Of course matters could not go on so. Both the contestants for the Master of the Ceremonies retired and a third was chosen. The office though poorly paid, and wholly unremunerative except in hands so skilled as those of Nash (who died poor by his own fault, but who lived rich), was honored in him by a statue in the Pump Room, and a monument in the Abbey. This to be sure was after his death, but the place was always of such dignity that in 1785 Mr. J. King, "who had highly distinguished himself in the British army during the American war," by no means disdained to take it. His distinction does not form any ornament of our annals as I recall them, but that is perhaps because it was achieved to our disadvantage. He had indeed the rare honor of introducing Jane Austen's most charming hero to her sweetest and simplest heroine; but though he could fearlessly present Henry Tilney to Catherine Morland, his courage was apparently not equal to upholding his general authority with the satirical arrogance of Nash. Where Nash would have laid down the law and enforced it if need be with his own hands. King "humbly requested," though in the matter of wearing hats "at the cotillions or concerts or dress balls," our distinguished enemy plucked up the spirit to warn any lady who should "through inattention or any other motive infringe this regulation, that she must not take it amiss if she should be obliged to take off her hat or quit the assembly."
From Nash's time onward several Masters of Ceremonies were scandalized by people's giving tickets for the entertainments to their domestics, and one of them took public notice of the evil. " Servants, hair-dressers, and the improper persons who every night occupy some of the best seats, and even presume to mix with the company, are warned to keep away, and to spare themselves the mortification of being desired to withdraw, a circumstance which will inevitably happen if they continue to intrude themselves where decency, propriety and decorum forbid their entrance."
Apparently in spite of all the efforts of all the Masters of Ceremonies, society in Bath was not only very fast, which society never minds being, but a good deal mixed, which it professes not to like, though it was at the same time always very gay. When at last the respective nights of the New Assembly Rooms and the Old Assembly Rooms were ascertained, the fashionable week began on Monday with a Dress Ball at the New Rooms; it continued on Tuesday with Public Tea and Cards at the New Rooms; on Wednesday with a Cotillion Ball at the Old Rooms; on Thursday with a Cotillion Ball at the New Rooms, and Tea and Cards at the Old Rooms; on Friday with a Dress Ball at the Old Rooms; on Saturday with Public Tea and Cards at the Old Rooms; and it ended on Sunday with Tea and Walking, alternately at the New Rooms and the Old Rooms. The cost of all these pleasures either to the person or the pocket, was not so great as might be imagined from their abundance. The hours were early, and except for the gaming, and the drinking that slaked the dry passion of chance, the fun was over by eleven o'clock. Then the last note was sounded, the last step taken, the last sigh or the last look exchanged, so that those who loved balls might not only tread the stately measures of that time with far less fatigue than the more athletic figures of our period cost, but might be at home and in bed at the hour when the modern party is beginning. For their pleasure they paid in the proportion of a guinea for twenty-six dress balls, and half a guinea for thirty fancy balls. Two guineas supplied two tickets for twelve concerts, and sixpence admitted one to the Rooms for a promenade and a cup of tea.
It will be seen that with that "large acquaintance" which Mrs. Allen so handsomely but hopelessly desired for Catherine Morland at her first ball, where they had no acquaintance at all, one could have a very good time at Bath for a very little money, and every one apparently who had the money could have the good time. There were many public gardens, where all sorts of people went for concert-breakfasts, and for tea and for supper, at a charge of a shilling, or the classic one-and-six. Jane Austen writes in one of her charming letters that she liked going to the concerts of Sydney Gardens because, having no ear for music, she could best get away from it there; but there were besides the Villa Gardens, the Bagatelle, and the Grosvenor Gardens, which were most resorted to because they were so convenient to the Pump Rooms. Some of the lawns, if not the groves of these gardens still remains, and hard by the Avon babbles still, rushing under the walls and bridges of the town, with a busy air of knowing more than it has time to tell of the old-time picnics on its grassy shores, and the water-parties on its tumultuous bosom, as well as the fireworks and illuminations in its bowers. The river indeed is one of the chief beauties of Bath, winding into it through a valley of the downs, and curving through it with a careless grace which leaves nothing to be asked.
The highest moment of fashion in Bath seems to have been when the Princess Amelia, daughter of George II., came to drink its waters and partake its pleasures in 1728. She was rather a plain body, no longer young, very stout, and with a simple taste for gambling, fishing, riding, and beer. "Her favorite haunt,'' says Mr. Tyte, "was a summer-house by the riverside in Harrison's Walk, where she often was seen attired in a riding-habit and a black velvet postilion-cap tied under her chin." But she also liked to wear when on horseback "a hunting-cap and a laced scarlet coat," which must have set off her red face and portly bulk to peculiar advantage. Her particular friend was a milliner in the abbey church-yard who wrote verses in praise of the princess and of Bath, but she seems to have been friendly enough with people of every kind and she went freely to the dress balls, the fancy balls, the teas, the walks, the breakfast-concerts, the gardens, and whatever else there was of elegant or amusing in the place. One of the customs of Bath was the ringing of the abbey bells to welcome visitors of distinction, who were expected to pay the vergers in proportion to the noise made for them. This custom was afterwards abused to include any comer from whom money could reasonably or unreasonably be hoped for, as the supposed writer in the New Bath Guide records. But the custom has long been obsolete, and no American invader arriving by train need fear being honored and plundered through it.
It would be idle to catalogue the princes and princesses, dukes and duchesses, lords and ladies, and titles of all degrees who resorted to Bath both before and after the good Amelia, and if one began with the other and real celebrities, the adventurers, and authors, and artists, and players, there would be no end, and so I will not at least begin yet. We were first of all concerned in looking up the places which the divine Jane Austen had made memorable by attributing some scene or character of hers to them, or more importantly yet by having dwelt in them herself. I really suppose that it was less with the hope of being helped with the waters that I went regularly to the Pump Room and sipped my glass of lukewarm insipidity, than with the insensate expectation of encountering some of her people, or perhaps herself, a delicate elusive phantom of ironical observance, in a place they and she so much frequented, I cannot say that I ever did meet them, either the characters or the author, though it was here that Catherine Morland first met the ,lively but unreliable Isabel Thorpe, and vainly hoped to meet Henry Tilney after dancing with him the night before. "Every creature in Bath except himself was to be seen in the room at different periods of the fashionable hours; crowds of people were every moment passing in and out, up the steps and down"
I reconciled myself to a disappointment numerically greater than Catherine's for there was not only no Tilney, but no crowd. At mid-day there would be two or three score persons scattered about the stately hall, so classically Palladian in its proportions, and so fitly heavy and rich in decoration, all a dimness of