There was nothing remarkable in all this. Moreover, the thoughts of the lonely watcher beside the pump seemed to be far away from the narrow, oppressive courtyard, in some fairy garden, for, with a happy smile he sat down on a little stool in the bean arbor, and pulled to pieces a withered leaf, upon which he had first pressed his lips. From the open windows of the workshop in front of him he heard the loud snoring of one of the journeymen, who had found the room in the rear too close, and another seemed to be talking in his sleep. A smell of fresh leather, cobbler's thread, and varnish, penetrated to his retreat, and these odors, in connection with those coarse natural sounds, would have disgusted any one else with this Midsummer Night's Dream. But the youth in the straw hat could not seem to make up his mind to exchange the hard seat under the scanty foliage for his usual bed. He had removed his hat and leaned back against the wall, whose damp surface was pleasant to his burning head. He gazed through the roof of poles at the small patch of sky visible between the walls, and began to count the stars. The topmost branches of the acacia gleamed in the moonlight, as if coated with silver, and the opposite wall, as far as it was touched by the pale light, glittered as if covered with thin ice or hoarfrost. "Ah!" said the lonely man in the arbor, "life is still worth the trouble! True, its brightest gift, fair as yonder stars, is as unattainable as they—but what does that matter? Does not what we are permitted to admire, what we can not forget, belong to us as much, nay more, than if we had it in a chest and had lost the key?" The striking of a clock in a neighboring steeple roused him from this half-conscious, dreamy soliloquy. "One!" he said to himself. "It is time to think of going to sleep. If Balder should have kept awake to watch for me, though I expressly forbade it—"
He rose hastily and entered the house. When he had groped his way cautiously up the rickety stairs and reached the landing on the first story, he perceived to his astonishment that the door which led into the rooms stood half open. A small dark ante-chamber led into a larger apartment, lighted by a sleepy little lamp. On the sofa behind the table lay a female figure, still completely dressed, absorbed in a book. The light fell upon a sharply cut, sullen face, past its first youth, with very dark hair and heavy brows, to which an expression of power and defiance lent a certain charm. The reader's thick locks had become unbound, and she wore a plain summer dress of calico, which left her shoulders and arms bare. Not the slightest change of countenance betrayed that she had heard the sound of the loiterer's footsteps, and when he paused a moment in the entry and looked through the door, she did not even raise her eyes from her book, or push back the hair which had fallen over her forehead.
"Are you still up, Fräulein Christiane?" he said at last, advancing to the threshold of the ante-room.
"As you see, Herr Doctor," she replied in a deep voice, without being in the least disturbed. "The heat—and perhaps also this book—will not permit me to sleep. I was so absorbed that I did not even hear you come in. Besides, it is quite time to go to sleep. Good night."
"May I be permitted to ask, Fräulein, what book it is that will not let you sleep?" he said, still in the dark entry.
"Why not?" was the reply, after some little hesitation. "Besides, you have a special right to do so, for it is your book. The proprietor of the house, Meister Feyertag, borrowed it of you several weeks ago, and yesterday told me so much about it, that I begged it of him for a day. Now I can not leave it."
He laughed, and stepped within the room. "So the wicked rat-catcher, to whose pipe all the men and women now dance, even though they often declare his tunes horrible, has seized upon you also. You have certainly just read the chapter on women, whose most striking portions our worthy host daily quotes to his wife; and though it makes you angry, you can not drive it out of your mind. The old sinner knows how to begin: he hasn't read Göthe for nothing.
"'Doch wem gar nichts dran gelegen
Scheinet ob er reizt und rührt,
Der beleidigt, der verführt!"
"You are mistaken," she replied, now sitting erect, so that her face was shaded by the green screen on the lamp. "True, I have read the chapter, but it made no special impression upon me, either favorable or otherwise It is a caricature, very like, and yet utterly false. He seems to have known only the portion of our sex called 'females': 'tell me with whom you associate,' etc. Well, we are used to that. But where I have become inspired with a great respect for him, is from the chapter entitled 'The Sorrows of the World.' I could, at almost every sentence, make a note or quote an example from what I have myself experienced or witnessed in others. And I also know why, notwithstanding this, we like to read it; because he relates it without a murmur, so calmly and in such a matter-of-course manner, that we see it would be foolish to complain of it, or to hope for anything better for our poor miserable selves, than is bestowed upon a whole world. You must lend me his other books."
"My dear Fräulein," he replied, "we will discuss the question further some other time. You must not suppose that I am one of the professors of philosophy who wish to silence this singular man. It is a pity that he is not still alive to be asked the various and numerous questions, from which he carefully retired to his sybarite seclusion in the Swan, at Frankfort-on-the-Main. But be that as it may, it is too warm to-night to philosophize. Throw Schopenhauer aside, Fräulein, and play something for me,—the Moonlight Sonata, or any sweet, pensive harmony. I should like to cleanse my ears from the ballet-music to which I have been compelled to listen."
"You! listen to ballet-music?"
"Yes; it sounds ridiculous, but nevertheless it is true. How did it come about? You know, at least by sight, our tyrant, the so-called medical counsellor, my university friend and physician in ordinary. He comes up to our hen-roost every day. Well, I have overworked myself a little this summer, finishing a prize essay,—a haste that was most unnecessary, since with my heresies I am safe from academical honors. However, I gained the second premium,—a heavy head, with such rebellious nerves that my state almost borders on a disordered brain, or one of the mild forms of lunacy. A journey, or a few weeks on the Rhigi, would be the best cure. But our physician in ordinary, for excellent reasons, prescribed no such luxurious remedy. It would be much cheaper, he thought, to let the manufactory of thought rest for a while. He proposed to me to play cards, make a collection of beetles, train a poodle, or fall in love. Unfortunately I had neither inclination nor talent for any of these very simple and undoubtedly efficacious remedies. So, early this morning, he brought me a ticket to the opera-house: he always has acquaintances before and behind the scenes. A new ballet was to be performed, to hear and see which would repay even an old habitué, let alone a whimsical fellow like myself, who had not entered a theatre for ten years. Well, I could not escape the experiment. He who has a doctor for a friend must occasionally submit to try new remedies, and a ballet is better than a silver tube in one's stomach."
He smiled,—a half-satisfied, half-mysterious smile.
"Play me the Moonlight Sonata," he asked again. "Life is beautiful, Fräulein Christiane, in spite of all the sorrows of the world. What lovely roses you have in that vase! Permit me—"
He