious wind, I was not even aware of any desire to put an end to my existence.

      There was very little conversation in my family. The children shrieked and the adults went about their business just as they would have had they been alone. We ate our fill, somewhat frugally, we were not mistreated and our paupers’ rags were clean and sturdily mended so that even if we were ashamed, at least we did not suffer from the cold. But we did not speak.

      The revelation occurred when, at the age of five, going to school for the first time, I was both astonished and frightened to hear a voice speaking to me and saying my name.

      ‘Renée?’ asked the voice, and I felt a friendly hand on mine.

      This happened in the corridor where, for the first day of school, they had gathered the children, as it was raining outside.

      ‘Renée?’ I heard again the inflections of the voice above me, and felt the touch of the friendly hand – an incomprehensible language – still pressing lightly and tenderly on my arm.

      I raised my head, an unusual, almost dizzying movement, and met a pair of eyes.

      Renée. That meant me. For the first time, someone was talking to me, saying my name. Where my parents habitually merely gestured or grunted, here was a woman with clear eyes and a smiling mouth standing before me, and she was finding her way to my heart, saying my name, entering with me into a closeness I had not previously known existed. I looked around me and saw a world that was suddenly filled with colours. In one painful flash I became aware of the rain falling outside, the windows streaked with water, the smell of damp clothing, the confinement of the corridor, the narrow passageway vibrating with the press of pupils, the shine of the coat racks with their copper hooks where capes made of cheap cloth were hung close together, and the height of the ceiling which, to the eyes of a small child, was like that of the sky.

      So, with my doleful eyes glued to hers, I clung to the woman who had just brought me into the world.

      ‘Renée,’ said the voice again, ‘don’t you want to take off your raincoat?’

      And, holding me firmly so I would not fall, she removed my clothes with the agility of long experience.

      We are mistaken to believe that our consciousness is awakened at the moment of our first birth – perhaps because we do not know how to imagine any other living state. It may seem to us that we have always seen and felt and, armed with this belief, we identify our entry into the world as the decisive instant where consciousness is born. The fact that for five years a little girl called Renée, a perfectly operational machine of perception blessed with sight, hearing, smell, taste and touch, could